Top 1200 Got To Move On Quotes & Sayings - Page 15

I was living at home until about 27 and decided it was time to move out and move somewhere else, so that's what I did. I wanted it to be the right thing to do. I didn't want to buy something out of my price range; I didn't want to be stupid with my money, so I decided to stay at home. Luckily, my mum and dad were amazing.

It is almost always a greater pleasure to come across a semicolon than a period. The period tells you that that is that; if you didn't get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with a semicolon there you get a pleasant little feeling of expectancy; there is more to come; read on; it will get clearer.

You know with Obama being elected, we had a wonderful opportunity. I hope it's not blown, and we have forms of government that don't seem to be up to the level of the leaders who are around who will want to move this country in a proper direction. Where that goes and how that goes, I mean, we seem determined to not move ahead, to stay in the same place. And there are a lot of nuts out there as well.

Dallas is more in line with mainstream America. But Houston's farther down on the map where it's a little different. I think it's the slowness of our culture, how we move slow. It's hot in here, you know. We got our own culture, our own slang, a little bit our own way of doing things.

I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing.

I floundered in my twenties. Though I wore a long scarf. And when I got to be thirty I got a job at Temple University in Philadelphia. I worked there for seven years, and I finally got fired, mostly for political reasons.

Whenever you do a film for the wrong reasons, it may or it may not pan out. Sometimes people do it because it is a good move or the right move. I don't know; maybe one day I will do a film for the wrong reasons, and it will work for me.

When the fire is over, always, in the ashes, our opportunities to repair, to move forward without vengeance being required - that's kind of the way us humans seem to live. We make massive mistakes. We do stupid things. We do things to survive. And then there's an opportunity to learn from them and move forward with grace. And forgiveness and that gracefulness are very connected.

I might get some more animals or something, but I'm done with the kids. I got a boy, I got a girl, and I got an older boy. I'm straight.

When you get successful, the money comes in and pretty soon you've got to hire an accountant, you've got to get up early, and then you've got a day job.

You've got to do what's right, or what you think is right. And you've got to make tough decisions. And you've got to be willing to take on your friends when you disagree with them.

My generation started in big tournaments. '88 Olympics, we got silver. '89 European Championship, we got gold. 1990 World Cup in Argentina, we got gold. '91 European Championship, we got gold, and then there was a civil war, and for three years, we didn't play.

I don't really care about the friendships on the court. I got my friends. I got my family, which I'm close to. I got a couple of friends that I'm always around.

If you want to do this, you've got to last. You've got to be well enough to carry your ideas. I'm not saying I've got great ideas, but if I do I need to be able to deliver them.

Once I got to high school and auditioned for a play and got in, I thought this was really what I was looking for. Once that had got cleared up, from 13 on, that was it.

In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk.

You've got to do everything, everything's got to be pointing in the same direction and you've got to really turn this whole economic engine from one that's based on fossil fuels to one that isn't.

I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.

When I was younger in the theater, I didn't really feel like I got much recognition from the powers that be. I got a lot of small roles - I never got the standout roles.

From one week to the next, everything changes from who you're playing to the defense's scheme. You just try to build on the things that you did well and correct the things that you did poorly in the game; then, move forward from there and hopefully continue to get better and better and better as you move forward.

Trouble is bad to get into but fun to get out of. If you're in trouble, eighty percent of the time there's a way out. If you can see the ball, you can probably hit it; and if you can hit it, you can move it; and if you can move it, you might be able to knock it in the hole. At least it's fun to try.

I'm under a super microscope. I've got my friends to keep me cool. As long as you've got friends, you've got nothing to worry about.

I am a leader. Leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.

You've got to love libraries. You've got to love books. You've got to love poetry. You've got to love everything about literature. Then, you can pick the one thing you love most and write about it.

I am a leader, so leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.

I got into college, and a gentleman gave me a ride in a plane, and he flipped it upside down so we're inverted flying, like it was nothing, and from that moment forward, I fell in love with it. I said, 'I've got to learn this; I've got to do this.'

We would never move forward in the face of negative emotion. There are many people who would teach you otherwise. They say, you've got to face fear to get over it. And all they do is desensitize themselves to the point that they get themselves into situations where they have no idea what's going on, and the end of them comes rather abruptly... And then everyone calls them brave.

Growing up, I idolized Big Boss Man and Bam Bam Bigelow just because they were big guys who could move and were tough. I felt like they both rode motorcycles. And Bam Bam had his head tattooed. Those are the guys who really got me into wrestling.

