Top 1200 Got To Move On Quotes & Sayings - Page 20

Energy moves in waves. Waves move in patterns. Patterns move in rhythms. A human being is just that energy, waves, patterns, rhythms. Nothing more. Nothing less. A dance.

There are moments, psychologists tell us, when the passion for sin, or what the world calls sin, so dominates a nature, that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination, and disobedience its charm.

Some got rabies, some got fleas, some got incurable diseases from this cockamamie business.

You've got the North Koreans building weapons; you got the Iranians building weapons. You've got - the Pakistanis already have at least 100 nuclear weapons. Do you think there's any serious effort in this country to come to grips with that?

When a woman makes the choice to marry, to have children; in one way her life begins but in another way it stops. You build a life of details. You become a mother, a wife and you stop and stay steady so that your children can move. And when they leave they take your life of details with them. And then you're expected move again only you don't remember what moves you because no-one has asked in so long. Not even yourself.

Destroy everything. That's all well and fine, but you got to offer something in it's place. Since I always have a point and purpose to what I do, thats why people accuse me of being calculated. it's the way I am. I always know my next move. I could never conjure up a death wish, this is all I have is life. I don't know what comes next, and frankly I'm in no rush to find out. I don't believe in playing a martyr just for the sheer hell of it. And for something as chidish as Rock 'N' Roll is not on.

My biggest advice to people now is that when you go through something traumatic, you've got to go talk to somebody. You've got to be able to understand it, make peace with it inside yourself, and you've got to be able to let it go.

Whenever any argument comes up, you remind her, "You cheated on me." Your relationship has no chance. You agreed to set it aside. You accepted that it happened and you accepted her explanation and you agreed to move forward, but then as you move forward, you continue to lay that off on her, and you never let her forget. Your marriage doesn't have a chance, if you don't let it go.

"You are the actor, and I understand we already had our sit down, you explained your concept, your view," so I said, "Okay, I'm in your hands." That means that if you've got to nudge me a little bit to the right I move to the right, just from the pressure, weight, but you won't have to touch me at all. You can come and go "Okay, you want me over here a little bit more," so no pressure on us at all that's easy to do.

In wrestling, when I was in high school, my coach said you should be able to hit every single move from any position. So, arm drag to double-leg, snap-down to double-leg. You should be able to hit a move from anywhere, so with my armbar, I can essentially hit it from any position because it's my favorite submission.

How do we know when someone like Hasan is going to make his move and do we know he's an Islamist until he's made his move? He makes a phone call or whatever, according to Reuters right now. Apparently he tried to contact al-Qaida. Is that the point at which you say, "This guy is dangerous?" That's not a crime to call up al-Qaida, is it? Is it? I mean, where do you stop the guy?

It suddenly occurred to me that every move on the chessboard is old and has been played by somebody at some time. Maybe our own history has been played out by somebody at some time, and we just move our pieces about in the same moves to strike in the same way as people have always done.

I have a zombie apocalypse kit at my house. I've got freeze dried food, I've got a real deal medical kit, like, a doctor could perform a surgery with this medical kit. I got all kinds of everything.

One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories. You are as if born again, in the sense of the snake: You leave your skin behind and you begin again. For most people in the world, that is totally impossible.

I am a geek dad, believe me. I've got my iPad with me; I've got my iPhone 4; I've got my Xbox. I love technology and I want to feel like I'm living in the future, and these devices help me feel that way.

That is what shooting is. There is no secret sauce, man. You've got to find mechanics that you can make the same every time, and you've got to do it over and over again, and you can't just shoot for rhythm. You've got to understand what you are doing. You have to focus on those details every day.

In Aristotelian terms, the good leader must have ethos, pathos and logos. The ethos is his moral character, the source of his ability to persuade. The pathos is his ability to touch feelings to move people emotionally. The logos is his ability to give solid reasons for an action, to move people intellectually.

Grant us more powers, not less; grant us more democracy, not less; grant us the tools to move forward because, I can assure you, Puerto Rico will move forward. We did it in the past; we will do it again.

I think when you're a tall girl, you feel a little bit like an outcast. You have to go to the back of the photo. You're taller than all the boys. I know I felt more like an outsider. And then as I got older, I just got used to it. I got like, 'I don't date under 6 feet.' That's my policy.

When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.

When things start becoming second nature, I get a little paranoid because I feel like maybe my craft isn't evolving. I get a lot of gratification when I do something that's really quick. Like if you've got someone who's really twitchy, like Lady Gaga. I have never in my life seen someone move that much in a chair. I said, "Look, your hair's knackered, you wear wigs all the time. Let's cut it off." It took 10 minutes.

Secretary Clinton is talking about taking out ISIS. "We will take out ISIS." Well, President Obama and Secretary Clinton created a vacuum the way they got out of Iraq, because they got out - what, they shouldn't have been in, but once they got in, the way they got out was a disaster. And ISIS was formed.

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

Marco Rubio, as an example, he's got no money, zero.I think that's fine, that's OK, maybe it's good politically to say you owe money because you overborrowed on your credit cards. He's got nothing. I mean, he's got nothing.

The misconception about the record company is that they were the ones who got me wearing short skirts, or got me to do my hair blond, or got me to dance around onstage and start doing different things with my clothes. No, that was actually all me.

I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view.

Originally I had a block about appearing in a musical. I went to a voice teacher for a while, but that did no good. My range is about one and a half notes. I ended up talking the musical numbers, which was revolutionary at the time. The lyrics are extremely intricate. They move along like a precisely acted scene. If you miss a word - heaven help you - the orchestra rattles past like an express train, and you've got to run like the devil to catch up.

