Top 1200 Great Book Quotes & Sayings - Page 9

You cannot pretend to read a book. Your eyes will give you away. So will your breathing. A person entranced by a book simply forgets to breathe. The house can catch alight and a reader deep in a book will not look up until the wallpaper is in flames.

So great a contribution to physics was Two New Sciences that scholars have long maintained that the book anticipated Isaac Newton's laws of motion.

Whenever I start a new book, I think, 'This is the most interesting subject of all time. It's sad, I'll never enjoy writing another book as much as I enjoy this one.' Every time, I'm convinced. And then I change my mind when I start the next book.

I think that the mark of a great book is that it will meet you wherever you're at and you'll feel and experience something new and different each time you read it.

I am not a great planner, so I have just a vague idea. And then I start to find out what kind of book I actually want to write.

'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.

...Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.

One Christmas, Dennis Dermody, the movie critic of 'Paper,' gave me 'Rock Hudson: A Gathering of Friends,' the master invitation list from Rock Hudson's memorial service. It's so great. Everyone's in it, with personal addresses all bound into a book. Someone else once gave me Ike Turner's will. I get great stuff.

Travelling is a great time to catch up on my reading. It's hard falling asleep in new places, but a good book always makes it easier.

I write with a sense of my future readers being ever on the verge of setting down the book and pronouncing it a bore. Fear and insecurity are great motivators.

I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.

Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women.

When I write a new draft, I don't like to feel I'm tied to any previous version. That's why I don't use a computer to write. The text looks, on the screen, too much like a book. It's not a book - it's a bad first draft of something that could one day be a book.

Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.

A book of great beauty and manically exquisite insight with a wild and deadly humor . . . The only American novelist who may conceivably be possessed by genius.

The Bible is the Only Book That Can Make Us Wise unto Salvation. The Bible is not a book to be studied as we study geology and astronomy, merely to find out about the earth's formation and the structure of the universe; but it is a book revealing truth, designed to bring us into living union with God.

My parents would frisk me before family events, and find the book, and lock it in the car. And then be disappointed where, somewhere at the event, I would find a book and sit under a table where nobody could get me and go back into book land.

When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.

Whoever renders service to many puts himself in line for greatness - great wealth, great return, great satisfaction, great reputation, and great joy.

Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.

The face of the water, in time, became a wonderful book- a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day.

Great fashion is all about surprise. It should always be about doing something that isn't by the book.

Speaking to the Heart is a great encouragement to men who want to be better husbands and fathers. It is both a practical job description of fatherhood-showing how fathers build strength in their children-and an inspiring call to family leadership. Any father who takes this book to heart and puts its wisdom into action will be known to his children as a great man.

The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .

If you buy a book on golf instruction buy the thinnest book you can find. The thinner the book, chances are the easier and more elementary the instruction. It can do one of two things: help you more or hurt you less. Both are good compared to the alternative.

My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.

I'm a massive comic book fan. I was buying weekly installments of "The Watchmen", and "From Hell", and "Parallax" and "Johnny Nemo". I was a huge comic book fan as a kid and I still am. Me and my youngest son are both comic book nerds together; make models and stuff.

I never felt inspired to write this book [ I Had Brain Surgery, What's Your Excuse?], like I did with the cat or dog book; I felt compelled. At the time (May 1999), I was planning to write and illustrate an altogether different memoir, a book about my decision whether or not to have a baby.

I blurbed a nice book, not at all like my book 'The Big Oyster,' called 'The Essential Oyster.' I blurbed a pretty good book about meat called 'Meathooked.'

Well I just so happened to bump into a chess book in the library at school and I didn't know that there were books on chess and so I take this book out and I'm like this is going to be cool, I'm going to whoop on this guy now, so I studied the book and I go back and the guy crushes me again.

I hate [ebooks]. It's like making believe there's another kind of sex. There isn't another kind of sex. There isn't another kind of book! A book is a book is a book.

Movie directors who have filmed F. Scott Fitzgerald's 'The Great Gatsby' believe it's a big book looming inside a small one, and they aren't altogether wrong.

If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.

To me the book is like having a kid. I have to let it go out in the world, and great things will happen. Maybe they won't, but it has to keep on moving.

There is a friend of mine that is very into the comic book world, and he showed me '300,' and I looked at it, and I said, 'Wow, that could be a great film.'

My father used to say: Every bird is one bird, and every book is one book, and every bird and every book is one thing too, under the words and the feathers." He finished with a flourish, as though the meaning of this was self-evident.

Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.

I don't watch a huge amount of telly. I read a lot. I'm reading at the moment 'Freedom,' by Jonathan Franzen, a great big brick of a book, and I'm loving it.

A really great popcorn movie is extremely hard to pull off. A really great popcorn book is equally hard to pull off, so I don't feel guilty devouring one.

I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.

I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.

One of the best things Henry Miller ever said was that art goes all out. It's all out. It goes full length. . . . A big book is an all-out book in which you limit your life to things that pertain directly to the book.

I have also written a book about the Giving of the Torah, and a book on the Days of Awe, and a book on the books of Israel that have been written since the day the Torah was given to Israel.

I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'

The sages are often ignorant of physical science, because they read the wrong book-the book within; and the scientists are too often ignorant of religion, because they too read the wrong book-the book outside.

If you're 25 years old dressed up like Superman at a comic book convention, that's great. If you're 78 and you're doing it, something's wrong.

So, you see, it's a real chore for me to write a book review because it's like a contest. It's like I'm writing that book review for every bad book reviewer I've ever known and it's a way of saying [thrusts a middle finger into the air] this is how you ought to do it. I like to rub their noses in it.

What I really mean is that a great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading it.

If you buy my book at Walmart, I don't want you to read it. I want you to set it on fire. Because that's what you just did with your money. When you buy a book through an indie-store, you put some money into an independent store and owner in your community. You've put some money into someone's life and someone's livelihood, into keeping the lights on, into helping them be alive. That's a great thing.

'Undertones of War' by Edmund Blunden seems to get less attention than the memoirs of Siegfried Sassoon and Robert Graves, but it is a great book.

I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.

The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone.

In camp was found a book, the first of the kind I had ever seen, in which I was made a great hero, slaying Indians by the hundreds.

Not many women will go out on a limb to make themselves really unattractive and unfeminine so you can get the laughs, but it's a great thing to do in my book.

My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.

At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.

Sometimes I get jealous when I'm reading a great book by a younger writer. But 'White Tiger' is so good, I almost forgot to hate Aravind Adiga.

If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list.

The best book of the year, Grobel's writing is quite marvelous. The Hustons reads vividly, just like one of John Huston's great films.