Top 1200 Good Journalism Quotes & Sayings - Page 20

Also, and this may sound naïve, but since my early days in journalism, I've felt that getting as close as possible to truth, revealing the reality of a situation in detail, has its own persuasive power. This allows readers to look at the facts and the perspectives presented and draw informed conclusions.

We didn't see what happen when Marines fired M-16s... We didn't see what happened after mortars landed, only the puff of smoke. There were horrors that were completely left out of this war. So was this journalism? Or was this coverage?

The kind of in-depth investigative journalism we practice at 'Frontline' is thoughtful, rigorous, and time-intensive. It requires us to constantly seek untold stories and to give our producers and reporters the time and resources to dig into them deeply.

I want to do journalism on journalists. I want to do the stories on stories that aren't being told.

I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.

Journalism should be more like science. As far as possible, facts should be verifiable. If journalists want long-term credibility for their profession, they have to go in that direction. Have more respect for readers.

I always tell people, good coaches are a dime a dozen. Good coaches that are good people, good husbands, good fathers, that love their players and are passionate about doing things in a way that I believe is important, that pool gets real small.

Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks.

I had left the music business and became a conflict journalist. The conflict journalism started for me in the Gulf and the oil spill. When Skynyrd needed a new bass player, they knew me from the Black Crowes.

One of the biggest complaints readers have about my work is that I don't tell them often enough what they can do. I do think this is an area where journalism sometimes falls short. We describe a really grim situation but don't really explain to people what they can do about it.

One of sports journalism's great ironies is that covering an Olympics can be wildly unhealthy. NBC shows athletes in peak health performing on the ice and snow, but not the haggard reporters subsisting for three weeks on stadium starches, cheap beer, deadlines, and little sleep.

I'm an essayist. And this is a genre that has existed for a few thousand years. Ever heard of Cicero? So these rules that I'm working under are not mine but rather were established by writers who recognized the difference between the hard research of journalism and the kind of inquiry of mind that characterizes the essay.

I think newspapers shouldn't try to compete directly with the Web, and should do what they can do better, which may be long-form journalism and using photos and art, and making connections with large-form graphics and really enhancing the tactile experience of paper.

A man doesn't amount to something because he has been successful at a third-rate career like journalism. It is evidence, that's all: evidence that if he buckled down and worked hard, he might some day do something really worth doing.

We act like God's only good when the outcome is good. We say, 'We've got a good God because I've got a good job.' But what if I don't have a good job? Does that mean God's not good anymore?

The trouble is nowadays that parts of the media operate in a very partisan way. There's no point in complaining about it, that's the way it is. But let's be clear, a lot of it is driven by the views of a pretty small number of people, rather than a normal standard of journalism.

The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.

Journalism has been very important for me - for a long time I made my living as a journalist, and it also serves as a source of ideas. Many of the things I have written I would not have written without the experience of being a journalist.

I grew up in the traditional American newspaper world with a morning paper and an afternoon paper competing with each other beat by beat by beat. It was the most fun I've ever had. And it was great for journalism.

It's CNN's bigger problem that CNN wants to deny reality. I, too, used to drink the Kool-Aid that it was a top journalism operation that reports without bias. Now that I'm outside the walls of traditional media, I know there is no such thing.

In the '50s and '60s, journalism wasn't a profession. It wasn't something you went to college for - it was really more of a trade. You had a lot of guys who came up working in newspapers at the copy desk, or delivery boys, and then they would somehow become reporters afterward and learn on the job.

The faculty of attention has utterly vanished from the Anglo-Saxon mind, extinguished at its source by the big bayad?re of journalism, of the newspaper and the picture magazine which keeps screaming, "Look at me." Illustrations, loud simplifications... bill poster advertising ? only these stand a chance.

As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.

We are inflicting opinion in our newscasts like never before. That was never done and never taught in our journalism classes.

I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition.

The thinner a newspaper or magazine is - due to reduced revenue from advertising dollars - the less editorial content because of the standard ad-to-editorial ratio, and the less money there is to support investigative journalism.

An exciting and yet highly lucid account of the formation and significance of Karl Kraus's modernist journalism, an activity that Walter Benjamin and Gershom Scholem regarded as the most Jewish writing in the German language. The Anti-Journalist is the best book I have seen on this engaging topic.

When it was time to go to college, I was going to apply to Boston University for journalism, and dad said, 'Why not apply to NYU film school, because you love telling stories and taking pictures?' And I thought, 'Oh, I can do that for a job? Cool!'

The whole notion of journalism being an institution whose fundamental purpose is to educate and inform and even, one might say, elevate, has altered under commercial pressure, perhaps, into a different kind of purpose, which is to divert and distract and entertain.

If you work in either journalism or politics... you will be flogged for being right and flogged for being wrong, and it hurts both ways-but it doesn't hurt as much when you're right.

