Top 206 Grammy Quotes & Sayings - Page 4

When I was growing up, Brandy was TV star, reality star, a pop star, a Cover girl, Grammy winner, had her own Brandy doll, and was the first African American to play Disney princess Cinderella. Most importantly, she is a survivor. Many only judge and remember a person's most recent failure.

I feel like success is really subjective. You could win a school talent show and be like "I was successful", or you could get a Number One in New Zealand and be like "I was successful', or you could win a Grammy and be like "I was successful".

I'd like to thank all the indie stores from Florida to California and all points in between for being so welcoming in 2007. I played Park Ave CDs, Waterloo, Shake It, Horizon, Amoeba (LA & SF), Criminal Records, Shangri-La, Grimey's, Vintage Vinyl, Ear X Tacy, Twist & Shout,Record Exchange, and a few more I can't recall. Thanks for your help with my Grammy-nominated Charlie Louvin album and Live At Shake It Records CD. Look for my new CD in late 2008.

I'm not a comedian. I'm not a show host. I'm a musician. That's why I've turned down offers to host the Grammy Awards and the American Music Awards. Is it really entertaining for me to get up there and crack a few weak jokes and force people to laugh because I'm Michael Jackson, when I know in my heart that I'm not funny?

I'm young. You can't just sit there and be satisfied. People are like, "You've got all these number ones!" "Yeah...what else?" It all translates into money, and that's how people think of being successful, but my success, I feel like, is credit - credit for a good job. I haven't even gotten a Grammy, yet I've already decided I want an Emmy.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twistsand turns of an artistic career. Throwing an opera at them is something they have to notice. There's nothing subtle about it.

To be critically acclaimed, to get a Grammy, to be on MTV, you gotta talk about current events. You gotta talk about controversy, just stuff people want to hear. At the same time, you gotta get a message across.

I once won a Grammy for an Australian version of 'Turn the Page' that another artist did; I can't remember his name. There've been covers down through the years around the world, but I did like Metallica's, because I kind of related to Metallica when they first came out, because Jimmy Hetfield really reminded me of me in 1965, you know?

When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.

We got a Grammy for writing 'No Scrubs.' It contributed to me getting Songwriter of the Year. I was the first woman to get Songwriter of the Year from ASCAP and 'No Scrubs' was part of the reason for me getting it.

I want you to forget all your insecurities. I want you to reject anyone of anything that's ever made you feel like you don't belong or don't fit in or made you fell like you're not good enough or pretty enough or thin enough or can't sing well enough or dance well enough or write a song well enough or like you'll never win a Grammy or you'll never sell out Madison Square Garden, you just remember that you're a goddamn superstar and you were born this way!

So I did a program with the Recording Academy, the Grammy Museum. So pretty much they take, like, one hundred kids during the summer and for a week or two every day they go over something different in music history. Then during the music history part of the program, they would just tell us about the different eras.

I just want to be successful. I'm not going to sit here and be like, 'I want to win a Grammy' or whatever; if that comes, that's awesome. But I just want to be successful and provide for my whole family and get my family out the hood.

I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach - some Grammy, some reviewer, some fashion person, some blah blah blah - they’re all the same as that coach.

In my opinion, one of the biggest drawbacks about Sergio Leone films are the scores composed by Ennio Morricone. If [Leone] were as talented as I am, he would have made mixtapes for his movies instead of letting some schmuck write the soundtracks for him. But then if he were as talented as I am, he'd be Zach Braff. And have his own Grammy.

I think of myself more as an actress. I do my music because I'm very passionate about my music. I love making music. I love inspiring people. I love making great songs that are just really fun. But that's all it usually is for me. I love touring and singing great songs. I don't think I'll ever win a Grammy one day, and I'm totally fine with that. I do work really hard when it comes to acting and I want to do that for a long time.

I'm sitting at home every time there's a Grammy. It's like, 'What is Sharon doing tonight?' I'm sitting home watching it. But it's OK. But if you go to Europe, there are a lot of young, independent labels that's doing soul music. You might call them retro because they're young and they're trying to imitate somebody. But I ain't retro.

Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.

There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.

To date, [Wynton] Marsalis has received a total of nine Grammy Awards; a Pulitzer Prize (the first ever awarded to a jazz musician)... and twenty-nine honorary degrees, including Columbia, Brown, Princeton and Yale; the National Medal of Arts; and numerous awards from other countries.

A brilliant 1989 album, Oh Mercy; some career retrospectives; and two albums of American folk songs, with just Bob Dylan and his guitar and harmonica. All that culminated in the Grammy-winning comeback album, Time Out of Mind (1997). Once again, just as Dylan seemed to be out of it, he was back at the top of his game.

When I won the first Grammy, there was no other feeling like that feeling. It just made me feel like I came so far, like that was just a dream a few years before that, and then it was happening right then.

I would say growing up in Nashville has been a huge influence in my music. Growing up with my dad being a 2-time Grammy-winner, BMI songwriter of the year for five consecutive years in a row, and having the legacy he has is definitely a huge influence, too.

I don't think if you set out to make an album to get a bunch of Grammy nominations... you just have to set out to make an album you'll really love.

Blind audition format is what make our show unique and gives it so much more integrity. After all, the show is called The Voice. It's about vocals, and you have to stand out to get the attention of these four, Grammy-winning superstars who have an amazing ear and know what they're talking about. They rely on their ear as well as the reaction of fans in the audience to figure out whether that contestant is worth pressing that red button for. It's a great concept which keeps everybody on the edge of their seat.

You don't want to make records so you can win a Grammy. You make records because you want to be a musician.