Top 1200 Good Writers Quotes & Sayings

Most writers write to say something about other people - and it doesn't last. Good writers write to find out about themselves - and it lasts forever.

We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.

I've heard a lot of great success stories from writers - how so many of them struggled to get where they are and how persistence pays off. I learned that some writers are good at doing readings and some are not so good at it.

The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.

The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.

I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.

Writers aren't in competition with one another. It isn't a zero sum game. If you have a good book, a good cover, a good product description, and a low price, you can sell well.

If writers were good businessmen, they'd have too much sense to be writers.

Good writers are monotonous, like good composers. They keep trying to perfect the one problem they were born to understand.

I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe.

I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.

Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.

I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.

I am suspicious of writers who go looking for issues to address. Writers are neither preachers nor journalists. Journalists know much more than most writers about what's going on in the world. And if you want to change things, you do journalism.

Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.

The e-book revolution has made it very easy to pay writers a good deal less than what their work is worth. I do strongly believe that we writers ought to hold out for much better royalties.

I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.

I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college.

A lot of what you're seeing these characters go through is something that either is a story one of the actors told in the writers' room or one of the writers themselves told in the writers' room.

Bad writers have influences. Good writers steal.

Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.

When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.

Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.

All good writers express the state of their souls, even (as occurs in some cases of very good writers) if it is a state of damnation.

I think one of the things the writers' festival does that is very good is that it brings writers from around the world and around the country and locally and puts them all in the one spot together, and that's what a lot of the world's great writers' festivals do.

Good writers borrow from other writers. Great writers steal from them outright.

The truth is that the writers who most influenced me weren't people categorized as crime writers. I'd say I learned more from John O'Hara, who isn't much read today but whose short stories I really admired, and Hemingway, who I think has lasted pretty good.

There are a lot of wonderful women writers who would be good influences on writers. You've got to spread yourself out and educate yourself with all kinds of stories.

I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.

Here in New York, we're media obsessed. Writers write about writers who write about writers and reporters and freelancers, and it's just a festival of information. We're all analyzing and examining and predicting, and I can't imagine that it's like that everywhere else.

It's exciting having a student who is not used to expressing their emotional side and bringing that out in them and see that developing and helping to nurture that. That's an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.

I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.

Writers - all writers, even screenwriters - like to make their mark. I don't think many screenwriters can write. They pass as writers.

I try really hard to ask people to take a look at their bookshelves. Are there female writers on it? Gay writers? Writers of color? There should be.

You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.

They're fancy talkers about themselves, writers. If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.

That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.

I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.

I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.

What's not realized about good novelists is that they're as competitive as good athletes. They study each other - where the other person is good and where the person is less good. Writers are like that but don't admit it.

It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.

For the social ecologist language is not "communication." It is not just "message." It is substance. It is the cement that holds humanity together. It creates community and communication. ...Social ecologists need not be "great" writers; but they have to be respectful writers, caring writers.

Writers don't make good spouses. When I am writing, I'm not a good wife. I shut myself away, and all my emotions are directed towards what I'm trying to write.

That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.

I know of three ways to recognize another writer: Writers are shamelessly nosy. Writers tell good stories, even about dumb old, daily things. On most writers, the earmarks of thrift, if not outright povery, are evident.

The good stories, of course, write themselves. And somebody wants to know who are the really good writers, and how many of them there are. There aren't any. Most of the writers are likeable frauds. Some are unlikable frauds.

We want to prove we are good writers or good business, good parents or good teachers. The world is very competitive and catches us in this frenzy. It wants us to go here, be there, and be part of this or that.

Good traders trade. Good letter writers write letters.

I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.

Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.

If offered a good role, I would like to work in a good Punjabi film. This land has produced great writers, poets and actors.

It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.

Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.

Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.

Many people who want to be writers don't really want to be writers. They want to have been writers. They wish they had a book in print.

There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.

All writers start out mimicking other writers. I've never relinquished that. I have a good ear for speech and writing patterns.

Fans write to us via our publisher and more than ever via the Internet, blogs and fan sites, and good writers should be actively seeking out that interaction. Gone are the days when writers are dead or hidden away in dusty attics; nowadays, you've got to get out there.

I think the special thing about Python is that it's a writers' commune. The writers are in charge. The writers decide what the material is.

There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books. I like Utopian talk, speculation about what our planet should be, anger about what our planet is. I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas.