Top 1200 Got To Move On Quotes & Sayings - Page 18

Explore popular Got To Move On quotes.
Last updated on November 29, 2024.
When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
I've got the best coaches in the world. I've got confidence in them, and they've got confidence in me.
I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.
Oh, I've got the prettiest mother. I've got the nicest mother. That's what I tell everybody. I say I've got the sweetest mother in the world. — © John Lee Mahin
Oh, I've got the prettiest mother. I've got the nicest mother. That's what I tell everybody. I say I've got the sweetest mother in the world.
Now we've got the cables. We've got talk radio. We've got the bloggers. I hate the bloggers.
Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.
I'm doing good. I've had a slight nervous breakdown in the '60s. I got through that. And I got through the '70s. And I was in a doctor's program during the '80s and then I met Melinda and we've been together ever since. I've got a happy life.
I got me a fine wife and I got me old fiddle, when the suns coming up I got cakes on the griddle. And life ain't nothing, but a funny, funny riddle.
As my sister got older, I saw how excited she got when she got to do all of that stuff. I was always like, "One day, I'll get to do older parts." I thought that was cool.
I got lost in the music in 1963 at Stonewall... No! No, it was Stonewall - it was 1967 that I got lost. In 19 - oh my dear, Stonewall, I got lost at Stonewall. Heard it through the grapevine. 1969! I got lost in the music and I couldn't get out.
As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
When I get dressed, I don't think about what other people think. I only think, 'Is this me? Is this my truth? Am I able to move through this world with confidence? Am I able to move through this world feeling that I am I?'
If you ain't got socks, you ain't got much. But if you got 'em, you might as well pull 'em up. It's a statement of self-sufficiency. We should all be more self-governed.
Let's face it, we're all clones nowadays. We've all got the same archives, we've all got the same Hyundai, we've all got the same Mac or PC components, and we're all being told the same news stories globally.
We become overly reliant on the strengths that got us where we are today. We also become isolated as we move up in the organization. Unless we have the benefit of assessment, and unless we invite feedback on our leadership, we continue to lean on strengths that can actually work against us, and fail to expand our leadership style in a way that makes us more effective.
I think you've got to pay the price for anything that's worthwhile, and success is paying the price. You've got to pay the price to win, you've got to pay the price to stay on top, and you 've got to pay the price to get there.
Any fool can be happy. What I'm interested in is satisfaction. There's got to be more to life than just being happy. You've got to be fulfilled. You've got to be satisfied; philosophically satisfied is what I mean.
Since I got to F1, and especially since I got to Red Bull Racing, I said, 'I don't want to have any regrets. I've got a chance now in a top team. I want to leave it all on the table.'
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
I think that there have definitely been points when I've had to fight to move my career in a different direction. I think, 2012, I did a few movies that touched on a darker side, and those are movies I'd been wanting to make and stories I'd been wanting to tell for a while. So I think it definitely takes work to move genres.
But at some point, we've got to have disciplined play and have got to coach better. I'm not putting it on the players. We've got to coach them to tackle and block better. It's as simple as that. If we can do those things, we'll have a chance.
Once I realized, I'm more than just a worker, I could create my own future - because your thoughts are your reality - I realized you don't have to work as hard. You can just sit back, breathe, think about your next move and then think of that next move as if you already accomplished it and everything's gonna come to you.
The key ingredient is talent - you've got to have talent. If you look at the regular season, they've got the best record in the entire league, so they've got the talent. — © Clyde Drexler
The key ingredient is talent - you've got to have talent. If you look at the regular season, they've got the best record in the entire league, so they've got the talent.
I'm very straightforward on immigration. The bus is full. We haven't got enough energy, we haven't got enough electricity, we haven't got enough of a health service.
Sometimes you just have to turn the page to realize there's more to your book of life than the page you're stuck on. Stop being afraid to move on. Close this chapter of hurt, and never re-read it. It's time to get what your life deserves, and move on from the things that don't deserve you. Don't try to fix what's been broken in your past, let your future create something better.
As a top manager, you have to not just reward truth-telling, you've got to beg for it, and you've got to demand that everyone around you gives you constructive criticism, constantly. You've got to get out of the bubble, so that you can get direct feedback from everybody who's being affected.
Chaos often fosters the greatest creativity. Breakdowns often precede the greatest breakthroughs. And when the pain is greatest is often when we're on the brink of the greatest realization.....When the pain is burned through rather than numbed, when our darkness is brought to light and then forgiven, then and only then can we move on. And move on we do.
All B.S. aside, it all comes down to... we got to survive. I mean, even warriors put their spears down on Sundays. We got to survive here in this country... 'cause I'm not going back to Africa. We got to survive here. And for us to survive here-White folks, Black folks, Korean folks, Mexican folks, Puerto Ricans-we got to understand each other.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
You've got a job to do, and because you've got a job to do, you've got to focus on that, so you don't have time for personal considerations.
