Top 1200 Good Record Quotes & Sayings - Page 20

Good wine makes good blood, good blood causeth good humors, good humors cause good thoughts, good thoughts bring forth good works, good works carry a man to heaven, ergo, good wine carrieth a man to heaven.

Surprisingly, fainting sounded like a really good idea. If I fainted, I'd be unconscious, so I wouldn't have to see the impossible anymore, nor would I have to feel so dizzy and sick. Than maybe when I woke up, all of this would go away and I'd find it was all just a bad dream. The mist started to turn dark around the edges.....For the record: fainting sucks.

The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.

A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.

I don't feel so good." Lula said. And she farted. She squeezed her eyes shut tight and did a full minute-long fart. "Excuse me." she said. I was horrified and impressed all at the same time. It was a record breaking fart. On my best day, I couldn't come near to farting like that.

Even in the face of continued good news, Kerry clings to his message of gloom and doom, supporting it with twisted statistics. Kerry's complaints about a middle class squeeze are out of touch with the reality that home sales hit a record high last month, college tuition increases slowed and consumer confidence is rising.

There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.

Speaking of failure, when we do our question and answer period, you look at what's happened with our Navy in terms of the number of ships and our armed forces generally, how they're so depleted, how they're at almost record-setting lows and in some cases absolute record-setting lows. It is very, very unfortunate and very, very dangerous for our country.

We all want the Greek people to prosper, to be able to provide a good life for their families and their children. That would be good for Greece, that would be good for the European Union, good for the United States, and ultimately, good for the world.

And she says she wants to expose me to all these great things. And to tell you the truth, I don't really want to be exposed to all these great things if it means that I'll have to hear Mary Elizabeth talk about all the great things she exposed me to all the time. I don't understand that. I would give someone a record so they could love the record, not so they would always know that I gave it to them.

The essence of Christianity is the appeal to the life of Christ as a revelation of the nature of God and of God's agency in the world. The record is fragmentary, inconsistent, and uncertain. . . . But there can be no doubt as to what elements in the record have evoked a response from all that is best in human nature. The Mother, the Child, and the bare manger: the lowly man, homeless and self-forgetful, with his message of peace, love, and sympathy: the suffering, the agony, the tender words as life ebbed, the final despair: and the whole with the authority of supreme victory.

It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.

Again there are so many records which contain fond memories and music and songs of which I have to say I am quite proud. There are a couple of tracks which in retrospect on which I now wish I had pushed the red button, however I'm sure this is true of any artist career that has spanned the number of years that mine has. I do not believe however that I have ever made a bad record and I have certainly never made a record to which I didn't give my complete commitment.

In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.

The record business is an oxymoron. In the 1960s, there was an upside to selling plastic discs so labels took the risk - they paid for the record, for marketing, promotion, publicity, everything it took to make the artist a star. But now we have to go back to the venture capital model. The business is stopping and everyone's complaining but you can't blame labels. It's a shitty business. You do it because you're passionate, or because it's what you've always known. But if you lived through the nineties, nobody is thinking this is great compared to what it used to be.

Back in the day, when the D.J. would be playing a record, Id be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that thats the role that I wanted to take on. I wanted to be the one that was hyping, because Ive always been good at it. I can hype up any crowd.

When you're a good person, good things happen to you. You shouldn't be a good person with the expectation of therefore deserving good things, but in its purest form, I believe when you do good, good comes back to you.

If you're up there performing a song for the first time, it's as if you're hearing it through their ears. You become acutely self-conscious of the song in performance, so that's a good thing before recording. But I like to have some surprises for the audience; I don't want the audience to know everything that's going to be on the record, because these days, with the Internet, people become avid collectors of pre-knowledge.

"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.

Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.

A good community insures itself by trust, by good faith and good will, by mutual help. A good community, in other words, is a good local economy.

Indie record stores are as important to a touring musician as an incredible thrift store. I can't overstate how good it feels to place an original pressing of 'veedon fleece' in your most underused of shirts and pack it into your suitcase, anxiously awaiting the day you get home so that you can play it as though it was your reward or trophy from the long journey you had just finished embarking on.

