Top 1200 Good Poetry Quotes & Sayings - Page 3

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.

Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.

I have no idea, actually, where I fit in, in terms of poetry camps. At AWP conferences, I have been on panels about humor, collaboration, visual poetry, confessional poetry, gender, and the body, as well as tributes to Edward Field and Albert Goldbarth. I felt at home on all of them - most poets straddle more than one school.

Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.

Durable, memorable poetry is usually alert to complexity. A really good poem gives you a reason to read it 20 times, because the language in a good poem is doing a lot of work emotionally and a lot of work intellectually. That means durable poetry can help us think about complexity, can help us resist easy answers and help us step back. And it can help us sometimes calm down, and sometimes it can help us stay upset.

Political means so many things. We are political willy-nilly. Political poetry is an easy invitation to disaster. But then so is love poetry. But we are a little more patient with bad love poetry.

I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.

In most of the world, poetry has such a different reputation than it does in Western culture. Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives. People aren't listening to poetry as if they're taking their vitamins. Instead, it's a popular vessel you can fill with anything. You could fill it with sass. You could fill it with rage. You could fill it with political statements.

Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.

The advantage of poetry over life is that poetry, if it is sharp enough, may last.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.

Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.

Old-fashioned poetry, but choicely good.

Poetry -- even bad poetry -- may be our final hope.

Poetry, just because it is poetry, doesn't mean it is some kind of magic spell.

The things we fear about poetry are the things that are good about poetry.

It is good sometimes for poetry to disenchant us.

The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.

Women do not have as great a need for poetry because their own essence is poetry.

I think many people (like myself) prefer to read poetry mixed with prose; it gives you more to go by; the conventions of poetry have been getting far off from normal life, so that to have a prose bridge makes reading poetry seem more natural.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

The poetry of this one is called philosophical, of that one philological, of a third rhetorical, and so on. Which is then the poetic poetry?

I'll say that this is probably the best time for poetry since the T'ang dynasty. All the rest of the world is going to school on American poetry in the twentieth century, from Ezra Pound to W. S. Merwin, and for very good reason. We have soaked up influence in the last century like a sponge. It's cross-pollination, first law of biology, that the more variety you have the more health you have.

While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyone, but everyone should have the choice.

I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.

Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.

What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.

When people decide to talk publicly about poetry as an art form and how it's received, they often get very abject about it: "Nobody reads poetry," and then a thousand people write back, "No, we read poetry." There's an abundance of this negative preaching to the choir, and it's very similar to the experience I'm having.

When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?

Poetry at large in America is naturally a reflection of the American system and culture. That's my possibly narrow view of it, or reductive view. But I think for as many portals for critical consciousness in the poetry world and in the American spirit that exist, there's also an over-arching, dominant mirroring, in poetry, of the corporate structure, the capitalist enterprise.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone.

Poetry is good for unleashing images.

Poetry is essentially the antithesis of Metaphysics: Metaphysics purge the mind of the senses and cultivate the disembodiment of the spiritual; Poetry is all passionate and feeling and animates the inanimate; Metaphysics are most perfect when concerned with universals; Poetry, when most concerned with particulars.

Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.

Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.

I think rap music is rap music. I mean, are there heavy writing aspects of it? Absolutely. In a sense, is it poetry? Yeah. I've heard that so much, growing up in a house with poetry. But I think people like to use that as a shortcut for who's good and who's not. It's like the word 'lyrical' - 'lyrical' is the worst word in the entire world.

Yet, it is true, poetry is delicious; the best prose is that which is most full of poetry.

To be under occupation, to be under siege, is not a good inspiration for poetry.

I never think about poetry except when I'm writing it. I mean my poetry.

Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned.

Poetry has roots, but they are sometimes cut off and still poetry is written.

For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.

I am in the middle of it: chaos and poetry; poetry and love and again, complete chaos. Pain, disorder, occasional clarity; and at the bottom of it all: only love; poetry. Sheer enchantment, fear, humiliation. It all comes with love

When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.

My father, composer Sardar Malik, used to say that a good musician should always try to imbibe good poetry. One reason why today's songs don't have a shelf life is because of inane lyrics.

Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.

I would say that American poetry has always been a poetry of personal testimony.

Poetry is a good medium for revolutionary hope.

Music is good, not evil. Poetry is good, not evil. Primitive, but oh, so true!

Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

I have always loved American poetry, which is very different from Irish poetry.

My favorite subject probably was math. I love math. Figures just intrigue me. I was really good at math. English probably was my worst subject. But I used to write a lot of poetry. I used to write poetry all the time.

Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.

If the object of poetry is, to make men, then poetry is the heir of prophecy.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

The poetry of India can be truly known only through scanning the poetry of all languages.