Top 1200 Good Hero Quotes & Sayings - Page 5

Explore popular Good Hero quotes.
Last updated on November 18, 2024.
A devotee who can call on God while living a householder's life is a hero indeed. God thinks: 'He is blessed indeed who prays to me in the midst of his worldly duties. He is trying to find me, overcoming a great obstacle -- pushing away, as it were, a huge block of stone weighing a ton. Such a man is a real hero.
Faith is about what you do. It's about aspiring to be better and nobler and kinder than you are. It's about making sacrifices for the good of others-- even when there's not going to be anyone telling you what a hero you are.
When 'American Pie' happened, I was so lucky to get that opportunity and I just tried to do a good job in that genre. But the films that inspired me as a kid were, like, Malcolm McDowall in 'A Clockwork Orange.' He was my hero.
When I was a kid, my big hero was the number 10 of Flamengo and not the number 10 of Santos. His name was Dida. We didn't have much knowledge about the championship in Sao Paolo or in the south of Brazil. We just knew about the championship in Rio because I am from there. But Pele played for the national team and was a hero.
I think 'Magneto' is definitely an anti-hero. He's fighting for the right thing, but his methods are far too extreme. He's not above breaking the law, stretching the limits of what is moral and putting evil to work for good.
I am not a hero, O.K.? I am not a hero. I am a very ordinary person. — © Wael Ghonim
I am not a hero, O.K.? I am not a hero. I am a very ordinary person.
I think it's always the moments that are the trials that end up making you become a hero in the end. You're not a hero unless you've gone through the trials. And it makes these moments so much sweeter, so much better. I don't believe in 'deserved,' but I might believe in 'earned.'
Lord knows Dreams are hard to follow But don't let anyone Tear them away Hold on There will be tomorrow In time you'll find the way And then a hero comes along With the strength to carry on And you cast your fears aside And you know you can survive So when you feel like hope is gone Look inside you and be strong And you'll finally see the truth That a hero lies in you
You can choose who you want to be the hero [in Hard Candy], but youll be second-guessing yourself -- theres just no right answer. Our society is obsessed with finding good and finding evil, but I think were all capable of anything.
The hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.
A good story is always a journey. It is about taking the journey, the people the hero meets along the way and how they change him or her. All stories are journeys. They don't have to be shocking or outrageous: they simply have to be interesting.
One trophy is good, but two are better. That way, when a hero wears his medals on his chest, at least his steps are level as he walks by.
I don't know how a hero feels, honestly. I feel like an actor; I wanted to be an actor. I always want to feel just like an actor. I don't know this 'hero' term.
...America has enjoyed the doubtful blessing of a single-track mind. We are able to accommodate, at a time, only one national hero; and we demand that that hero shall be uniform and invincible. As a literate people we are preoccupied, neither with the race nor the individual, but with the type. Yesterday, we romanticized the "tough guy;" today, we are romanticizing the underprivileged, tough or tender; tomorrow, we shall begin to romanticize the pure primitive.
Zico was my idol. He was a very good player from Flamengo, and I was a Flamengo supporter from Rio de Janeiro. I was always looking for him and saying I want to be like him. He's my big hero.
If a guy can play Guitar Hero with me and sit at home and watch the Food Network and read magazines with me, that's good. I don't think there are many guys that's fun for. It's a lot to ask.
Any child who dreams to do good in the world has Mandela as his hero. I own a dog-eared copy of 'Long Walk to Freedom' and visited Robben Island, where he was imprisoned, to stand in a cell only as wide as an arm's span.
Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.
I am convinced that a light supper, a good night's sleep, and a fine morning, have sometimes made a hero of the same man, who, by an indigestion, a restless night, and rainy morning, would have proved a coward.
My sporting hero was Drazen Petrovic, the NBA basketball player, who was killed in a car accident in 1993. He was a good friend, an unbelievable player, and I dedicated my Wimbledon win to him.
Dickinson is my hero because she was a joker, because she would never explain, because as a poet she confronted pain, dread and death, and because she was capable of speaking of those matters with both levity and seriousness. She's my hero because she was a metaphysical adventurer.
The way I wanted to write it, is with a hero, or sort of a pure character who was the protagonist. And the antagonists were these demonic evil children, cause when you're a kid, seven or eight years old, and you're looking at the world around you - everything seems black or white, good or bad.
Another hero was Tom Swift, in the books. What he stood for, the freedom, the scientific knowledge and being and engineer gave him the ability to invent solutions to problems. He's always been a hero to me. I buy old Tom Swift books now and read them to my own children.
The 1986 tax act is sort of the unsung hero of the very good economic times we had for a long time. Of course, politics gums it all up again and preferences get put in.
The chief thing is to make children feel good about themselves. They want to step into the shoes of a hero who is bigger and stronger, to face tremendous dangers and come home safely for tea.
I wanted to be a hero, then I wanted to be an actor. But always I wanted to be respected as a good human being.
I spoke to Geoff Johns a lot. We went back and forth, and found a way to bring up the best qualities in his personality and psychology and also fill a niche in Gotham that we've never seen. It became about is there a way to really plant this hero in Gotham and say this is someone you haven't seen before - both in terms of who they are as a person and who they are as a hero.
