Top 1200 Good Dance Quotes & Sayings - Page 12

Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists.

To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.

I enjoyed Ready For This, which was created by the people behind Dance Academy and Redfern Now, and really it's what you'd get if you crossed Redfern Now with Dance Academy

...existence has become an unreasoning, wild dance around the golden calf, a mad worship of God Mammon. In that dance and in that worship man has sacrificed all his finer qualities of the heart and soul — kindness and justice, honor and manhood, compassion and sympathy with his fellowman.

Dancing is really a way of working out and it can actually be fun. In dancing there might be a certain dance move that requires you to do a squat. Certain dance moves will require you to move your core. That's what people don't understand.

There are some good traditions in our culture, one of which is that men dance with women. Soon we will reach the stage where we will all have to publicly apologise for being heterosexual.

I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.

When you dance with a partner you are close and the dance is very suggestive, but it is not personal … “Close is what the music inspire you to become. The embrace looks personal, but what we are actually embracing is the music.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.

My sisters used to learn dance, and I used to stand behind them and dance. So my guruji suggested that I also learn, as I seemed interested. I started learning at the age of three and was always on stage for something or the other. My mother is proud of me, and clearly my artistic bent comes from her.

Dance today is clearly in an unsettled state. Old forms and traditions are being given up. New ones are arising to take their place. A time of change presents a confused picture. That there is change is proof that dance is organically vital--and much more so than it has ever before been in this country.

In fact, I wasn't going to dance in Xanadu, but several journalists told me that Olivia Newton-John kept saying how sad she was that she wouldn't get the chance to dance with me. So I finally said, "All right, throw in a number." But I'm through with dancing.

I didn't want to move or act like a rich man. I wanted to dance in a pair of jeans. I wanted to dance like the man in the streets.

There aren't always, especially in low-income communities, the arts and the dance and the drama and the things that can really show a kid, 'Look, even if I'm three years behind in math, there's something I'm good at that can help me be successful in life.'

I think most good music has got some kind of crossover-potential. It feels nice to know that there are more people than those into dance-music that are listening to what I've made.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.

I remember seeing a photograph of myself en pointe with my hand over my head and the other hand turned in under my breast curtseying. I took dance lessons at Miss Debbie's Dance Studio, and she put this picture of me in the storefront window. I was so unbelievably humiliated by the sight of myself.

I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"

Your body is the ground metaphor of your life, the expression of your existence... So many of us are not in our bodies, really at home and vibrantly present there. Nor are we in touch with the basic rhythms that constitute our bodily life. We live outside ourselves - in our heads, our memories, our longings - absentee landlords of our own estate. My way back into life was ecstatic dance. I reentered my body by learning to move my self, to dance my own dance from the inside out, not the outside in.

That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.

New steps. That's what it amounted to. The two of them were learning the steps that would bring them together, a dance that would take them into forever. A dance that could be nothing less than God's plan for their lives.

When you have achieved a state of calmness and readiness, then you are ready to know, ready to understand in a deep way the dance between emptiness and appearance. Once you catch a glimpse of that dance, don't hang on to it. Just let it go, like your first glimpse of essence love.

I was trying to do my own version of 'Cha-Cha Slide.' I was hoping someone, just someone, please dance to this song. It started to happen at my shows; the front row fans started doing the dance.

All things are aggregations of atoms that dance & by their movement produce sound. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound at every moment creates dense subtle forms.

Dance is something I really enjoy; it gives me a different kind of happiness, something more spiritual. Plus it's good exercise; I'm happy doing it, and it all shows!

Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.

I'll never forget the dance number that I shot with Anushka. The choreography involved a lot of intricate dance moves. I'm at least 7 inches shorter than Anushka, so I had to wear the highest heels I've ever worn in my life; throughout the song, I even injured my knee a couple of times.

My first memories of music are of my mother playing Dominican music in the house because my parents love to dance. They love to throw parties and dance, so there was a lot Latin music in the house.

My dance move has seemingly turned into push-ups. Sometimes, especially if I've indulged a little bit in an evening, it's not out of the ordinary to find me, for some reason, doing push-ups. That seems to be my go-to dance move.

If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.

I had been acting from a very young age and also performing with a dance troupe, the Kalakshetra Dance Troupe, from city to city. I needed a break. After marriage I took time off. That break lasted 24 years!

When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance.

I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.

'ABCD' is an out-and-out dance film. I also dance in the film. I must say you would see better dancers than me in this film. It was very tough for me to match their steps.

I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.

For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.

It's such a normal thing for a dance producer to make music and try it out in the club, but that was relatively new to me. I wanted to make a good album that felt like it had a point.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.

When I was a kid, I was really curious about acting. And I was interested in movement and dance. I wasn't good at either of those things - I didn't work at those things.

No, my dance moves are always working no matter where I am. Whether at the house or if I'm out, at the facility working out, practicing, you gotta get the dance moves right. They help out with your footwork.

I think there's that weird bastardization where musical theatre actors are treated as almost like vaudevillians or circus performers - that we're somehow not good actors because we sing and dance.

At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not all it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance.

But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

"Dance," said the Sheep Man. "Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop."

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

I focus on having a feminine body, a dancer's body. I do resistance and dance and cardio. I like hiking, swimming, being active. It clears your mind and it's a good way to decompress.

We dance, we dance. You hold the thread of my soul. You spin, you spin. And you unravel the part from the whole. We laugh, we laugh. I'm so far from where I began. I fall, I fall. And I forget that I am.-from Golden Tongue:The Poems of Steven Slaughter

'Hello' was a niche film with no high levels of energy. It had no much happiness, no much dance in its screenplay. But it did a lot of good for me. I was in a negative space before it happened.

The smile is the dance of the face - the dance is the smile of the limbs.

A fitness instructor in Maine has been charged with running a prostitution business out of her Zumba dance studio. Authorities first got suspicious when they saw guys going to work out at a Zumba dance studio.

The lesson I learned from the Cung Le fight is this: What we do is very dangerous and really shouldn't be played with. I should have just knocked him out, not let him dance around and look good.

I wanted to go to school for public relations, and I also wanted to minor in dance. And Hofstra had two really good programs for both of those, so that's why I ended up there.

I knew I am not star material. I cannot sing or dance, nor am I good for action. I can only perform for which strong, diverse roles are needed.

Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.

I’m actually pretty good at stripping, which makes me wonder what happened in my previous life. Funny enough, I don’t wear a lot of clothes when I dance and it’s very sexy, so it wasn’t too hard to get into the motion of it.

Let me see you do the 'rag time dance'... Turn left and do the 'Cake walk prance'... Turn the other way and do the 'Slow drag'... Now take your lady to the world's fair (...) And do the 'rag time dance.'

I always pick myself up by doing a dance session. I turn on really good music and have a lot of food and mentally I just take that time to cocoon and rebuild myself.