At the Grammys, you walk down the halls and everyone's got five security guards. You can't talk to anybody. You always feel out of place, like, 'Hey, the rednecks are in town!'
You go to the Grammys and you say, 'I don't care if I win or not,' and of course you care.
The interviews have been a little tough due to the fact that we're interviewing dogs. We see a lot of contestants licking themselves, but we're used to that from covering the Grammys.
Not many people are able to say that they had in their professional career the chance to perform in two bands that won Grammys and were multiplatinum bands.
Everything I know about pop culture I know from 'The Simpsons,' and they say the Grammys aren't very good.
The most inspiring thing as an artist is when someone says, 'I believe in you'; sometimes that works even better than Grammys.
I grew up looking at the Grammys. It was a childhood infatuation with these people walking around with gold statues. I felt like they were the best, and that's why I started working so hard.
Being acknowledged for your work is always a great accomplishment, whether it's people in my city, kids in the street, all the way up to the Grammys.
In Las Vegas, a day before the Latin Grammys, I was walking backward and hit a light and fell down. The worst part is that I was singing with Becky G and Mau y Ricky - they all rushed over to help me. It was very dramatic.
All my life, I was even just wanted to attend the Grammys, like, just be there, so the fact that I'm nominated for Best New Artist, it feels like a dream.
We just couldn't seem to get the love from the Nashville awards shows... So Grammys really gave us validation, and so that's why they're such a big deal for us.
That was one thing I wanted to win because, my mom, she didn't really know much else in music, but the Grammys were special to her.
We were thrilled when we were nominated for best new artist at the Grammys, but we were even more so when they asked us to play live.
I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don't honor the arts or the artist for what he created. It's the music business celebrating itself.
Rock evolved out of rebellion, so when you turn on the Billboard Awards or something like the Grammys, and there's no rock on there, that's a good sign - because that means that rock is not welcome inside of a pop format.
I would not be able to sleep at night and I would practice my Grammys speech. That was definitely me.
My friend Quincy Jones says we won our first Grammys together in 1963. I have no recollection. I don't even remember the room. When he showed me the picture, I remembered what I wore. But it's like awards don't mean anything.
I used to love, and I still do, Lee Ann Womack. And Alison Krauss. I mean, how many Grammys does she have? She's just remained solid and true and great, and I respect that.
We can watch videos of our whole journey - from old tours to doing the AMAs (American Music Awards) in 2013 and through the 'Star Wars' medley or when we sang with Stevie Wonder on the Grammys. I just sit back and say, 'I can't believe we did all this!'
Most of the time - at the Grammys for example - a DJ will perform with just their hands in the air because they can't do anything and that makes it a little awkward, I think.
I spent 25 years clearly understanding that I'm not gonna meet Bono or the Edge. But then it happened at the Grammys when we were all backstage and I just about fell out of my shoes.
Going from someone playing 15-people venues to performing at the Grammys, it was this giant leap and sort of showed me it was possible with what I wanted to do and the kind of music I wanted to write and artist I want to be to impact a lot of people.
I want to produce with people that are going to be on the charts and win Grammys because having regular old street songs is cool, but I did all that already.
I want to be on stage and perform and win Grammys and help out my family in Bulgaria, because they are struggling, and my mom and dad, too.
Bigger than the Beatles? Well, how many grammys did they win? Exactly, none, yet I have one, and I've never even released a CD.
Why don’t the Grammys matter? Because it feels rigged and cheap - like a popularity contest that the insiders club has decided.
It was so surreal, having my parents hear the President and First Lady saying to me, 'Good to see you again! We're so proud of you. We watched you on the Grammys and were like, 'That's our girl!'
I respect the Grammys, being a writer. But me being an artist representing hip hop? No.
I don't think that the Grammys are in any way a just way of grading music.
Even though the popularity and the fanbase is much much greater, and more people have heard about me through things like the Grammys and the Ivors and touring and word of mouth, it doesn't reflect in the sales of the record and doesn't go into my pocket.