Cus was my father but he was more than a father. You can have a father and what does it mean?—it doesn't really mean anything. Cus was my backbone . . . . He did everything for my best interest . . . . We'd spend all our time together, talk about things that, later on, would come back to me. Like about character, and courage. Like the hero and the coward: that the hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.
Here is a hero who did nothing but shake the tree as soon as the fruit was ripe. Does this seem to be too small a thing to you? Then take a good look at the tree he shook.
One key to the distinction between mystery and suspense writing involves the relative positions of hero and reader. In the ideal mystery novel, the readers is two steps behind the detective.... The ideal suspense reader, on the other hand, is two steps ahead of the hero.
Fred Astaire is my hero. I love him because he was willing to kill himself to make his art look effortless. And because he proved it's possible to be an artist and a good person.
The outsider hero is hero riding into town, he's the gunslinger, shame - the same thing, he didn't want to do it anymore, he wanted to live a different life but part of who you are sort of haunts you and you can't run away from evil and if you have special skills, and most people are mistreated, which is unfortunately in our world, we always need an equalizer, that type of character to come to our rescue.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
When you're not playing the hero of the story, then you have to know that you're always a foil for the good guy. I love playing that. I think that's always an interesting place to be.
Your Olympic Hero is scheduled to wrestle a match against the man they call the big red retard; not that I have anything against retarded people cause I don't. As a matter of fact, I have a lot of retarded fans out there that admire and respect your Olympic Hero, and I wish them well.
This is a tremendous honor (winning the 2002 Roberto Clemente Award), to be considered in the same class as Roberto Clemente. He is a hero and role model for all of us who play the game and strive to be as good a player and person as he was.
All our lives we fought against exalting the individual, against the elevation of the single person, and long ago we were over and done with the business of a hero, and here it comes up again: the glorification of one personality. This is not good at all.
I just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.
The only thing I have to say to people - try being the hero of your own world one day. Don't spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex. You should at one point become the hero of your own world.
I'm not a hero or a superstar. I'm an everyday guy. I feel happy when children approach me. I feel that something good is happening in life when little kids recognise me.
There's not a drop of hero's blood in my whole body, so spare me the praise. I'm just an ordinary guy, and proud of it. I'm here because I put in the time. I have the blisters on my fingers to prove it. It had nothing to do with coincidence, luck, or the activation of my Wonder Twin powers. I reset the game hundreds of times until my special attack finally went off perfectly. Victory was inevitable. So please, hold off on all the hero talk.
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
On the whole, my respect for my fellow-men, except as one may outweigh a million, is not being increased these days.... Such do not know that like the seed is the fruit, and that, in the moral world, when good seed is planted, good fruit is inevitable, and does not depend on our watering and cultivating; that when you plant, or bury, a hero in his field, a crop of heroes is sure to spring up. This is a seed of such force and vitality, that it does not ask our leave to germinate.
If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began.
Death is the fate no one can escape. The question, then, is, How does one die? A person can die like a hero or like a coward. The difference is that the hero can face death without fear, whereas the coward can't.
I've been with beautiful women, had my share of highs and lows. But I have a regret - I wanted to be a hero. I never got the chance, even though I was good-looking, I could sing and dance too.
Conway Twitty was always our local hero while I was growing up. He had a series of good bands. I wanted to sit in, if Conway would let me. And he did a couple of times. — © Levon Helm
Conway Twitty was always our local hero while I was growing up. He had a series of good bands. I wanted to sit in, if Conway would let me. And he did a couple of times.
I was shooting a German movie, 'Whatever Happens,' at the time, and I got the call from my agent asking me to self-tape for 'Blade Runner.' That was a no-brainer. I loved the original, and Rutger Hauer was a national hero, and he did such a good job in it.
I don't see a full-fledged career in Hollywood. I am happy with the cameos. Even Tom Cruise will only do special appearances in our films; he wouldn't do a full hero movie. But it's good to act in different cinema.
I know Rick [Monday] has done a lot of good things as a player and as a person. But what he did for his country, he will be remembered for the rest of his life as an American hero.
Readers will stand up and cheer for Karen Fox's Prince of Charming! Finally, a heroine who's a real woman. Finally, a hero who knows what a rare find she is! Finally, a book for us all to adore! Thank you Karen Fox for creating the most lovable hero romance has seen in a long, long time!
He was a degenerate gambler. That is, a man who gambled simply to gamble and must lose. As a hero who goes to war must die. Show me a gambler and I'll show you a loser, show me a hero and I'll show you a corpse.
It's hard to describe yourself as a hero - I just like to think of myself as a policeman. People can look to you like that, as a good guy who can help people.
No one is really playing the good guy, but if they want to play the bad guy, I'm ready to play the super hero and take these guys out.
A coward can be a hero, but a hero cannot be a coward.
Like I've said before, so many times before, I'm not a good person, I'm not a hero. I'm a criminal, a liar, a cheat, a killer. It was them or me and I wanted to live.
We ultimately use good art as a tool for people to contextualize themselves, and the folks in all the places we play experience it how they will. All we're doing is saying what we think. I never really wanted to be anyone's hero.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
If youth is the period of hero-worship, so also is it true that hero-worship, more than anything else, perhaps, gives one the sense of youth. To admire, to expand one's self, to forget the rut, to have a sense of newness and life and hope, is to feel young at any time of life.
Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.
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