Top 1200 Good Dance Quotes & Sayings - Page 13

Explore popular Good Dance quotes.
Last updated on December 19, 2024.
The spirit of dance is an amazing thing. When the body and the spirit meet, it's a good thing.
My job is to be a DJ and make people dance so if people dance, I've done my job.
Never stop moving, or you'll stop moving. I go to dance class every morning, and it's just good to stay strong; I like being healthy. — © Liza Minnelli
Never stop moving, or you'll stop moving. I go to dance class every morning, and it's just good to stay strong; I like being healthy.
You should do something that will make your heart dance once a day. If you can't do that because you're too depressed, then do something that will make somebody else's heart dance.
It is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall -- all dance together to the music that he make with that smileless mouth of him.
I do love dance music. I love Daft Punk. I mean, I was a child in the '80s, so bands like the Eurythmics and just so many great '80s bands were dance bands, but they had the whole soul thing happening, too.
People want me to be so full of shame that I used to dance. I would never be ashamed of it. I made a lot of money. I had a good time, and it showed me a lot.
Whether it's dance or action, what's important is hand and body co-ordination. When you are a good dancer then automatically while performing action, the co-ordination is that much easier.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
Everybody likes to see a good soft-shoe dance and a song to go with It, but how often do you see It? It's a lost art, just plain hoofing, and I've never heard of anybody who didnt enjoy doing it or watching it.
I can dance - I can dance a little bit. I can move. I don't - I'm not a - I don't proclaim to be a dancer, but I can move. But instruments, playing the drums, I probably play the drums better than I walk, better than I do anything.
Your mortal attachments are like a puppet’s strings," Avari said, both hands clasped casually at his back. "One need only pluck the right cord to make the puppet dance." His smile was almost creepier than his threats. "Dance, reaper!
I was using tape loops for dancers and dance production. I had very funky primitive equipment, in fact technology wasn't very good no matter how much money you had.
I went to dance class as a girl because I didn't like sports, but I never did a dance recital in my life. Never, ever, ever. I felt comfortable dancing, and I was happiest dancing, but I was never the best person in the class.
Evangelion (that we call the gospel) is a Greek word and signifieth good, merry, glad and joyful tidings, that maketh a man's heart glad and maketh him sing, dance, and leap for joy.
Each time we arrive at a new level in extricating ourselves from economic, social, spiritual domination, we have a moment when we dance in the world of these new experiences, only to find that the music soon stops, the dance ends, and we're struggling once again to save ourselves from being thrown back into those conditions.
There's this great kind of spooky dance that happens that I can't access any other way. I think most of us are given kind of one pathway to that dance, and that's why I'm a writer. It's the only way I can get there. I can't do it through art, I can't do it through singing, I can't do it through mothering, I can't do it through invention.
At school, either gymnastics or dance, it was the same. It gave me pleasure to move. And then, when I worked to achieve something new and out of the ordinary, it made me feel good. I felt I had surpassed myself.
I do not try to dance better than anyone else. I only try to dance better than myself. — © Mikhail Baryshnikov
I do not try to dance better than anyone else. I only try to dance better than myself.
I am absolutely desperate to do an action movie. And not to blow my own trumpet or anything, but I actually think I'm good at it. I did it all. I was really into the routines and the choreography. I used to dance when I was younger, and so I think that came in handy.
You need music that is compelling and intellectual, but you also need music that just feels good and you can laugh about and dance to, and I think I'm trying to marry the two in some way.
You will certainly not be able to take the lead in all things yourself, for to one man a god has given deeds of war, and to another the dance, to another lyre and song, and in another wide-sounding Zeus puts a good mind.
Saturday mornings in spring should always start with a jolt of dance by Paul Taylor performed by Taylor 2. The touring ensemble, an adjunct of the Paul Taylor Dance Company, offered a rare New York performance... It was an impressive event, presented by a group of highly individualistic dancers.
I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.
The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.
Dance is a way of connecting and finding a moment with someone. It really is something special and unique that you don't find in any other physical activity, you know? Because it's you with another person, and you guys dive in together with these characters. So dance, to me, has been really special to create amazing bonds with people.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
I remember my mom threatening me, half-serious: 'You know what? I should take you to Pittsburgh and put you in dance lessons just to keep you occupied.' Well, that brought everything to a screeching halt. 'Jeeze, dance lessons.' In retrospect, it would have been awesome, but then, 'Ugh, dancing - dancing's for sissies.'
Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.
Dance with her, and she will forgive much. Dance well, and she will forgive anything.
I think it's funny because on 'Glee Project,' there's that added pressure, but with 'Glee,' there's no element of competition. No one's trying to dance better than anyone. But there's that added pressure of, 'So many people are going to watch 'Glee' this week. If I don't nail this dance, I look like an idiot.'
I am very excited because 'ABCD' is India's first dance film. I am also thrilled because the film is in 3D. People will be able to see my dance in 3D.
It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.
I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.
If you have time to chatter, Read books. If you have time to read, Walk into mountain, desert and ocean. If you have time to walk, Sing songs and dance. If you have time to dance, Sit quietly, you Happy Lucky Idiot.
I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.
When I came back to Mumbai after boarding school, I was 16 and I picked up weight training and yoga. This is when I also started dance classes and Pilates and then I started doing different workouts every month. I am now proficient in kick boxing, gymnastics, classical dance as well as yoga.
My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.
I like a spirituality with a God that knows how to drive a car, that knows how to take his girl to the dance club, dance all night, have a little drink, kiss the kid when they come back in and go to sleep. God doesn't need a chauffeur - he needs to drive himself.
Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.
I find L.A. very interesting, partly because I think something new is forming there, but not in a moment of good fellowship as you might think from all this "diversity" claptrap. It's not as if we'll all go down to the Civic Center in our ethnic costumes and dance around.
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act. — © Louise Brooks
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.
I started practicing yoga when I was a teenager, studying classical dance. My body and mind were very open but not very strong. I was trusting, excited, passionate, and receptive. All good qualities when balanced with the proper amount of strength and awareness.
When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.
Dancing is, in itself, a very trifling and silly thing: but it is one of those established follies to which people of sense are sometimes obliged to conform; and then they should be able to do it well. And though I would not have you a dancer, yet, when you do dance, I would have you dance well, as I would have you do everything you do well.
Well, I can't (sing or dance). Actually, I sing like a seal and dance like your Uncle Leo at that wedding where he got up and went 'ya, ya, ya'.
I have ballet class every other day for two hours. And for 'Six Feet Under', last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.
People ask me who I'd like to dance with. I think that Lucy Fallon - she's seems... She's a good height. I saw her at a party once and I thought, blonde, yep - perfect. Lifts, we could work it.
I like a spirituality with a God that knows how to drive a car, that knows how to take his girl to the dance club, dance all night, have a little drink, kiss the kid when they come back in and go to sleep. God doesn't need a chauffeur-- he needs to drive himself.
If you feel something calling you to dance or write or paint or sing, please refuse to worry about whether you're good enough . Just do it. Be generous. Offer a gift to the world no one else can offer : yourself.
My most recent project has been acting and dancing on VH1's TV series Hit the Floor. On the show, we perform at least one dance number an episode. They are all different themes and different dance styles and keep us literally on our toes. The show is exuberant, exciting, and full of scandal. Tune in and I know you'll get addicted.
Wrestling was my first success, the first thing that confirmed that I could be good at anything. Devoting yourself to wrestling, or tennis, or skiing, or dance, or to a musical instrument is a longing to be disciplined for a purpose.
Being tall is very good for reaching high shelves and seeing in a crowd. Sadly, it has also given me the inability to dance. There's too much of me to look neat, which is most disappointing.
When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance. — © Stephanie
When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance.
Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
A thoroughly good relationship with ourselves results in being still, which doesn't mean we don't run and jump and dance about. It means there's no compulsiveness. We don't overwork, overeat, oversmoke, overseduce. In short, we begin to stop causing harm.
When I'm making songs, I never call them hits. I knew 'Bandz A Make Her Dance' was a good record, but I never knew it was gonna be a hit.
We can work, study, laugh and have fun, dance, sing, and enjoy many different experiences. These are a wonderful part of life, but they are not central to why we are here. The opportunity to choose good over evil is precisely why we are here. Not one of us would say, "I want to choose evil." We all want to choose the right. However, the choice of good over evil is not always easy, because evil frequently lurks behind smiling eyes.
You remember that my great vision came to me when I was only nine years old, and you have seen that I was not much good for anything until after I had performed the horse dance near the mouth of the Tongue River during my eighteenth summer.
This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about how his own Paps, how he had beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.
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