Top 1200 Gospel Songs Quotes & Sayings - Page 18

I like to make up songs. And it's my opinion that all these songs mean a lot to me, but that doesn't mean I think everything needs to leave the house. If it helps me through my life and doesn't bore anybody in theirs.

I like to hear songs which can lay it all on, songs which can look at the dark side as well as the bright side, sometimes they can be as strong as each other. Love and hatred are close.

Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.

I've always enjoyed taking pre-existing sound, songs I like, songs I want to share, and manipulating them and trying to do my own version. So just knowing there's that potential for that thing out there that I haven't discovered yet, really gets me motivated every day.

Guys like Otis Blackwell and Bobby Darin, and all the guys who were writing songs for Elvis at the time, just hanging around, writing songs, talking about music.

I didn't really know what I was doing when I started. I just started writing songs. After two songs I just continued to explore it.

There are some songs where I'll have had the music for 20 years and then finally the lyric will come through. That's not common but it does happen. Then there are other songs that come really quickly.

I've got a lot of songs about having fun and partying, but it's a lot of work. Sometimes, I make 50 songs and pick out the best 10. I've been in the studio all day, all night, making the beat, writing the raps.

That's how a lot of Tame Impala songs start out - as ideas for songs I could potentially give to someone else. I think of them with a different persona in mind; it's just a subconscious way of not being bound by what you think you are as an artist.

Music was my first love, and at Marlborough we put bands together and sang the pop songs of the day. Although I couldn't read or write music - I still can't - I taught myself to play the guitar and piano by listening to songs and working out the chords.

I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.

My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.

My songs are very much a kind of psychoanalysis. I am very introspective in my songs, and I am working through, always.

I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.

Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.

Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.

Not everybody is going to like what I do or get what I do. With as much positive, you always get the negative to deal with. I get that as well. Most of the time, I'm very honored to have a fan base that they react to my songs. My songs speak to a lot of them.

Songs kind of live in a timeless place for me, and since I make records I dunno, about every two-and-a-half to three years or something like that, it's just not enough to put all the songs that I have, no matter how much I put.

The gospel of submission, commitment, decision, and victorious living is not good news about what God has achieved but a demand to save ourselves with God’s help. Besides the fact that Scripture never refers to the gospel as having a personal relationship with Jesus nor defines faith as a decision to ask Jesus to come into our heart, this concept of salvation fails to realize that everyone has a personal relationship with God already: either as a condemned criminal standing before a righteous judge or as a justified coheir with Christ and adopted child of the Father.

When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.

I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.

I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.

My songs are all about celebrating poignant music. While some of them focus on fun and revelry, they are fortunately backed by powerful lyrics. Put together, the lyrics, tune and my voice strive to take the songs to the next level.

To me, the message of my songs, of all songs, is "enjoy life." My message as a person who evidently doens't have much more planned is the same. It's the only message I ever thought art had any business having.

I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.

What I'm trying to do is tell good stories through music. I think some of the best songs, the best country songs, are stories.

I write most of my songs to beats. I play around on guitar, but not enough to where I can compose my own stuff or play solos. I can accompany myself 'cause most songs are, like, four chords.

I love the art form of songwriting. I get to carry a lot of vibes to a lot of people. My songs are all about the human condition, and people will be able to find themselves in my songs.

Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.

I'm such a strong believer in making yourself happy. Almost in a selfish way. There are a lot of trends, and obviously you can get swept up into them. But I feel like if you just write songs you love, it can have trap beats in it or whatever's going on in the moment, but you don't stop loving songs.

I've written songs about women since I've been involved with women, but I do know a few gay female artists who, back in the day, would write songs about men.

I always been writing songs since I was, like, six. I was listening to Dean Martin, Frank Sinatra, and Frankie Laine and people like that. I was just in the backyard writing songs.

I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.

I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.

I learned so much watching my dad write songs and perform in front of thousands of people, and people were singing along to songs that I watched him write; it stuck with me.

Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.

I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. ... Poems are poems. Song lyrics are for songs.

Hit songs are mysterious and slippery beasts; few artists have a lock on them. This means that many people, like me, have become fans of songs rather than fans of artists.

There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.

The past is filled with people who aren't traditionally thought of as fantastic singers singing these songs that capture people; songs like 'Louie Louie.' I just aim toward that, and I think I've gotten better at it.

I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.

While I was writing the songs for 'Fuzz Universe,' I was immersing myself in Bulgarian Female Choir music, Baroque lute and violin pieces, Johnny Cash songs about trains, cows, mules, and mining coal, the Bee Gees, and Ronnie James Dio.

I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.

I've written many love songs for Gerard. But it's never enough. I feel that he deserves a million love songs written for him.

When I was a mailman, writing songs was my escape from the regular world, and now writing songs is my job. And I've always been one to avoid my job.

I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy... I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.

I don't think I was ever designed to be a ubiquitous worldwide star. I'm a singer-songwriter writing quite personal songs. You're not supposed to chuck me on a stage with bells and whistles. There was a struggle ahead after that happened, and perhaps I was trying to write songs to compete in that arena.

I try not to write songs. I would rather emote them, and I found myself going back to my room every night while on my trip, just pouring out new songs and new stories about what I was seeing, what I was feeling.

The songs of our ancestors are also the songs of our children

I am overwhelmed by the reaction to my songs. At Mitra, people went crazy dancing to Paglu's songs. Naveena, which hardly ever screens a Bengali movie, is screening 'Paglu.' I got mobbed at the theaters and lost my watch and shades.

We need more pop songs and more empowering songs.

How many songs in your life were your favorite songs but never were singles on albums?

When I was a kid and writing more acoustic songs, I was doing it more for the attention than for the love of the music. I knew I needed to change something because I wasn't having fun and wasn't liking the songs I was writing.

The way that I've always viewed my career, I always do what comes to me. I don't write forty songs per album, I write fifteen to twenty songs and pick the ones that represent this period of my life the most.

I write simple songs, and people like that. They're mature enough to appeal to people who aren't teenage girls. Most of my fans are older, and it's nice to think the songs can appeal to middle-aged men and women.

I love sad songs. They say so much. I love country music but even the happy songs sound really sad.

The best songs come unasked for. You don't have to think about them . . . Summer is good for songs. When it's real warm, if you have a sense of freedom, not a lot on your mind, and a feeling there's plenty of time, it just seems to be a good climate for music.

In my head, I actually think my songs are pop songs. I think, 'Damn, that's a pop song!' I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people.

Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.

Once the subject matter of rock n' roll changed from cars and pop love songs to songs about really true love and the blues and death and mortality, this light bulb went off in my head and I went, 'Oh, that's what they're doing. That's kind of - that's art.'