Top 1200 Going Back To Work Quotes & Sayings - Page 18

Apart from Arsenal and Barcelona, I don't see myself playing anywhere else. I will definitely be going back (to Arsenal) whenever I have time to watch games and to see the guys… and if there is one place to go back to (to play), it is Arsenal for sure.

When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.

When I get into 'Lucha Underground,' now it feels like I'm part of a collaboration. And I'm talking about storylines; I'm talking about how we can put matches together, where we're going to go, what's going to happen to 'Lucha Underground' as a promotion; what's going to happen with my character; and I was back in suddenly.

We went with the St. Lawrence Experience, which is run by Joe Babbitt, who is a close friend now. We went out there for 10 days and we had the best week of our lives, and we've been going back since. We've been back three times now.

It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.

I talk about beepers going off in the middle of a concert and people being late and not apologizing, and people not RSVP-ing, and adult children going back to live with their parents, which we didn't have in the '60s and '70s.

I really love picking up subjects where people say, 'How is this going to work?' and trying to find a way to make it work because every story needs to be told.

I don't keep up with the art world. It's out there and if I did that too much, I wouldn't get my own work done. So I look at it every so often, "Oh, yeah, oh, okay," and go back to work. Life isn't that long. You got to do what you can when you have it.

Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.'

I don't think anyone who has followed the progress of the Islamofascist terrorists who have threatened us believe we are going to be safe if we try a fortress mentality, to step back and say no one is going to hit us, they don't care about the United States. They do.

I think once a year it's good to look back at the history of Oscar and to embrace the great work that everybody's done this year and set it in place to the great work that's gone on before us.

I don't think I ever expected anything like an Oscar ever, to tell you the truth. That is not my motivation when I do these roles. I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.

When you denigrate people, they have two ways to fight back - with their fists and guns, or their mouths. And mouths are seemingly the easiest way to not get hit back. If people are laughing, they're not going to hit you.

Get back up, shake the dust off and keep going. Keep going, because Hollywood is set up to make you fail.

I was thinking what happens if I break my leg today? What can I do to prevent me going back to the place of being poor? It led me to the world of venture capitalism. How are they making money? I decided I'm going to learn as much as I can.

When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.

I go to a lot of metal shows when we're home. I don't know why, but it takes me back to when I was 17 and going to the local metal shows in Pennsylvania. I go right back to that mentality.

Going all the way back to Jeremiah Wright and Tavis Smiley and Van Jones and even Shirley Sherrod and maybe even Maxine Waters and Charles Rangel. We're going to see what his [Barack Obama] response is.

We have great information. They're going to welcome us. It'll be like the American Army going through the streets of Paris. They're sitting there ready to form a new government. The people will be so happy with their freedoms that we'll probably back ourselves out of there within a month or two.

As long as my mouth, hands, and brain still work, I'll be out there doing it. I'm going to keep going 'til I'm not there anymore. This is what's keeping me alive and feeling young and inspired.

The 'Aladdin' thing - that's not work; that's just fun. Three days in the recording studio going mad, then the animators do all the work. Not a bad way to cash a large check, my friend.

The two years out on loan were about trying to get experience and work as hard as I could to make sure when I came back I could give myself the best chance to get back to Chelsea and get in the team. That was my goal.

I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.

Ronaldo is just an athlete. He works so hard and back to back; he is always there. But if you work hard, can you be like Messi? No, that's impossible. Can you be like Ronaldo? Yes, to a certain extent.

I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.

We need to align the incentives so that colleges have an incentive to keep down their costs... to graduate students on time with degrees in areas where they're going to be able to get jobs and going to be able to pay back those loans.

Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.

The biggest risk I've ever taken is going on American Idol and trying to be myself. I wasn't going to try too hard to conform, and I knew that it could possibly not work out.

Does anyone actually think I'm going to call Tiger Woods and tell him what to do with his swing one day, and he's going to go out and do it, simple as that? It doesn't work like that.

I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.

I've never had high expectations of my work and I certainly am not going to let that plague my thoughts. I'm just going to continue to choose what feels right for me at the time and go with it.

As a technologist, I see the trends, and I see that automation inevitably is going to mean fewer and fewer jobs. And if we do not find a way to provide a basic income for people who have no work, or no meaningful work, we’re going to have social unrest that could get people killed. When we have increasing production - year after year after year - some of that needs to be reinvested in society.