The Grammys make me hate music, and certainly everyone in the ass-licking music industry.
[Justin Bieber]'s rich, right? Grammys are for music and not money. He's making a lot of money. He should be happy with that.
[I] go to the Golden Globes, the Grammys, all the awards shows. Just stuff you would never get to do as a regular person were things that were really exciting for me.
Whether it be Beyonce or Justin Bieber, we see singers who have absolutely nothing to offer anyone as they walk off stage clutching three Grammys in each hand.
Grammys, American Music Awards, successful albums, I'd pick my kids any day over any of it.
I actually met Deadmau5 for the first time on the red carpet in Hollywood for the Grammys. I was there with my daughter, and he introduced himself to me. He said, 'Hey, I'm from Toronto.' I had a little conversation with him, and then I realized I'm talking to a guy with a giant mouse head.
At the Grammys, you walk down the halls and everyone's got five security guards. You can't talk to anybody. You always feel out of place, like, 'Hey, the rednecks are in town!
I've always said I can't tell sometimes that people even have an album out until I see them nominated for a Grammy. I think country gets dumped on across the board by the Grammys.
I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.
It's so perfectly Alaska to be like, 'Dad we're going to the Grammys,' and for him to be like, 'Oh, well that's great, Johnny. All right, gotta go back to work.'
Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
When you win an award from the Grammys, it means a lot 'cause it's voted on by 100% by the people. It's not like some old guy sitting at a desk picking. It's doesn't work like that. It's voted on by your peers in the music industry.
I'm thankful for the position that I'm in, I'm thankful to go to the ceremony [of Grammys] the first time, thankful for everything. I'm just taking it step by step.
The Grammys are very wide-ranging but it's still within the Western world of music. So it would be lovely if that opened up more.
At the Grammys, how many performances were with women playing instruments? Is it still surprising that a female can play an instrument proficiently?
I wanna be the most successful socially aware artist: Grammys, number one singles, albums, overseas and internationally-known household name, all that.
But the Grammys is just not something I can take too seriously. It would be a mistake to hinge my happiness on something so completely out of my control.
Grammy asshole weekend in LA. Yuck ... The Grammys = the old guard / old media propping up their puppets trying to convince the outside world, and each other, they're relevant.
I've been invited to the Grammys with other friends who were nominated. I'm like, 'Naw, I'm not gonna go until it's my time.' And who knew it was gonna be, like, the next year? It's crazy.
One thing I love about the Grammys is that they love to recognize old, risky music.
I achieved everything one can achieve as a concert singer. Six Echo Klassik awards and three Grammys, and I also have my professorship at the Hanns Eisler Academy of Music in Berlin. Now I'm going to turn to other things, like readings or audiobooks.
For a while, R&B was going out of style. It was kind of getting kicked to the side. The first year the R&B Album of the Year didn't get on the TV portion of the Grammys is when I got nominated.
I think I'm happier, not just because of winning Grammys and selling records, but because it's really fulfilling to have all these things happen with something you love to do.
The American Music Awards mean more to us; that's a people's award, and we're a people's band. The Grammys are the critics.
The first songs I made brought me to the Grammys. I was a five-times nominated teenager off voice memos and songs that were clearly recorded off different mics.
I have an awards cabinet in my studio where I keep my eight Oscars, my 11 Grammys, my seven Golden Globes, and my Tony Award.
The last thing I want is to walk into my house after a long day and see all the Grammys and awards. It would make me feel weird.
The night I was recognized for 'Daughters' at the Grammys was the night this record started. I knew I had bought the time to learn everything I needed before I started this one. 'Continuum' is not a shot in the dark, it's not a guesstimation.
I did that Grammys thing - I did a little freeform poem.
I have crushes, but they're all too old. Like Beyonce -she has a husband, I might get shot. I went up to give Beyonce a hug at the Grammys and Jay-Z said, watch out buddy! He was kidding, but you know.
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