I'm a God-gifted fighter. I've got vision. I've got very good reaction. I've got a good jab. I seem to be able to hit and not get hit. I've got a good right hand, and that's my power hand. I like to mix it up. I'm never set on one style. I'm always doing something different, and I'm a sponge. I'm always learning more.
You don't have to play the blues to play rock 'n' roll, but that's where, somewhere along the line, your influences came from. I mean, I don't care where you got it from. If you got it from Eric Clapton, he got it from the blues.
I wouldn't join the International Criminal Court. This is a body based in The Hague where unaccountable judges, prosecutors, could pull our troops, our diplomats up for trial. And I wouldn't join. And I understand that in certain capitals of, around the world that that wasn't a popular move. But it's the right move not to join a foreign court that could, where our people could be prosecuted.
You could be jealous of a girl who's not as pretty as you, but you just have that feeling that she's going to take your dude, and you might be right. Or you might be jealous of somebody who's not as good at their job as you, but you have this feeling that she's got that something extra that's going to help her move ahead. Whatever it is, you might have that weird feeling, and you might be right.
Here in Central Texas, you drive west, you get the desert; you drive east, you get the woods; you've got water, you've got urban environments, you've got country. So you can hit a lot of notes.
I made two or three albums with money from my own pocket, but I couldn't get them released or played on the radio. I got tired of beating my brains out. I got very depressed. I took a break from the business. Then I got bored with that and had to come back.
Momma said that ghosts couldn't move over water. That's why Africans got trapped in the Americas.. They kept moving us over the water, stealing us away from our ghosts and ancestors, who cried salty rivers into the sand. That's where Momma was now, wailing at the water's edge, while her girls were pulled out of sight under white sails that cracked in the wind.
I have a favorite line that I ever got to play with, and that would be at the World Cup. I got to play with Mario Lemieux and Joe Sakic. I got to be the right winger on their line.
When I started out in business, I spent a great deal of time researching every detail that might be pertinent to the deal I was interested in making. I still do the same today. People often comment on how quickly I operate, but the reason I can move quickly is that I've done the background work first, which no one usually sees. I prepare myself thoroughly, and then when it is time to move ahead, I am ready to sprint.
To be a true comic, you have to have a signature move. You ever watch wrestling? And your favorite wrestler has the one move that he always does to finish his opponent off, right? Like when he climbs on the rope, and he always jumps off the top rope and finishes off his opponent - that's what a comic has.
When I committed to playing a little tennis in some exhibitions, it was the best thing for me. It got me in shape. It got me out of the house. It got me doing something I love to do.
The difference between Reggie Noble and Redman is that this 'Reggie Noble' album is more conceptual. It got concepts on it, it got auto-tune on it, it got a pop record on it. I had fun on it.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
He's just very deceiving. He just covers a lot of ground with ease. I got to the three-eighths pole, and I even got a little concerned because he was so relaxed. I wasn't sure if he was going to fire, but I didn't want to test him that early. As soon as I got to the top of the stretch I shook him up and got an immediate response. In the stretch, once I knew he wasn't going to get beat, I put my hands down and he eased himself up. He's a real smart horse and he's got a great attitude.
I don't have a brilliant body at all. I've got very broad shoulders. I've got very big feet. I've also got a very muscular neck. — © Jaye Davidson
I don't have a brilliant body at all. I've got very broad shoulders. I've got very big feet. I've also got a very muscular neck.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
Things that happen in Wyoming are things that wouldn't happen in a big city - we've got bears, we've got a lot of shotguns - in Absaroka County, everybody's got a shotgun in the back of their car!
You have got to love yourself first. You have got to be ok on your own before you can be ok with somebody else. You have got to value yourself and know that you are worth everything.
I've got enough money in my life to retire now and do nothing. But I've got a duty and obligation to see if we can create more jobs in this state, and the government's got an obligation to approve projects and to assess them for the benefit of the people of Queensland.
I say 'cuz' around Bloods, and I say 'blood' around Crips...I'm twisted. Got Mary, got Lucy, got Molly: that's wifey, girlfriend and mistress.
The hardest part of playing the villain was the prosthetics, because I couldn't really move my face as much as I wanted to, and yet I had to move my face a lot. If I moved my face in certain ways the prosthetics would come apart, so I could do a lot of eyebrow acting, but I couldn't do a lot of nose lifting, or the corners of the nose would pop out.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
When you move as openness and softness of heart you’re moving in this life within your self in the same way that your being is. When you move as openness and softness of heart, you are all the way into the surface moving and growing, developing as oneness.
I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.
...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
I got to say hello to Snoop Dogg. I got to, I was being barged out of the way by his bodyguards but I got to say hello to him which was cool.
When you change, you change with what you got. What I got is my speed. I got a little bit of my instinct and flair. — © Gael Monfils
When you change, you change with what you got. What I got is my speed. I got a little bit of my instinct and flair.
For most of the guys, killings got to be accepted. Murder was the only way that everybody stayed in line. You got out of line, you got whacked. Everybody knew the rules.
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