Top 1200 Good Words Quotes & Sayings - Page 17

Explore popular Good Words quotes.
Last updated on November 8, 2024.
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
I've no problems with cuss words. All of us use them. Those who say they don't are lying. People can tolerate English cuss words but find the Hindi ones a bit revolting.
When we realize that words can destroy something good, wonderful, and dear, and that by keeping silent we can avoid causing the least damage or harm, it’s easy to stay silent.
Writing, for me, is a very fluid process. I sit down and wait for the words to come. They usually do - in buckets and waves. I look upon it as a blessing because the words come so easily.
I write because I like to make things and the only things I am good at making things with are words. — © P. J. O'Rourke
I write because I like to make things and the only things I am good at making things with are words.
We must believe in the power and strength of our words. Our words can change the world.
There are words that exist in one language and not in another language. It creates barriers that keep us from understanding each other. I'm often frustrated using words to talk to people.
Words and titles can be used as dictums and guides for all of us. A certain word can suddenly snap us back to a good place. 'Rocker' works for me.
First, a few words about this title. It isn't easy, coming up with book titles. A lot of the really good ones are taken. Thin Thighs in 30 Days, for example. Also The Bible.
As I’m so often reminded what a priceless gift my life is, I ache with everything in me to make it count, so that when I finally cross the finish line, I’ll hear the words, 'Well done, good and faithful servant.
Men and words are ready made, and you, O Painter, if you do not know how to make your figures move, are like an orator who knows not how to use his words.
In writing, I want to be remembered for telling good stories in beautiful and powerful language, using the poetry of words to reflect the thematic concerns of compelling stories.
I was born in the Year 1632, in the City of York, of a good Family, tho' not of that Country, my Father being a Foreigner of Bremen, who settled first at Hull; He got a good Estate by Merchandise, and leaving off his Trade, lived afterward at York, from whence he had married my Mother, whose Relations were named Robinson, a very good Family in that Country, and from whom I was called Robinson Kreutznaer; but by the usual Corruption of Words in England, we are now called, nay we call ourselves, and write our Name Crusoe, and so my Companions always call'd me.
Have big dreams but focus only on what you can control: your own thoughts, words and actions. This was Gandhi's way ... in the words of Buddhist poet Gary Snyder, our job is to move the world a millionth of an inch.
Thanks to my solid academic training, today I can write hundreds of words on virtually any topic without possessing a shred of information which is how I got a good job in journalism.
America is truly special because it's founded on an idea. It's the ideological and philosophical equivalent of a formless God, in other words, you know? It's, again, the only great country in the world that it is formed out of words.
There's nothing I could say that would make it so anyone is disappointed when they see it. In other words, I can trumpet it all I want, but it's just that good. It's a really layered film [Sausage Party], strangely enough.
I should like to save the Shire, if I could - though there have been times when I thought the inhabitants too stupid and dull for words, and have felt that an earthquake or an invasion of dragons might be good for them.
words alike make the destiny of empires and of individuals. Ambition, love, hate, interest, vanity, have words for their engines, and need none more powerful. Language is a fifth element - the one by which all the others are swayed.
Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.
Let's be honest: Ignoring is acting, and nothing more — acting as though the words or actions of your oppressors don't hurt. You hear the words, you feel the insults, and you bear the blows.
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient.
Actors are magical people. They can take words you wrote and say them in a way that, although you thought the line was good when you wrote it, it's fantastic when it comes out of their mouth.
Your blasphemy, Salman, can't be forgiven. To set your words against the Words of God.
I love writing for dancers. You don't have to worry about the lyrics. I think to write words without music must be so frustrating. It must be always be so good, so perfect.
Land and water are not really separate things, but they are separate words, and we perceive through words.
Words are tricky. Sometimes you need them to bring out the hurt festering inside. If you don't, it turns gangrenous and kills you. . . . But sometimes words can break a feeling into pieces.
Be wise as thou art cruel, do not press My tongue-tied patience with too much disdain: Lest sorrow lend me words and words express, The manner of my pity-wanting pain.
Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.
People give the words life through their own adoration or relationship to the work, and that's true of everything. You can't divorce critical or fan reaction. Once it exists, you forget that the words are arbitrary, or you start to remove value.
