Top 1200 Good Bands Quotes & Sayings

I remember hearing, back in the day, so-and-so got a deal, and bands are spending the money. Some of them live in the old days, where money is coming in and budgets are endless, but bands have to pay that back. Some bands just don't realize that.

I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.

Well that's probably what'll end up happening: a load of really good musicians who can't afford to be in bands, who have to have day jobs, you know what I mean? And then that's when you start losing a lot of the live touring bands.

For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.

There is a definite sound with all-girl bands, a good rudimentary sound, and that's what's cool and punk about all-girl bands that you still find, largely - it's really kind of primal.

With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.

I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.

Growing up in San Diego, I can remember going with my brother to see bands like Pennywise and NOFX - good punk bands that were fast and tight.

It's the faster bands that made me want to play guitar, bands like The Jam.

Old-school rock bands, and blues bands, too, are kind of a dying breed.

Good bands you can kind of lose, then come back and realize they're still good.

Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.

I think the whole concept behind lyrics is you better mean what you say, or you should like, become a storyteller. I mean, there's a lot of bands who are just storytellers, and then there are bands who actually have something valid to say. And the bands who have valid points are few and far between.

There are many unidentified bands in the spectra of stars. Wide bands are produced by some complex molecules in the interstellar space.

People think this is a competition between bands, when the reality is the more successful bands the better.

When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.

I listen to all kinds of bands. I like rock music, like, male rock bands. I'm more into that instead of female singers. I like Nirvana, Green Day, System Of A Down. I also like punk rock, and I love bands like Coldplay.

I wasn't in a lot of rock and roll bands. I was in jug bands and things when I was in school.

I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.

I played in rhumba bands, mickey mouse bands; all kinds of bands.

I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.

I know that there are a lot of sort of silly things that one thinks as a music listener about bands. I am a fan of many bands.

When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.

In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.

When you look at bands like Take That, who have come back bigger than ever, you can see there will always be a market for good pop bands.

Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.

I got sick and tired of hearing bands that didn't mean anything to me. I mean, there are some bands out there that are good, but if you want to hear stuff you want to hear, you got to do it yourself.

I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.

There's very few rock & roll bands. There's rock bands, there's sort of metal bands, there's whatever, but there's no rock & roll bands - there's the Stones and us.

I didn't expect major labels would embrace MySpace, and the original idea for music on the site was the unsigned bands, the independent bands.

Two of my favorite bands, Blackberry Smoke and Black Stone Cherry, I just think both of those bands are a good new progressive kind of Southern Rock that's a little different than us but still has a rootsy thing going on.

I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.

I'm not into bands for the sake of being into bands. I've grown past that. There was a time in my life when I was that guy.

I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.

I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.

Most bands are commercial enterprises. But I'm not in one of those bands.

I do love dance music. I love Daft Punk. I mean, I was a child in the '80s, so bands like the Eurythmics and just so many great '80s bands were dance bands, but they had the whole soul thing happening, too.

Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.

We were watching bands like the Ramones and Blondie and other bands beginning to ignite.

The music industry has completely restructured itself in the last couple of years because it hasn't been making money. Labels are signing bands they trust as artistic entities, instead of cash cows. They're signing bands because they believe that the bands have tastes beyond anything they could concoct themselves.

Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.

People in bands should have a responsibility not to moan, not to complain about being in bands. Things could be a lot worse, you know?

I never understood bands saying Nirvana had anything to do with derailing their career. Maybe those bands didn't have the goods.

But, then again, I wouldn't call myself an indie-rock supporter even if there are some really good bands out there and there will always be some real good new bands.

The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.

I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.

I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.

I was playing in other rock bands. Any of those bands didn't last long.

I played in school jazz bands and tried to start rock bands, but nobody was interested.

In the studio, you can always stop, rewind and do it again, but on stage, you can never do that - it's a different energy. It separates good bands from bad bands, being able to play, perform and really capture an audience. I think that's the hardest part.

I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.

Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.

I was just obsessed with bands like Third Eye Blind, Matchbox 20, Everclear - those were shows I was going to. A lot of those bands definitely inspired me. Those bands' songs are powerful enough that they can last forever.

There are bands that I got into when I was 15, when I was mad at my dad and just wanted to be different. I don't think I'd give those bands half a chance now. But I hold some kind of nostalgia for them that I won't let go. Bands like Minor Threat and Black Flag.

I was in bands many years ago, so that's where it started. I played in bands, sang backing vocals and all the rest of it.

I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.

I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.

I was in punk bands when I was a kid, and then I would do stand-up in between bands - which wasn't any different from my singing.

There were a lot of times where there was a great deal of fodder recorded and played, because there was a market for it - just as there is today. And there were more bad bands than there were good bands - I think that should always be remembered.

I don't think that bands that make it on their first album are as strong as bands that don't: there is nowhere to go but down.