Top 1200 Going Back To Work Quotes & Sayings - Page 6

When I sit at my table to write, I never know what it's going to be until I'm under way. I trust in inspiration, which sometimes comes and sometimes doesn't. But I don't sit back waiting for it. I work every day.

I had a lot of self-loathing, .. I've been self-sustained since I was 11. I've always been the one making the money, and to be flat on my back and .. so vulnerable and then be completely loved. To have my wife be there, 110% supportive. To have my children say, 'It's OK, Mom.' To have the people that I work for say, 'It's OK.' To have my fans go, 'It's all right.' It's like, what was I afraid of? I'm going to get healthy now, and I'm not going to carry that baggage anymore.

I'm rapping, I'm hooping, I'm on a max-contract, I got a big shoe deal. Everything is good now. So of course, the support is going to be there, the love is going to be there, but what's going to happen when it changes or when I'm on the back-end of my career or when I ain't on TV all the time?

More government isn't going to help you get ahead. It's going to hold you back. More government isn't going to create more opportunities. It's going to limit them.

I work because I want to work. Work keeps me going.

I'm going to Yoshi's. I'm taking a few gigs. I'm playing. I'm not going to play all the time. I'm going to take it easy and take it slow and warm up so I can come back.

My father was unwell when I was 11, had a stroke at 14 and died when I was 18. My mother going to work at seven in the morning and coming back to look after him and me and my brother left its mark on me.

I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.'

The plays I choose to work on are about having masks. We all have masks in life, but there is a different inner life going on. The audience has to work hard to see what is going on. I love what is not on display.

It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.

I can't just go to McDonald's after I'm done working out. I'm going to treat my body like it's the only body I'm ever going to have. I'm going to make sure it's strong and it's good. I'm really going to work hard every single day.

I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.

I packed my bags and went back to California and actually put wrestling behind me. I actually thought, well you know what, I thought it was crazy I made it once and to think I'm going to come back or whatever was unrealistic goal. So I went back to bodyguarding and substitute teaching.

It was a nice bit of blackmail that kept him off my back, but he refused to take the message that I wasn’t going to work for him. ’Course, that might be my fault…since I seemed unable to say no when he waved enough money at me.

I would want the going-back-in-time superpower, so I could take back the stuff that I say and gets me in trouble with my wife.

I think actually what I'm going to do when I'm done and take my next vacation, is I'm going to go over and start unions in Japan. I'm going to unionize Japan. Because the way they work those crews is so criminal. There's no overtime, so they can just keep going.

I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.

I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.

We're going to play our game and we're going to come back and we're going to play Montreal or Tampa.

For 100 m., you have to go out fast but also bring it back, so we've been doing a lot of work on the back-end speed.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

Sometimes I wake up in the morning and feel like going straight back to bed. But I still have to get up and work, and I still have to take advantage of the chances I've been given in life.

I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old

Conversion is not the smooth, easy-going process some men seem to think... It is wounding work, this breaking of the hearts, but without wounding there is no saving... Where there is grafting there will always be a cutting, the graft must be let in with a wound; to stick it onto the outside or to tie it on with a string would be of no use. Heart must be set to heart and back to back or there will be no sap from root to branch. And this, I say, must be done by a wound, by a cut.

I was looking at the work of the New York street artists and then discovering Basquiat and Haring after that and seeing how the contemporary art scene was, and then going back into Warhol and all that was happening in the 60s.

The elephant in the room time and time again when it comes to work and promotions is maternity leave. We need to work with businesses so they work with women and make it easy and supportive for them to come back into the workplace.

Kate is going to come back, she is going to be super-strong again. Everybody is going to want her again because she is that kind of person. She is very professional and beautiful and she is going to be around forever.

In L.A., you constantly go on auditions, and you're usually not what they're looking for - you get used to going back and back to the same show, and nothing happens.

It's like hip hop all over again, back in the '70s back in the Bronx, when it was just bubbling. But it's going to be huge.

We have to take care of our people. That's our work now. And it's going to be a lot harder than it would have been if Clinton was in the White House. But we have to do it anyway. We have to work for it! And it's not going to be easy. But guess what? It never was easy.

We need a wealth tax that on a one-time basis is going to take back at least some small fraction of the great windfall that the upper 1 percent, or 5 percent and pay down the government debt, pay back the federal debt because we can't put this on the next generation or they're going to be buried paying taxes.

We need to have nature back in our atmosphere. There might be a turning point of going backward - within a few thousand years we are going back to the Stone Age! There are many scenarios [with] the robot technologies: Humans no longer need to walk; machines can produce products and food and everything. You might not be able to recognize what's false and what is real.

It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.

Not only are we going to New Hampshire ... we're going to South Carolina and Oklahoma and Arizona and North Dakota and New Mexico, and we're going to California and Texas and New York! And we're going to South Dakota and Oregon and Washington and Michigan. And then we're going to Washington, D.C. to take back the White House, Yeeeeeaaaaaargh!