Let others mock at you, oppose you, when you are under the influence of any passion; do not be in the least offended with those who mock at or oppose you, for they do you good; crucify your self-love and acknowledge the wrong, the error of your heart. But have the deepest pity for those who mock at words and works of faith and piety, of righteousness; for those who oppose the good which you are doing... God preserve you - getting exasperated at them.
I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
I think it would be very good if writers and artists take a stand in electoral politics. They've got the ability to put words together that might reach the ears of the people of the city who vote.
Where words can be translated into equivalent words, the style of an original can be closely followed; but no translation which aims at being written in normal English can reproduce the style of Aristotle.
We learn to treasure words that people call us; we learn to live by words that hurt. We cannot toss them aside, so in time they become our dignity.
But words have been used too often; touched and turned, and left exposed to the dust of the street. The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf.
I've always felt that singing is half technical, half taxing. You've got words, a melody, and an instrument, and you have to do justice to the words. You're just a medium for people to feel the song.
The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.
Look out how you use proud words. When you let proud words go, it is not easy to call them back. They wear long boots, hard boots; they walk off proud; they can't hear you calling. Look out how you use proud words.
To use many words to communicate few thoughts is everywhere the unmistakable sign of mediocrity. To gather much thought into few words stamps the man of genius. — © Arthur Schopenhauer
To use many words to communicate few thoughts is everywhere the unmistakable sign of mediocrity. To gather much thought into few words stamps the man of genius.
Sick I am of idle words, past all reconciling, Words that weary and perplex and pander and conceal, Wake the sounds that cannot lie, for all their sweet beguiling; The language one need fathom not, but only hear and feel.
They say, the tongues of dying men Enforce attention, like deep harmony; Where words are scarce, they're seldom spent in vain; For they breathe truth, that breathe their words in pain.
Half at least of all morality is negative and consists in keeping out of mischief. The lords prayer is less than 50 words long, and 6 of those words are devoted to asking god not to lead us into temptation.
I love words, and I love that there's so many words available to make a point and to create a picture.
Words are coin. Words alienate. Language is no medium for desire. Desire is rapture, not exchange.
I heard many discourses which were good for the soul, but I could not discover in the case of any one of the teachers that his life was worthy of his words.
Take a woman talking, purging herself with rhymes, drumming words out like a typewriter, planting words in you like grass seed. You'll move off.
A good world needs knowledge, kindliness, and courage; it does not need a regretful hankering after the past or a fettering of the free intelligence by the words uttered long ago by ignorant men.
I am all for a good drag out argument every now and then, but the person that talks the loudest and uses the most curse words is not necessarily the winner of the argument.
The shape the words end up taking are themselves the meaning of the words, they are retrospectively what we meant to say. There's no way of knowing this until you register it in visible form. But the other side of this is that you do have some idea of where you are going.
How can a bureaucrat or a politician be trusted if he says loud words for the sake of Russia's good while trying to take his funds, his money abroad?
At this moment, I have in my heart a prayer. As I have assumed my heavy duties, I humbly pray, Almighty God, in the words of King Solomon: 'Give therefore thy servant an understanding heart to judge thy people, that I may discern between good and bad, for who is able to judge this thy so great people?' I ask only to be a good and faithful servant of my LORD and my people.
I always believed as a speechwriter that if you could persuade the president to commit himself to certain words, he would feel himself committed to the ideas that underlay those words.
Melodies are just honest. They can only be what they are. Words have the capacity for deception. They're all full of subtext, and some of them are cliche and overused and vernacular. They're tricky. All I can say is, words are tricky.
I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.
Reality changes words far more than words can ever change reality.
The biggest organ in your body is your skin, and it's a permeable membrane. Anything you put on it goes into you. If you can't pronounce most of the words on the back of the bottle, it's probably not good for you.
One of the things I found is that the things we want to say for well-intentioned motives often cause more harm than good. People don't need our words. They mainly need our presence, they need our love. And if you come in too quickly with explanations, you may do more harm than good.
American Gods is about 200,000 words long, and I'm sure there are words that are simply in there 'cause I like them. I know I couldn't justify each and every one of them.
If I have some extra words and I'm trying to make it fit into that shape, then I just sort of take out the extra words, almost like a sculptor would take a piece of granite. It's almost like cutting out the words that aren't needed in order to make it a stronger poem and still say exactly what I want it to say.
This site uses cookies to ensure you get the best experience. More info...
Got it!