Top 1200 Good Dance Quotes & Sayings - Page 15

If anyone is calling me to choreograph a dance, they know my style, and they know I am a taskmaster. They want to present themselves as a good dancer before their fans, and that is why they want me to choreograph.

I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy - it's serious business.

The wind? I am the wind. The sea and the moon? I am the sea and the moon. Tears, pain, love, bird-flights? I am all of them. I dance what I am. Sin, prayer, flight, the light that never was on land or sea? I dance what I am.

During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ass followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.

So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.

I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.

Be it 'Jhalak,' 'Dance India Dance' or 'Nach Baliye,' I give all the credit to Ekta Kapoor as, just because of her, I am here. She has an eye to identify the real talent. Instead, I would say she knows how to make things work for her. She is not simply called the queen of Indian Television: she is the tigress of TV, I would say.

The fun image is what we project onstage, because our music is dance music. But it's not what the group is about We're very serious about our music and the band and producing good quality songs.

There's a lot of projection that if you're in service then you shouldn't look good. I'm no different from anybody else. I like clothes, I like shoes, I like to go have nice dinners, I like to dance. Just because I've dedicated myself to serving women, why do you think I need to sacrifice myself?

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.

When I do a festival, I want everyone to have a party, I think it is kind of similar to a club where everyone is there to have a good time and celebrate not being at work or just being able to have fun. I love people dancing to my music as well; if I can make them dance I feel happy.

You know, 'Peepshow,' in retrospect that seems like a good fit for me, but in the beginning, I'm sure you remember, nobody was sure if the show was going to last. Everybody was like, 'What are you doing? You can't sing, and you can't dance. What are you doing in this show?

As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.

My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.

What I was drawn to the most about the Flying V was the weight distribution with the way I move on stage. The V just swings perfectly. It's a great way to stay balanced, because I like to dance, and I'm a bit of a flail-er. The guitar centers me, and for me, it's a really good balance.

I started dancing when I was about 15 or 16 in my high school drama club, and then I liked it so much that they offered dual enrollment classes. So my senior year, I ended up taking college dance courses while I was in high school because I had good grades.

You love to listen to the very things that nailed your supposed Master to the tree?! Come off of it, man! Become a hellion, give yourself to demons, run wild; but don't come in here saying you're a believer and playing that game! You want to dance with the devil, then dance all night long! But don't come in here dancing with Christ for a moment, and then go back out there and share your love.

I thought the musical aspect of 'Freak Dance' was a good contrast to how dancers always try to come off as really tough in those movies - they're trying to literally come off as gangs like as if the Crips and the Bloods are also dancing in addition or instead of fighting with guns and knives and stuff.

I didn't like parties.I didn't know how to dance and people frightened me, especially people at parties. They attempted to be sexy and gay and witty and although they hoped they were good at it, they weren 't. They were bad at it. Their trying so hard only made it worse.

And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.

'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.

My problem is I'm not talented enough to do everything, but I want to do everything. I'm like, 'Oh God, I wish I could dance! Oh God, I wish I could rap!' I can't be a rapper, and I'm sure as hell not going to be able to dance for a living, but I want to do it all, you know?

Rather than running on the treadmill, which can become quite boring, I prefer to work on my dance routine. Besides being a good form of cardiovascular exercise, it is also a form of escape for me, as I never realise how much time has flown by when I am dancing.

I could dance with you until the cows come home. On second thought I'd rather dance with the cows until you come home.

The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity.

Start dancing immediately. Run to the closest dance studio, and study the style of dance of the music you love. If you love hip-hop music, go to a hip-hop class. If you love salsa, take a salsa class. It will become infectious and you'll keep going back.

I am so not a proper, good female. I can't dance in high heels and I'm just so not girly, but then I see these men with these banging bodies, dancing in heels, singing, and having so much fun with so much make-up on. That makes me honestly want to be a better woman.

Not too many songwriters, when they write songs go for broke. When someone does who's really good, it's astonishing. There's a reason a three-minute song can devastate you, or make you get up and dance, stop what you're doing and go, 'What is that?' It just hits you. And it's a very potent thing you're playing around with.

I held out my hand and George Mitchell said, "Like in everything else, you lead and I'll follow." And the crowd broke up, and we did a twirl or two around the dance floor. And that's like him, you know, he was there for his members, he campaigned for us, he believed in us, and he was really a good sport as well.

When things seem to be slowing down, there's this little trick I like to play. I'd plow this virgin who's on her period, and after I'm done I'd just run out into the living room, or the dance floor, with all that bloody goop on my junk and yell, OH MY GOD, I'VE BEEN SHOT IN THE NADS! Yeah, good times.

I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy: it's serious business.