Life has got a habit of not standing hitched. You got to ride it like you find it. You got to change with it. If a day goes by that don't change some of your old notions for new ones, that is just about like trying to milk a dead cow.

Spider-Man is a genuine American myth with a dark, primal power, but it's also got this great superhero, and - hey! - he can fly through the theater at 40 miles an hour. It's got villains, it's got skyscrapers, it's colorful, it's Manhattan. I knew it would be a challenge, but I saw the inherent theatricality in it, and I couldn't resist.

Conversations are like dances. Two people effortlessly move in step with one another, usually anticipating the other person's next move. If one of the dancers moves in an unexpected direction, the other typically adapts and builds on the new approach. As with dancing, it is often difficult to tell who is leading and who is following in that the two people are constantly affecting each other. And once the dance begins, it is almost impossible for one person to singly dictate the couple's movement.

You can live by biblical principles, and you can teach by those principles and still be a winner. So many coaches think you've got to kick your players in the rear end. You've got to cuss them out. You've got to hit them across the head. No. You don't have to do that.

I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.

I'd always believed that any song worth singing is worth putting harmony on. When it comes time for the harmonies to come in, I will move to my left because my brother and I always used to use one microphone, and so you had to share the mic. And, even today, I will move over to the left to give the harmony room, knowing in my mind that there's no harmony standing on my right. But it's just old habits are hard to break.

I got to prepare more for the games. I got to be ready for better players and starting lineups, just get a bit more focused, more prepared and got to be in better shape.

I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.

We never got rid of HIV but we have great treatments for it, we never got rid of bacterial infections but we've got antibiotics.

Adolescence is a time when children are supposed to move away from parents who are holding firm and protective behind them. When the parents disconnect, the children have no base to move away from or return to. They aren't ready to face the world alone. With divorce, adolescents feel abandoned, and they are outraged at that abandonment. They are angry at both parents for letting them down. Often they feel that their parents broke the rules and so now they can too.

I am not waiting for a move of God, I am a move of God!

I got to work with Ric Flair. I got to work with John Cena when he was just coming into his own. I got to work with Santino when that character was just started.

PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.

Money and riches don't mean nothing to me. I don't care nothing about being no rich individual. I'm not living for glory or for fame; all this is doomed for destruction. You got it today, tomorrow it's gone. I got bigger things on my mind than that. I got Islam on my mind.

My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?

Barack Obama destroyed the middle class. Whatever you want to say about his rhetoric, the rich got richer, but the poor got poorer, and the middle class got wiped out. That's really what Trump appealed to and inspired in the forgotten man.

Zora Neale Hurston said fear is the greatest emotion and I said, 'No my dear sister.' Fear will make us move to save our own skins. Love also makes us save ourselves, but it will make us move to save others as well.

My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.

I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.

Why should I be depressed? I've got enough money. I've got a job. People like me. There is no to be depressed. That's at stupid as saying there is no reason to have asthma or there is no reason to have the measles. You know you've got it. It's there. It's not about reason.

It's like guerrilla warfare. If you reveal your location, all it does is allow your opponent to improve his artillery bearings. It's better to move quietly, with stealth, under cover of night. You've got two choices: You can wear cammies and shimmy along on your belly, or you can put on a red coat and stand up for everyone to see. It comes down to whether you want to be the British army in the Revolutionary War or the Viet Cong. History tells us which tactic was more effective.

... laws governing pollution tend to move pollutants from one medium to another. So, for example, we scrub SO2 from power plants only to dispose toxic sludge on land. We "clean" water only to disperse toxic-laced solids on farmland or landfills. Pollution control becomes a kind of giant shell game by which we move pollutants between air, water, groundwater, and land.

You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.

In order to bring down the incarceration rate, you've got to start with the beginning of life. You've got to make sure that parents and schools are prepared to prepare young people for success. You've got to deal with the next stage of life. You've got to make sure that people have the opportunity to work at a good job, they have access to good healthcare, and that they have the opportunity to build wealth over time.

You know how it be sometimes: everybody bosses, and they got their own lane going on, they got their own crew, they got their own businesses. And sometimes, you just don't link with people.

You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.

I got my first guitar when I was 11. It was an electric, and I can remember just wanting to be Avril Lavigne! But I got annoyed with having to plug it in and play with amps and pedals and stuff. Then I got given a cheap acoustic, a Tanglewood, and I thought it was awesome because I could play it anywhere!

I don’t smoke, although it looks fantastic in films. But I light matches on those thinking blank nights when I crawl my route out onto the roof of the garage and the sky while my parents sleep innocent and the lonely cars move sparse on the faraway streets, when the pillow won’t stay cool and the blankets bother my body no matter how I move or lie still. I just sit with my legs dangling and light matches and watch them flicker away.

The college students come out and they’re doing something for the first time, so by definition it’s dramatic for the most part, but most people don’t jump out of the airplane or sign up to become a French clown. That’s not the move they’re mostly making. They’re mostly making things a little bit better where they are and so to make things a little better where you are, you really got to get underneath what’s bugging you, what is working for you.

The boy's got problems, the boy's got stress, the boy's got a .38 hidden in his desk.

To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.

Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.

Punk recognised the fact that the establishment had no room. There's no point in saying you've got the establishment wrong because they hadn't got the establishment wrong, they'd got it absolutely dead on.