I just kept going to the gym, and luckily I have a gym at home, so I just go in there probably for 30 minutes and then I go back out and then I go back in for another 30 minutes and accumulated like about three-and-a-half hours of working out a day. It was a lot. It was ridiculous. But I said I'm going to do it. I'm going to do it right.

When I first started directing, I could have chosen a more lucrative path, with sitcoms and things like that. But I knew enough after the experiences I had in front of the camera that I was not going to do that, because I was just going to work on my own things or work with people I respected.

If Vladimir Putin is conscious and aware of his standing in the world economy, he has to understand this aggression in Crimea is not helping the reputation of Russia as a modern nation where you can do business. He's back to the old Soviet ways and a lot of folks are going to hold back and pull back as a result of it. I think he may have second thoughts.

So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.

There are at least 23 countries that refuse to take their people back after they've been ordered to leave the United States. Including large numbers of violent criminals, they won't take them back. So we say, OK, we'll keep them. Not going to happen with me, not going to happen with me.

If there's a deadline, I work late. If not, I like to have normal hours, and get up early and work. When things are going well, I hate to quit. And then I'll work 'till exhausted.

My favourite writer is Beckett and I keep going back to wallow in his work like a deep pool of dark humour or like an oxygen tank when you can't breath in a world consumed by piety, hypocrisy and self-satisfaction.

If you work all the time, you don't have many life experiences to feed back into your work.

Momma told me, 'I'm going to town. Don't touch the trash in the backyard,' because we used to burn our trash. So I'm going to do mama a favor. I light the trash and go back inside to watch Ohio State and LSU play. And something said, 'You know what, at halftime, go check on it.' And fire is about 8 feet from the back door.

How can you have a security guarantee? The Europeans can give their security guarantees to Iran all they want in return for their stopping their enrichment. But as long as America says we're going to stay out here and we're not going to drop the stick, we're going to pound you if we have to, it's not going to work.

It was in the back of my mind, even while I was going to school, but it wasn't until I was at university studying engineering that I thought, well what do I really want to do? And I kind of came back to that and I said, well the degrees I'm trying to get are going to qualify me to apply. And so, that's what I did after I finished my, or after I was getting my doctorates. That's when I first applied to NASA.

I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old.

If you love what you do, you're going to work hard enough at it in order to succeed. If you don't love what you do, you're never going to be able to work hard enough to make it work.

A lot of people probably think I'm not athletic or don't even try to work out or whatever, but I do. Just because you're big doesn't mean you can't be an athlete. And just because you work out doesn't mean you're going to have a 12-pack. I work out to make sure I can do my job to the best of my ability. Other than that, I'm not going up there trying to be a fitness model.

In every conversation I've had - with housewives in Mumbai, with middle-class people, upper-class, in the slums - everyone says there is an underlying consciousness of karma. That people believe in karma - that what you're putting out is going to come back. If I do something to you, the energy of it is going to come back to me in the future.

I love acting. It's a lot of fun work, interesting work, and you get to work with some very interesting people. But I seemed to be OK walking away from it for a little while and then coming back to it.

Look at your work and it tells you how it is when you hold back or when you embrace. When you are lazy, your art is lazy; when you hold back, it holds back; when you hesitate, it stands there staring, hands in its pockets. But when you commit, it comes on like blazes.

My body's feeling it a little bit. But one good thing, my back is in good shape, and that's my main concern. I know that my legs are going to take awhile to get back to where I was a few years ago, but as long as my back is solid, I feel that I can play many years.

You can reasonably make the intellectual journey from thinking it's permissible to eat shrimp to thinking it's not permissible, or vice versa, whereas our slavery journey was uni-directional. We are as certain we are not going back to that old kind of slavery as we are that we aren't going back to the geocentric universe.

Inside the White House there were always extreme amounts of doubt about whether they should be escalating in Afghanistan. In fact, most of the president's advisers said, "This is probably not going to work." A lot of people in the military said, "This is probably not going to work."

We're not going back anywhere, we're going forward, we're going forward in democracy, we're going forward in participation, we're going forward with ideas.

I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.

After Bad English, I made three albums back-to-back that I still think is my best work, but it wasn't meant to be toured.

I open the driving range and I close it. I thought you ought to know that I work hard. I like practising. I enjoy it. If I did not enjoy it I would not do it. What is the point of going back to the hotel, having a drink and talking a load of bull?

Going back to California is not like going back to Vermont, or Chicago; Vermont and Chicago are relative constants, against which one measures one's own change. All that is constant about the California of my childhood is the rate at which it disappears.

Harry Reid was talking about soup lines, and Hillary Clinton was talking about the economy being on the verge of collapse. Yet, in the same breath, they say that Social Security is rock solid, and there's no crisis there. How are you going to work-you said you're going to reach out to these people-how are you going to work with people who seem to have divorced themselves from reality?