Top 1200 Good Directors Quotes & Sayings - Page 20

I had just had small parts in other films, and I'd worked with a lot of directors in TV.

I'm being offered great movies by great directors and that's what I love, that's what I've dreamed to do, and that's what I do all day long. So I have to do it.

Personally I'm very happy to be behind the scenes. I like collaboration, I like working with directors.

Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.

I had been warned by other directors that opera is hell. The singers don't want to do what you want.

At times as an actor, it's often times unclear as to what the directors envision for a project.

I would love to just keep working with really great directors who really inspire me.

I do think there's a weird stigma where people probably think that female directors are a risk.

It's great working with great writers and directors because you're getting paid for something you love and want to do.

I'm very thankful to directors and filmmakers who consider me in their films, and I hope I'm able to do justice to their films.

The more women directors that get hired, the more practices will shift, top down.

I've worked with very few directors who've asked of me what I asked of myself.

I get nerdy and nervous around not only great actors, but great directors and DPs I love.

I don't think enough directors know enough about editing.

I really like working with different directors. It's really fun.

Most actors go, I read the script and fell in love with it; I fall in love with the directors.

There are a lot of directors who make big money and do big things and then move out of the 'hood

Even if my movies weren't big blockbusters, directors generally liked me, so they would fight for me.

I'm all for art-house foreign directors - I think they make terrific films - and I'm also for the bigger budget movies. It just depends on what the character is, the director, the script.

I enjoy collaborating with all of the directors I have worked with. I love collaborating with creative people on interesting projects.

I don't have specific people. There are so many people that I admire and there's directors that I'm desperate to work with that haven't even made a movie yet, probably.

I am tired of kissing on screen. I have to do it because it is synonymous with me. Also, the producers and directors want to add that element. I don't give it too much importance.

We all steal, but if we're smart we steal from great directors. Then, we can call it influence.

I want to interact creatively with the directors I work with - it's a thrilling way to work.

I do what the directors want me to do with all sincerity and devotion. And ultimately my sincerity pays.

If you look at my credits, most of them are the same directors over and over.

My respect for animators and animation directors has gone way, way up and it is just not something you can phone in.

Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.

Some directors are interested in acting, and others are only interested in cranes and moving the camera.

I always do stories that I believe in, characters that I find interesting, and directors who I want to work with. All these factors have contributed while making choices and continue to as an actor and as a producer.

Sometimes the shots serve as homages to other movies and other directors, like Hitchcock.

Do FBI Agents and FBI directors have political beliefs? Sure they do. But they're not supposed to act on them.

Personally Im very happy to be behind the scenes. I like collaboration, I like working with directors.

The heart of the Christian faith is Good News, not good advice, good technique, or good behavior.

I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .

I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.

If you think back to the great French directors it's difficult to think of British film-makers who are comparable.

A first preview is not exactly a pleasant experience for directors and actors. You're never as raw as when the audience first comes in.

No two directors make the same film the same way.

I have so much respect for directors. It's a tremendous amount of pressure; you have to keep steadfast and keep what you know is right.

I think actors do make really, really wonderful directors.

I often meet directors who want to cast me as the protagonist, but if the rest of the characters are not strong enough, the film is bound to fall flat on a creative level.

There are things that directors know about me that people shouldn't know.

There are casting directors with lots of imagination, but also some with not as much imagination.

All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.

Certain directors are known for a certain kind of beauty; it becomes their signature.

Let us prove to the world that good taste, good art, and good writing can be good selling.

There are several talented Malayali actresses, but still M-Town directors choose actresses from other states.

I think film is a world of directors. Theater is a world of actors.

Is it 'left' to insist that presidents and CIA directors adhere to the law? I don't think so. I think it's American.

Two directors always come with two thought processes.

One reason I left local news was that I was tired of the constant musical chairs among news directors.

My brother advises me on what kind of films to do, which directors to work with and which scripts have potential.

There is always the risk: something is good and good and good and good, then all at once it gets awkward.

It's not the ideal situation to have two directors. It's just not the ideal thing.

What I'm looking for is the variety of choices and the opportunity to work with great directors - that's what I'm looking for.

When films are so hero centric, and directors are dancing to the tunes of the hero, where is the Kannada voice or song?

I fear other actors who are not prepared. And I fear directors who are afraid.

I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously.

Directors never direct me. They just let me loose.