When you move off a point of power, pay all your obligations on the nail, empower all your friends completely and move off with your pockets full of artillery, potential blackmail on every erstwhile rival, unlimited funds in your private account and the addresses of experienced assassins and go live in Bulgravia and bribe the police.

Like all of us, I don't think Facebook is 100% evil, but there are aspects of it that move towards evilness. It's true of all the major Silicon Valley companies, that there are aspects to all of them that move towards evilness, but I don't believe they're 100% evil.

The journey of life is like a man riding a bicycle. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. We know that if he stops moving and does not get off he will fall off.

One problem I have with talking about myself in the context of class divisiveness is that I can be - and indeed have been - used by others to demonstrate its absence and that it's only a matter of hard work to move upward socially. After all, how could I complain about anything, if the retort is: "But look where you got to? It can't be all that bad." But this is nonsense as an argument quite aside from its empirical absurdity because no single case can invalidate a statistical claim.

College students want good eats. They want it to not be super-expensive, but you've got to be eclectic, you've got to have style, and you've got to make real food.

If resources become scarce, people tend to fight for them. This is increasing the number of people on the move and the number of people forced to move. They're not refugees, according to the legal definition, but they represent a major humanitarian and human rights challenge, as well as a major challenge for world politics.

Motion is always a relative thing. I move in relation to something else. Any particle in this universe can change in relation to any other particle; but take the whole universe as one, and in relation to what can it move? There is nothing besides it. So this infinite Unit is unchangeable, immovable, absolute, and this is the Real Man.

At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'

I got to host a radio show. I got a clothing range. I was the face of fashion week. I got to do a whole television show with kids.

I've got a knife and I want to talk to you I've got a prayer and I want to carve it to you I've got no chance, that's why I'm looking to you O Lord, ride with me

I'm going where my heart will take me I've got faith to believe I can do anything I've got strength of the soul And no one's gonna bend or break me I can reach any star I've got faith I've got faith Faith of the heart

I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.

After high school, I went to VCU and got a B.F.A. in theater. I got to do a bunch of stuff professionally throughout college. I actually got my SAG card in college.

You exist forever. You've always existed and you'll always exist. You move in and out of bodies like some people in Los Angeles move in and out of houses, every other week, every other lifetime.

You've got to push yourself harder. You've got to start looking for pictures nobody else could take. You've got to take the tools you have and probe deeper.

As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.

When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.

The thing about physicists is that they tend to think that everything is physics. I don't. That's not what music is to me. You can explain aspects of it in physical terms, including the physics of anatomy: how our bodies move, the torsional moment of inertia, the way you move your body to a beat, the inherent periodicities of the heartbeat, the gait. That's physics, too, I guess - maybe they'd call it biophysics.

I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.

Fish got to swim, birds got to fly I got to love one man till I die Can't help lovin' dat man of mine.

I can certainly see a band like Nirvana, like when they started having to play to the kind of guys that beat them up in high school - that was probably shocking. But you make music to move people and you don't get to pick who you move. You just don't. It's exclusionary and elitist and I just never felt that way about music, of all things. The great unifier.

Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.

Committees are, by nature, timid. They are based on the premise of safety in numbers; content to survive inconspicuously, rather than take risks and move independently ahead. Without independence, without the freedom for new ideas to be tried, to fail, and to ultimately succeed, the world will not move ahead, but rather live in fear of it's own potential

Adam, who said to our Lord in the Garden of Eden, I got more ribs - you got more broads? Never got a dinner!

I wanted to resign from the planet, not just music. It stopped being fun with success. Money got in the way. Everybody got greedy, including me. Fear set in. I got miserable when I became a commodity.

What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”

The Gaelic League is founded not upon hatred of England, but upon love of Ireland. Hatred is a negative passion; it is powerful - a very powerful destroyer; but it is useless for building up. Love, on the other hand, is like faith; it can move mountains, and faith, we have mountains to move.

To become a great player, you've got to show real dedication and commitment to football, and you've got to be very humble and hard-working. And, above all, you've got to fight to make your dreams come true.

What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'

I couldn't get a job to save my life. That's why I wrote 'Road to Paloma.' That got into Sundance and got into that scene, and that's how I got the role in 'The Red Road.'

It's been stress and drama for a long time now, man. So much has happened. I got shot five times by some dudes who were trying to rub me out. But God is great. He let me come back. But, when I look at the last few years, it's not like everybody just did me wrong. I made some mistakes. But I'm ready to move on.

I got dared to audition for a play by my best friend Paul. He got cast in 'Hamlet,' and I got cast in 'Prelude to a Kiss,' and that changed everything.