I want to inspire people to be better, to do better, to dance better, and I want to help to grow this next generation. That's something that's really, really important to me, and I just want to be freaking good at everything I do.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the ?rst lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

So, being a good man is not an exam or a qualification, it changes, and it incorporates being a good friend, a good father, a good employee, a good boss, a good neighbour and a good citizen.

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside...." It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals.

At every sound check, I try to practice on the stage that we're gonna play on that night, 'cause every stage is different. Whether it's concrete or whether it's plywood or whether it's Plexiglas, it all requires different things. You can't dance on concrete as well as you can dance on Plexiglas.

My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.

It's all about self-esteem now. Build the kids' self-esteem, make them feel good about themselves. If everybody grows up with high self-esteem, who's gonna dance in our strip-clubs?

I wouldn't even say I'm really good at dancing, I'd just say I'm not shy to movement. At a young age, people would laugh at me moving. None of it looked like it should have been called a dance move. But it was just me being goofy.

People who dance well, dress well, are well groomed and know how to behave seem to know others who dance, dress and behave well.

So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.

We clasp the hands of those who go before us, and the hands of those who come after us; we enter the little circle of each other's arms, and the larger circle of lovers whose hands are joined in a dance, and the larger circle of all creatures, passing in and out of life, who move also in a dance, to a music so subtle and vast that no ear hears it except in fragments.

DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape.

I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.

I had fun. That’s what I believe in. Fun, flings, the sizzle. It starts as a shiver, when you see a man for the first time. And then he meets your eye and the shiver runs down your back and becomes a sizzle in your stomach and you think 'I want to dance with that man.' You dance, you have a cocktail or two, you flirt.

So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job.

Those who decide to use leisure as a means of mental development, who love good music, good books, good pictures, good plays, good company, good conversation - what are they? They are the happiest people in the world.

I think a good study of music would be indispensable to the animators - a realization on their part of how primitive music is, how natural it is for people to want to go to music - a study of rhythm, the dance - the various rhythms enter into our lives every day.

Classical is a more refined and structured dance form. Folk is made for celebration. That's not a very competitive dance form. Though you can bring classical on stage, folk becomes limited. Like you would love to do bhangra and garba at parties, but when you see it on stage, it is very limited in terms of movements.

The medieval doctors of divinity who did not pretend to settle how many angels could dance on the point of a needle cut a very poor figure as far as romantic credulity is concerned beside the modern physicists who have settled to the billionth of a millimetre every movement and position in the dance of the electrons. Not for worlds would I question the precise accuracy of these calculations or the existence of electrons (whatever they may be). The fate of Joan is a warning to me against such heresy.

You know, 'Peepshow,' in retrospect that seems like a good fit for me, but in the beginning, I'm sure you remember, nobody was sure if the show was going to last. Everybody was like, 'What are you doing? You can't sing, and you can't dance. What are you doing in this show?'

I just always remember there being an ability to amuse schoolmates. Not in a kind of 'dance-around-at-the-front-of-the-room-with-his-trousers-off' way, but probably with a sardonic quip. I remember getting a school report that said something like, 'Steve's good, but he tries to see the funny side in everything.'

But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you -- and other people -- any trouble.

Do you dance, Mr. Darcy?" Darcy: "Not if I can help it!" Sir William: "What a charming amusement for young people this is, Mr. Darcy! There is nothing like dancing, after all. I consider it as one of the first refinements of polished societies." Mr. Darcy: "Certainly, sir; and it has the advantage also of being in vogue amongst the less polished societies of the world; every savage can dance.

Our species uses music and dance to express various feelings: love, joy, comfort, ceremony, knowledge, and friendship. And each one is distinct and widely recognized within cultures. Love songs cause us to move slowly and fluidly, for example, while songs of joy inspire us to dance in a full-body aerobic way.

I like to be physical and work out and dance, because it makes me feel good. It really does. I grew up doing it - it is obviously something that is so natural for me that when I'm not doing that, I actually feel kind of off and weird.

Madonna Kolbenschlag suggest that if an awakened woman forgoes innocence and denial, if she refuses to make compromises with herself and defect to patriarchy, then her only option becomes deviance. I chose deviance. I chose to be a loving dissident. To dance the dance of dissidence. This stance can be assumed from the inside or the outside. Whichever place we choose, the important thing is having the sustained will to be, act, and speak from the ground of our feminine souls.

We all have known good critics, who have stamped out poet's hopes; Good statesmen, who pulled ruin on the state; Good patriots, who, for a theory, risked a cause; Good kings, who disemboweled for a tax; Good Popes, who brought all good to jeopardy; Good Christians, who sat still in easy-chairs; And damned the general world for standing up. Now, may the good God pardon all good men!

This is the entire spiritual life, Ananda, that is, good friendship, good companionship, good comradeship. When a monk has a good friend, a good companion, a good comrade, it is to be expected that he will develop and cultivate the Noble Eightfold Path.