Top 1200 Great Gatsby Book Quotes & Sayings - Page 19

Explore popular Great Gatsby Book quotes.
Last updated on April 20, 2025.
This book will take you two days to read. Did you even see the cover? It’s mostly pink. If you’re reading this book every night for months, something is not right.
I was never bored because I always had a book. So I had a doorway into another world or another universe. It was great.
I might go on discussing this subject at great length, but after all is said, done, and written, my own book of experiences will best show what these obstacles are, and how I managed to overcome them to some extent.
Stephen King's 'It' is my favorite book of all time. I was that kid that would come to the library and be like: 'There's more Stephen King? Great.' — © Misha Green
Stephen King's 'It' is my favorite book of all time. I was that kid that would come to the library and be like: 'There's more Stephen King? Great.'
If we might reverently imagine ourselves scheming beforehand what kind of book the Book of God ought to be, how different would it be from the actual Bible! There would be as many Bibles as there are souls, and they would differ as widely. But in one thing, amid all their differences, they would probably agree: they would lack the variety, both in form and substance, of the Holy Book which the Church of God places in the hands of her children.
Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty - and vise versa. Don’t read a book out of its right time for you.
It can be hard to write a skillfully entertaining fiction, but a great book wants to be more, and wants more from us.
Notable American Women gives us, with great panache and in eerie detail, a world that is cruelly reasonable within the near-religious limitations of its weird laws and customs. It is a book as unique as it is wonderfully strange.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
I was inspired by the marvelous example of Giacometti, the great sculptor. He always said that his dream was to do a bust so small that it could enter a matchbook, but so heavy that no one could lift it. That's what a good book should be.
Almost any poll of regular churchgoers will reveal that their favorite book in the New Testament is the Gospel of John. It is the book that is most often used at Christian funerals.
There's something special about writing by hand, writing with a fountain pen, and there's something special about writing into a book, to take a blank book and turn it into an actual book.
I often read nonfiction with a pencil in hand. I love the feel, the smell, the design, the weight of a book, but I also enjoy the convenience of my Kindle - for travel and for procuring a book in seconds.
One of the great things about writing a series is that with each book, the novel is meant to stand alone on its own legs, but also to bring along those loyal readers who become attached to the characters over the years.
Great beauty, great strength, and great riches are really and truly of no great use; a right heart exceeds all — © Benjamin Franklin
Great beauty, great strength, and great riches are really and truly of no great use; a right heart exceeds all
We are sometimes told that we are not a biblical church. We are a biblical church. This wonderful testament of the Old World, this great and good Holy Bible is one of our standard works. We teach from it. We bear testimony of it. We read from it. It strengthens our testimony. And we add to that this great second witness, the Book of Mormon, the testament of the New World, for as the Bible says, "In the mouth of two or three witnesses shall [all things] be established" (2 Cor. 13:1).
I've never gone back to the stacks after my book's expiration at the front of the store. Not because I'm above it or anything, but I'd be mortified if someone caught me looking for my own book.
Book culture has also become something that's kind of incredible to younger people now, because of the Internet. If you go to any of the book fairs - PS1 or the MOCA Book Fair - none of the people are over the age of 40 years old there, and they trade and buy books, because they're almost antiquities at this point. They're not really important, in a way, because the Internet is how information is taken in.
I believe that everybody needs to tell their story - to be heard, to be seen, to be acknowledged, to be understood. We all want that, deep down inside - and writing a book is a great way to make sense of your own experience and to share it with others.
I wrote one book, signed with a good agent, and sat back and waited for the phone to ring. I was sure that the great news would come at any moment. Four books later, I finally got that call.
It took me eight books to finally be at a point in my career where I could come out with a book and say, 'This is meant to be a funny book,' and we didn't have to make any bones about it.
There is no field of activity for great men without the coming of great wars, great struggles and great revolutions.
A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.
What did Napolean do for relaxation? He read a book. What did Lincoln do for relaxation? He read a book. What does Congress do for relaxation? They book a red.
Socrates called himself a midwife of ideas. A great book is often such a midwife, delivering to full existence what has been coiled like an embryo in the dark, silent depths of the brain.
I labored for eight years thinking that I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.
You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer,' but that ain't no matter. That book was made by a Mr. Mark Twain, and he told the truth, mainly.
I appreciate your giving my book -- and in no small way, me -- a chance. To thank you, I really wanted to acknowledge all of you in the book. Unfortunately, I didn't have enough room for each name. So I've put in a code name that stands for all of you reading this book. The name is 'Mom.' It will be our little secret. So when you see 'Mom' in the acknowledgments, you'll know I'm really talking about you. And don't let my mother try to tell you otherwise.