Journalism is straying into entertainment. The lines between serious news segments, news entertainment, and news comedy are blurring.

When people ask what kind of nonfiction I write, I say 'all kinds,' but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.

Let's be clear on one thing, the corporate media in America is no longer involved in journalism. They're a political special interest no different than any lobbyist or other financial entity with a total political agenda, and the agenda is not for you, it's for themselves.

I don't think there's any reason in journalism not to approach stories we cover with humility, empathy, compassion, and intellectual openness. I mean, I think those are just important human traits. I don't think that precludes scrutiny, negativity, where it's appropriate.

Men have the power in everything: journalism, acting, direction; in banks, finances, schools. All the laws are made by men. Men think that women, when they're not able to procreate any more, become old. That is not true - they are still amazing!

Journalism can go right up to the door of the room in which the decisions are made. A novel can go inside the room - and inside the character's heads.

Since I was a graduate student, I've done a lot of journalism on the side, for The Village Voice, The Nation etc. And my greatest passion, as a reader, has always been nonfiction, with its vast, often underestimated imaginative and formal possibilities and its aura of the real. I find that combination seductive.

Investigative superstar Jason Leopold spares no one, least of all himself, in this devastatingly accurate first-hand exposé. News Junkie provides the best account so far of how, and why, current American journalism has become so pharisaical, spineless, and detached from the truth

I couldn't just be good on the mic. I needed to be good on the mic; I needed to be good in the ring; I need to be good in my presentation; my ring attire need to look good, my appearance. Everything about me needed to be the best. I couldn't be weak in any area because you're only as good as your weakest aspect.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

If I'd had the chance, I'd like to have completed my degree before going full-time, and sports journalism was something that always interested me. Dad used to buy a paper, and I always turned straight to the sports pages.

A high-powered, successful woman doesn't necessarily have the same support behind her that a man in that position would. Plus, she's expected to be a domestic goddess, as well as the best wife, mother, friend, and lover. But it's not just in politics: you see it in acting, too, and in journalism.

The moral abhorrence of private prisons has been brought to our attention by courageous acts of investigative journalism, illuminating scholarship, and the work of activists who have decried the social stratification brought about by our prison systems.

I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.

The challenge in fiction is to write a terrific story. The challenge in journalism is to communicate solid, objective information. The challenge in creative non-fiction is to do it both and to do it well.

What I hold dear is well-known to all of my colleagues. And, really, The Times is the kind of place, the greatest journalism doesn't just pop forth from our heads. It's, you know, a group of people, and the great ideas bubble up from the reporters to their editors and get to us.

I think journalism can come from anywhere, and comedy can certainly come from anywhere.

Don't count out other amazing programming like Frontline. You will still find more hours of in-depth news programming, investigative journalism and analysis on PBS than on any other outlet.

As an old creative industry full of cruelty and moral sense, British journalism once flourished on the imperative that people required the truth in order to survive. But people don't require that now. They want sensation and they want it for nothing.

People become writers in the first place by those things that hurt you into art, as Yeats said it. Then they become separated from what started out affecting them. Journalism forces you to look at the world so you don't get cut off.

Journalism has always existed in two different realities . . . the economic marketplace and [the] special institution to serve the public interest. The traditional balance between those two has become destabilized. Economic reality has taken over.

Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.

Marvelous is the power which can be exercised, almost unconsciously, over a company, or an individual, or even upon a crowd by one person gifted with good temper, good digestion, good intellects, and good looks.

I started off in journalism 16 years ago in Stockholm, and I wrote for a few different publications for many years. I've also worked in advertising as a copywriter and creative director, but I changed it for architecture at 25 years old.

Editorials are, obviously, pieces of opinion journalism. They are not intended to be dispassionate, balanced accountings of a news situation or issue. They present a strong and strongly argued position and do not necessarily present or even take into account the opposing position.

There's a great deal of enthusiasm about quality, serious journalism. And some of it relates to personalities because it's people who do the news. But I think it reflects a real desire for facts, real news and reporting.

I think what's happening with book advances is something that most of the world just doesn't fully appreciate, especially when it comes to nonfiction, because writing a book of investigative journalism is an expensive endeavor, and the system works best if you have publishers making bets on authors.

I started moving into online work, and that exposed me to design and the impact it has on the flow, shape, and narrative of the story. This got me thinking that maybe this is a way of doing journalism, a way of telling stories and revealing patterns.

The seed idea for Rappler really is looking at information cascades. If you think about it, the end goal - when I was raising money for Rappler, I didn't talk about investigative journalism, even though that's our core.

People ask whether I put the politics first, journalism first or the comedy first; it doesn't really matter. I'm just playing with the cards that I have been dealt because I really love doing what I do.