Top 1200 Good Actor Quotes & Sayings - Page 20

When you are in America, at least for me, as an immigrant, I try to be as Americanized as I could. I just want to be an actor, I don't just want to be an Asian actor necessarily.

I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.

An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.

I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.

In order to make a movie it isn't enough to have a script, it isn't enough to have a director, it isn't enough to have a male actor and a female actor, it isn't enough to have financing. You have to have them all at the same instant.

'Company' attracted a certain strata that acknowledged me as a good actor. But in terms of popularity, I owe everything I have to 'Road' because of the song, 'Raste raste, toofan sa.'

What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.

In order to be an actor you really have to be one of those types of people who are risk-takers and have what is considered an actor's arrogance, which is not to say an arrogance in your personal life. But you have to be the type of person who wants the ball with seconds left in the game.

I would like to do a lot more of it, I feel comfortable with it and basically it's all in the writing. I'm not a personality type actor, I need a good script in order to be funny, but it's definitely something that I like doing.

When you're a child you're able to assimilate so easily into any situation. You even start talking like the people you're around. I wasn't conscious that I was so good at that until I started to truly feel like an actor.

When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.

An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.

I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.

There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer', that director's going to hate your guts. Particularly if it's a good idea.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors, I don't know.

The tags in this business don't leave you... When I was a VJ, they called me VJ-turned-actor, then I turned into a comedian, and now I am a serious actor.

The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.

I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.

If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.

I'm an actor. Never trust an actor, whatever their energy is. I suppose you guys see that side of me, but I'm sure there's plenty of people close to me who've seen the other one. I think if we're all honest with ourselves, we all know that internal rage.

One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.

An actor definitely has to be in the past a well as the present; an actor must react to past experiences every minute, every second.

So, being a good man is not an exam or a qualification, it changes, and it incorporates being a good friend, a good father, a good employee, a good boss, a good neighbour and a good citizen.

I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy: it's serious business.

Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor

It's really hard to copy another actor and be successful. In fact, that's usually the reason people are not good, because they're copying something they've seen, but, for some reason with their face and their body, it doesn't work.

If you're a lead actor, people are just waiting to say 'you're too old' or 'you're too unhip.' If you're a supporting actor, you can just work forever.

My feeling is that in the purest form, an actor is a service to the people. It's democratic in its purest form. That's what an actor is. If he or she isn't that, then there is no purpose in doing it. They're like priests.

I want to abolish tags like 'comeback' and 'retirement' that are used to define every married female actor. What is the big deal? In Hollywood, every top actor takes a break, has children, and gets back to work.

As an actor, I get my insurance from the Screen Actor's Guild by union, and you have to make so much every year to get that type 1 insurance.

Once you start working with a particular actor, that actor becomes very present in your mind as your mind as you're writing subsequent episodes.

I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.

The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.

Before 'Sarkar,' I used to introduce myself as Kay Kay, the actor and then that got reduced to just Kay Kay as people realised that I am already an actor.

In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.

There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer...', that director's going to hate your guts. Particularly if it's a good idea.

There's something really natural to me about being what they call in the business a "hyphenate." Being a musician-actor or writer-musician-actor.

I always wanted to be an actor, and then modelling came first. But I don't want to diminish the fact that I always wanted, and had the passion, to be an actor.

The prosthetics were interesting because the artist was so good that they could just put a Hitchcock mask on me, but you don't want to do that. You're an actor playing Hitchcock, so it's about how much of that you're going to do.

Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.

I became a victim of my own good work in 'Buniyaad.' It established my credentials as an actor but I became Babuji forever, the benevolent father figure with a perpetual smile, who has a discourse on sanskaar ready.

If I'd had the choice when I was 14, and someone had said to me, 'You can either be a footballer or an actor,' I'd have said: 'Well, can't I be a footballing actor?'

As an actor I'm part of a long line of character people you can take back to the silent movies. There's always the little guy who's the sidekick to the tall, good-looking guy who gets the girl.

A few months ago, I was sure that I was going to stop dancing to become a good actor. But then when I was by myself for a week, I asked myself, What are you doing? You have that talent. Use it to the fullest.

We all have known good critics, who have stamped out poet's hopes; Good statesmen, who pulled ruin on the state; Good patriots, who, for a theory, risked a cause; Good kings, who disemboweled for a tax; Good Popes, who brought all good to jeopardy; Good Christians, who sat still in easy-chairs; And damned the general world for standing up. Now, may the good God pardon all good men!

I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy - it's serious business.

I guess you can say that every actor is a 'character actor' on some level. But I think some actors have a wider range. I think that's how you get that mantle.

With independent film, as an actor, you have more involvement - it's very much more connected. It's not just like I'm showing up and there's another actor on the call sheet; you're very attached to it.

I want to try and do as much as I can as an actor. So far I think I've done pretty well with being a minister's son. And now I know I'm pretty darn good at playing a woman too.

I am a professional actor and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do. They may inadvertently do it, but it's because of the script, not the acting.

The good thing about helping an actor create a performance is, you really don't know how you're going to do it. It's a challenge every time you get to the set. That keeps the energy flowing all the time.

Everyone who comes to the entertainment industry wants to be a film actor. Who wants to be a television actor by choice? I want to change the perception of Indian television as being the poor man's medium.

My goal as an actor was to work - to be a working actor, whether it was in theater, and, well, I didn't even consider film and television when I was in New York, but what came along, came along.

After working in a number of films as a child actor, I took a break so that people could forget me as a child actor and relate to me as a hero.

Quite frankly, I didn't become an actor to become a movie star. I have never dreamed about being the most famous person on the planet. I just want to do really good work.

I'm a self-made actor in Bollywood. And when I see actors far more good-looking and talented than me struggling for a place, I feel quite happy with my place.

There are many projects that come an actor's way, and one cannot say yes to all of them. Reasons of saying no vary all the time, but for me, it has never been on the pretext of not wanting to work with 'a particular actor' ever! I would never do that.

When you're a child, you're able to assimilate so easily into any situation. You even start talking like the people you're around. I wasn't conscious that I was so good at that until I started to truly feel like an actor.

In college, I was teetering on the edge: Do I want to be an actor? Do I not want to be an actor? And then I saw Michael Caine in 'Alfie,' and I thought, 'Wow, that's what I want to do with my life,' even if I knew I'd never reach that level of proficiency.

I've never considered myself an actor; I get much more immediate satisfaction singing. If you sing good, people clap. On television, you never know whether you've done well or not.