Dave Franco, I could put him up there with the best card throwers in the world. Not the best sleight of hand, but he could take a card and fire it over there and stick it into an apple. If he kept training at it, he could definitely break a Guinness World Record - he's that good.

I think the greatest Real Madrid player of all time is Cristiano Ronaldo followed by Ferenc Puskas. Ronaldo equalled Puskas’ great record of 242 goals in fewer games. He was also the fastest Real Madrid player to score 100 goals and holds the record for most goals scored for Madrid in a season.

I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.

You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.

If I worried about that, I wouldn't have made a single record in my whole career. I think more and more, audiences appreciate something that is distinctive and different. Everyone always throws out this figure, 'Jazz is now down to three percent of the total record sales.' So does that mean it is not important? I think if we agree that human culture itself is important, then I think those three percent take on a greater significance.

It's good when someone says, "Would you write a song for this purpose," or "would you record a song for this purpose," or "would you help me realize this song," again, for this purpose.

I know a lot of people feel pressure with their major label sophomore CD and having to follow up their first record real good. Well, we didn't have that pressure, because we have a real loyal fanbase, not a fanbase because we're on the radio, know what I mean?

It's a sense of pride, a sense of you set out to get a record deal, and we got that. We set out to get a No. 1 record, and then we got that. Then you say, 'Wow, that was impossible and now even more impossible is to stay No. 1 and stay current and put out new records that people care about,' and we really stuck to that.

I didn't worry about my career ending, but there were days where I felt pretty beat up by it all and just pretty tired, because they didn't make it easy for me. And coming right off the last lawsuit, it was the last thing I wanted to get involved in. When it was over, we didn't really celebrate, we were just exhausted. I lost all interest in the record business and never wanted to do anything except hand in a record again.

The record business is changing a lot, and I don't think to the detriment of music - I think, if anything, it's helping music. It's to the detriment of the business in some aspects. In many ways, you might say this is not the time to be going back to the majors, it's the time to be leaving them, which is a good point.

Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.

While there are several challenges, I do believe that over the transition and into the Trump presidency, the media as a whole has done pretty good work, as opposed to a spottier record during the campaign. There has been a lot of shoe-leather reporting going on, and the great story thus far of the Trump White House is the willingness of people who work there to leak to the media.

When we think good thoughts, we feel good. When we feel good, we make good choices. When we feel good and make good choices, we draw more good experiences into our lives. It really is that simple … and elegant … and true.

I was just thinking of Rush. I went to see Rush a few years ago, because my record label guy in the States really wanted to go. We had crazy good seats. It was fascinating watching the crowd - mostly men - who were so moved by these really esoteric lyrics. I don't know Neil Peart's lyrics super well, but they're not that straightforward to me.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.

Every time I try to disown that concept for myself, which is a really healthy perspective, they bring it back all the time. It's so serious and so real and so tangible that you don't want to taint it with anything other than the thing itself. I was tickled pink with my very zen self, walking around saying that I made a record because I wanted to make a record. That's so beautiful. It's like a haiku poem. That takes away all the tension and the expectation. I just want to try to do something interesting.

I write chronologically in my life, so whatever's going on, I write about it. Usually, that's when I feel the most cohesive body of work is formed. I got to live this crazy life, I got to write about it, and now I've got this record that I'm really proud of, too. It's not done, but when I put it out, it's gonna be good.

When I say "The good man gave his good dog a good meal," I use "good" analogically, for there is at the same time a similarity and a difference between a good man, a good dog, and a good meal. All three are desirable, but a good man is wise and moral, a good dog is tame and affectionate, and a good meal is tasty and nourishing. But a good man is not tasty and nourishing, except to a cannibal; a good dog is not wise and moral, except in cartoons, and a good meal is not tame and affectionate, unless it's alive as you eat it.

Nobody objects to a woman being a good writer or sculptor or geneticist if at the same time she manages to be a good wife, a good mother, good-looking, good-tempered, well-dressed, well-groomed, and unaggressive.

