Top 1200 Good Record Quotes & Sayings - Page 3

I had a studio session with Nipsey Hussle. We didn't record, but we just vibed and we talked. It was just good conversation. We played music for each other that we had previously worked on. It was a good vibe.

I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.

When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.

[Fidel Castro] has a very good [human rights] record.

Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.

You're only as good as your record collection.

For the record, I hate skiing... and if you get killed doing it, GOOD.

I think bands will actually make more money without record companies; a much bigger share of the money will go to the bands. You won't have record shops taking 40 percent of the money. You won't have record labels taking 40 percent of the money. So they don't have to sell as many albums as they used to in the past. So it's not necessarily a bad thing if record companies disappear.

Congratulstions on breaking my record. I always thought the record would stand until it was broken.

Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.

It's pretty amazing to me that my first hit record was an Elvis Presley record.

Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.

When you start out without a record nobody knows you, but if you have a record it's a lot easier.

Since the early days of humankind, dancing was always an expression of feeling good, and making someone feel good is the main intention of DJ'ing. I don't see the point of playing a record that makes people stand there, look at you and say “Umm, very interesting

We put everything we had into this record, just like we do with every other record that we make.

If I'm not a good talker, so be it, but my record will speak for itself.

I'm consistently on record and will continue to be on record as opposing concealed carry.

I would say that to vote for Trump was to at least overlook the fact that we're talking about someone with a record of misogyny and racist invective. And so that is what is troubling to a lot of people and that's what makes this election, among other things, makes this election very different than others is that those good, decent people over - at least overlooked a very, very sorry record of prejudice.

No one was more surprised that that first Boston record took off than the record company itself.

It's always been difficult to make a good record.

Salazar's record is one of weakness; he hasn't been a good attorney general.

My first vinyl was a Kiss record and a Walt Disney record. I liked the energy of rock and roll.

I think I have a good track record, both in commercial investing and in philanthropic investing. I don't have any interest in creating a named foundation; I have an interest in really good impact for capital. I think I'm pretty good at doing it, so I'm going to apply myself to doing it in my lifetime.

My track record is pretty good on predictions.

One last thing on objectives - I like to make things, create things, so that's probably been the primary objective all along, even before the ego objective - to make. To record. But why record... that gets back to the ego, a little. Oh, well. Making is good. I like to make things.

I'm into it, I'm into MP3's; I think there's no way you're ever going to be able to legislate people having to buy a record in order to listen to it. You have to look at it as a means of promotion, and if the music is good enough, promotion is a good thing.

It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."

The record, as usual, is not good. But on the other hand it is wonderful.

The intentions of record companies are not good, from the musician's perspective.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record

I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.

I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.

When my record comes on, you know that's a DJ Khaled record. That's my formula, and the people love it.

In the beginning, somebody told me there was a record in the cruiserweight division where Evander Holyfield became the champion. I thought about that, and I told my team, 'Let's make our own history, our own record, to beat Holyfield's record.'

I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.

I wanted out of my record deal with EMI. They wanted me to record one type of album; I wanted to record the type of music I wanted to make.

I think when you've been in office for a long time, you have a record, and that record is fair game.

I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.

The record company stay out of my way. Whenever the record is finished, they take it.

I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.

I did not know about awards. I just wanted to break the world record and the Olympic record.

That's the strange thing about making a record. You can be in one mood for an hour, put it on a record, and you're remembered that way.

You're only as good as your last record.

I have a pretty good record of winning in court.

A good record transports you to another place.

I think every record, good or bad, is a representation of us.

Phoenix was a tougher record, a little more commercially accessible record.

You can get so many sounds out of one record. Every record can be used in some way.

Usually, my track record's pretty good with guys on base.

Record labels today are much less patient: Artists have a bad record, and they're gone.

Not only does he have the NFC East record for touchdowns, but also the team record.

My record is good with Birmingham and Wigan. Just study the facts.

You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.

Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.

Our record number of teenagers must become our record number of high school and college graduates and our record number of teachers, scientists, doctors, lawyers, and skilled professionals.

Our business,The Producers Guild, has a good record in some areas, and a bad record in others. There are many well-intentioned people trying to change things. The Producers Guild has been committed to this for years now, and I think personally does more than any other guild to give opportunities to people who come from outside of, I guess you'd call it, the expected avenues for advancement.

ThinThread was not the program of record of my predecessor, Ken Minihan, OK. I did not make ThinThread the program of record while I was director. After I left in 2005, Keith Alexander also chose not to make ThinThread the program of record.

People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.