The great revelation of the quantum theory was that features of discreteness were discovered in the Book of Nature, in a context in which anything other than continuity seemed to be absurd according to the views held until then.
You could say that any book that takes a position is not fair, unless you keep saying, 'On the one hand, on the other...' and take a great deal of trouble to present both sides. That kind of journalism tends not to be very interesting.
The only things I read are gossip columns. If I read three pages of a book, I'm out like a light. When I pick up the book again, I've forgotten what I've read and have to start over again. By page three, even if I've just awakened from a nine -hour nap, I fall asleep again. So if anyone gives me a book, it had better have lots of pictures.
The world is a great volume, and man the index of that book; even in the body of man, you may turn to the whole world.
Paul Erdos has a theory that God has a book containing all the theorems of mathematics with their absolutely most beautiful proofs, and when he wants to express particular appreciation of a proof he exclaims, "This is from the book!"
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.
The only thing that makes me put down a book is if the characters are boring, or the situations aren't fraught with the potential for some great change or I don't mind if an author torments his protagonist, but I do expect a decent payoff in the end.
Some day I'll write a book and call it 'How I Got the Nickname Pumpsie' and sell it for one dollar, and if everybody who ever asked me that question buys the book, I'll be a millionaire.
The last book I read before I wrote my first book - 'Ghosts of Manhattan' - was 'The Gold Coast' by DeMille. I loved it, and it gave me a lot of energy to start into my own.
No head coach does it by himself. I don't care who the coach is or how great he might be. Mike Krzyzewski is is a great friend of mine and he's a great coach but he has great, great assistant coaches and they bring a lot to the table and that's what it takes.
The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function. — © Jose Ortega y Gasset
The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
But as I wrote the book [Louis D. Brandeis: American Prophet], I tried to write it as clearly and directly and passionately as possible just thinking of communicating to readers who might want to learn about this great thinker and be inspired by him as I was.
I opened a book and in I strode. Now nobody can find me. I've left my chair, my house, my road, My town and my world behind me. I'm wearing the cloak, I've slipped on the ring, I've swallowed the magic potion. I've fought with a dragon, dined with a king And dived in a bottomless ocean. I opened a book and made some friends. I shared their tears and laughter And followed their road with its bumps and bends To the happily ever after. I finished my book and out I came. The cloak can no longer hide me. My chair and my house are just the same, But I have a book inside me.
I think it's a mistake to think, 'Am I going to write a young adult book, or do I desperately want to write a book for adults?' I think the better ambition is to try to write someone's favorite book, because those categorizations of adult, young adult, become kind of superfluous.
Books are influential in proportion to their obscurity, provided that the obscurity be that of inexpressible Realities. The Bible is the most obscure book in the world. He must be a great fool who thinks he understands the plainest chapter of it.
I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.
I remember the days of sitting at book signings, playing with my pen when no one would come, and still I even then thought I was living the dream, because I had a book out.
For eighteen centuries every engine of destruction that human science, philosophy, wit, reasoning or brutality could bring to bear against a book has been brought to bear against that book to stamp it out of the world, but it has a mightier hold on the world today than ever before. If that were man's book it would have been annihilated and forgotten hundreds of years ago.
I find writing a book a slow, intricate process, a kind of obstacle course punctuated with great rewards. But research is always thrilling, and I tend to incorporate newfound material up to the very last minute.
I published a bunch of my older books in e-book format with Open Road, which is great and has tons of hard to find older books available there. — © Rick Moody
I published a bunch of my older books in e-book format with Open Road, which is great and has tons of hard to find older books available there.
It's tricky turning a book into a movie. Sometimes people love the book so much that no adaptation lives up to what they imagined. You can avoid that disappointment by never, ever reading books.
It is a miracle how God has so long preserved His Book! How great and glorious it is to have the Word of God!
I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.
Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book.
To read a book, to think it over, and to write out notes is a useful exercise; a book which will not repay some hard thought is not worth publishing.
It's a lot harder for an author that's unpublished to say, 'Hey, here's a new book.' There's nothing of theirs to read, so you don't know what it's going to be like. Kickstarter is great, but you also have to put your work out there whenever you can so you can build a reputation.
Conservative merchandise tends to aim at a point from a place of humor and exuberance, from Trumpy Bear to the 'Make American Great Again' hats to my own bestselling blank book 'Reasons To Vote For Democrats: A Comprehensive Guide.'
When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.
Great groups deliver great results. And for everyone involved in a great group, great work is its own reward.
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