When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.

I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].

Elvis Presley's talent brightened millions of lives. He widened the horizons of my world certainly. The first record I ever owned was a 78 rpm of "Hound Dog" backed by "Don't Be Cruel" and when I listened to those tunes I felt about ten feet tall and I grinned so hard that I felt like the corners of my mouth would meet in the back and the tip of my head would simply topple off. All I know about Rock and Roll is that it makes people feel good. Elvis Presley more than made me feel good, he enriched my life and made it better.

The moral authority in the Western world is gone. And it is gone forever. It is gone, not because of the criminal record--everybody's record is criminal. It is gone because you cannot do one thing and pretend you're doing another! None of us, who are sitting around in some of the true limbo out-of-space, which we call "now," waiting to be saved, civilized, or discovered, have the moral authority to say anything.

Yes, I think the '96 Bulls are the greatest of all time. I think the 72-10 record speaks for itself and the fact that we were able to cap it off with a championship. What it boils down to is we had a dominant style, a dominant defense, and we were a very good offensive team. It was the way we dominated our opponents that separated ourselves.

Phrase it in an interesting way; don't phrase it in a mean or unfriendly way. Bob Dole said that if there's anything he would have done differently, he would have said [to George Bush] "Start telling the truth about my record" instead of "Stop lying about my record." Frankly, had he done that, life might be different for Bob Dole today.

I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow

People ask for this life, but they don't really understand what comes with it. People just see the outside and that looks good - big houses, cars, girls, but you never see how the person is feeling deep down inside. Me personally, being a man, I'm going to feel better displaying all of this and pouring my heart out on each record.

My daughter is a practicing physician so believe me I get a lot of the frustration from her. You get it from patients. For me personally, when I ask my doctor to send me my record, what I get is a scanned PDF of his hard copy! This is not good. It would be hopeless to work with a million people if you had to do this on paper, and one of the reasons this is the right time for this is because of the existence of EHRs.

Luther Vandross was doing fine, but he said, "Man, I want to do my own project." So he got us all to do a demo, and that demo was "Never Too Much." It took him a year and a half to get signed, because he didn't have a gimmick. The record companies were looking for his gimmick. They said, "What's your gimmick?" He said, "I sing. That's my gimmick." Anyway, he finally got signed and the record was released, and the rest was history.

It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.

I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.

French wines may be said but to pickle meat in the stomach, but this is the wine that digests, and doth not only breed good blood, but it nutrifieth also, being a glutinous substantial liquor; of this wine, if of any other, may be verified that merry induction: That good wine makes good blood, good blood causeth good humors, good humors cause good thoughts, good thoughts bring forth good works, good works carry a man to heaven, ergo, good wine carrieth a man to heaven.

It's hard to be a celebrity nowadays. It's not about your track record anymore. If you have a great movie, you're good. If not, people are ready to write you off. I think the only ones who are really winning are people like Will Smith. People go, 'Oh, it's Will Smith. I've got to see him, whatever he's in.'

Record stores are the backbone of the recorded music culture. It's where we go to network, browse around, and find new songs to love. The stores whose staff live for music have spread the word about exciting new things faster and with more essence than either radio or the press. Any artist that doesn't support the wonderful ma and pa record stores across America is contributing to our own extinction.

I would INSIST this record is in NO WAY COLD influenced. Don't get me bent though, I have been a huge fan of Cold from day one. One of the best most awesome song writers. Kelly has in OWN sound, He recorded on the POINT OF ORIGIN Record so there, of course, will be something that familiarizes the Cold sound. But Allele is much heavier, and just kind of warmer, different techniques and a different sound all together. Allele I think is more intense.

You know, my sense is that transparency is a good thing. It also has to be what - private information should be safeguarded so that individuals are not caught in the cross-fire here. But I think that our government, and people who are working in our government who should have been on the record - Hillary Clinton, remember, deleted half of her email, which is like, what's wrong with this picture?

I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much. Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority. I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.