If they played more blues, people would just get it - they try to hold it back but just about can't hold it back now because the blues is really going.

The principle of work is part of self-discipline. Now, my dear young sisters, I have lived a good many years longer than you, but even back in Grandpa's time there was something to make you want to lie down and go to sleep-they called it work.

We are going to lead once again by being the best. We're gonna lead economically. We're gonna lead technologically. We're gonna go back to the Moon, we're gonna do whatever we're gonna do. We are going to lead by engaging in American exceptionalism and this is going to inspire others to come along with us. We're not shrinking away from anybody. We are reengaging. That's what Trump is, and that's what Democrats don't see.

When you're finally up on the moon, looking back at the earth, all these differences and nationalistic traits are pretty well going to blend and you're going to get a concept that maybe this is really one world and why the hell can't we learn to live together like decent people?

You can rely on your team to do their jobs, but you have to carry the torch and do anything you need to, not just to shoot and finish, but to get the film seen. You have to know within yourself that you're going to have to take this. Don't sit back and think other people in your team are going to make it happen now because you've done your part. You have to carry that torch, and no one is going to care as much as you do, and nobody is going to live with it as long as you are because it's your film.

Make your work deeper and better than those before you, and eventually someone will notice. If you don't think the work is better than what you've seen, then go back until it is.

Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.

I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.

I did a lot of lower league, and in lower league, you're not going to be playing out from the back; you're going to hit it long and try to get the second ball.

I am a family man. The only difference between me and others is that while they work in corporate offices, I am an actor. I, too, like to go back home after work. I don't mind stopping to pick up groceries.

You cannot have that attitude of where I am going to tuck my tail between my legs and go home. You have to keep going back for more. That's why cycling is a very competitive sport. You have to have determination and drive to train hard and put forth a good effort.

In a way, we're going backwards. In the early '80s, it was like all these huge strides, and everything was more free and easy. I think we're going back. I don't know if it's the economics or what, but things are getting more right-wing, definitely.

You seeyou can beat a dog and it's going to do one of two things..it's gonna roll over and die or it's going to bite you and attack you. And I'm the kind of person..uh..whose the type of dog that will bite back..I wasn't going to roll over and die

I very rarely want to go back and fix things, because I'm much more interested in the next thing, and in taking what I learned from the things that don't work, and applying them to new things that may work.

I was already committed to a play back in New York about Hans Christian Andersen, where Colleen Dewhurst was going to play my mother. I was excited about that, and I got this script called 'Back to the Future,' and I thumbed through it. Didn't pay a hell of a lot of attention.

I'm very British at heart. When I come to England, I say I'm coming home, and then it's funny: when I leave England to go back to L.A., I also say I'm going back home.

Not everybody even gets to live with their own family because they have to go to L.A. or New York or wherever to work and find a job and leave their family back home. But every day, I get to work with my family - if I want to.

You never know how they're going to play out, but 'Pork and Beans' definitely had the same vibe as the 'Buddy Holly' video in that you just knew it was going to work.

In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.

Sadly, my hobby is what I do for work, so I don't go off and go fishing. I go home and veg, and then I go back to work.

What nobody tells people who are beginners… is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not… your taste is why your work disappoints you… We know our work doesn’t have this special thing that we want it to have. We all go through this… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.

Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."

The state of love is this constant flux back and forth between who's saving and who's rescuing, who's wanting and not wanting, who's needing and who isn't. It's always going back and forth between two people who are actually attached.

That's an important Obama accomplishment: he raised taxes back to Bill Clinton levels, and made a major dent in inequality doing so. That's certain to be reversed, that's going to disappear. The Republicans are going to slash the rich's taxes.

You're living life in real time, man, and we' ve got a good amount of work to do for each other. Hiding is not an option and you're going to step out and you're going to make mistakes.

They're making so few movies that you really just have to make it. It's going to be the only way you end up getting work. I don't believe anyone's going to really go out on a limb and just throw millions of dollars on someone that's not been proven. They're going to have to show somebody something at some point.

The issue that's really, really concerning is that you have eight million prime age men who have dropped out of the labor force, folks who aren't even looking for work. You can create job growth all day, but unless you start to do the things that bring those labor force dropouts back into the job market, you're not going to solve the problems.

Fame is something that is tough when it comes. It's a weird thing to take on in real life. I was a little bit afraid and, as a result, kind of turned my back on it. You should embrace it because it's going to be a part of who you are, and it's going to be a part of what this business is about.