Top 1200 Great Literary Quotes & Sayings

Explore popular Great Literary quotes.
Last updated on November 14, 2024.
I don't know that I've gotten much feedback directly from the literary world; sometimes I doubt even the notion that there is a literary world, though I guess there is or was.
As much as I revere great writing, and am still humbled by it, literary activities are no longer esoteric to me. When I read a great novel - something that I could never have written myself - I'm still looking at it a little bit like a technician.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
Women excel more in literary judgment than in literary production,--they are better critics than authors. — © Marguerite Gardiner, Countess of Blessington
Women excel more in literary judgment than in literary production,--they are better critics than authors.
A great many political speeches are literary parricides; they kill their fathers.
I’m not club-able, you see. I don’t like literary parties and literary gatherings and literary identities. I’d hate to join anything, however loosely.
it never really occurred to her that literary men, if they like women at all, do not want literary women but girls.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
I wrote much because I was paid little. I had no great desire to leave a literary name behind me.
We postpone our literary work until we have more ripeness and skill to write, and we one day discover that our literary talent wasa youthful effervescence which we have now lost.
The book I'm working on next, which will be my fifth, returns to literary history. I really do love literary history, and I have plenty more ideas on it.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
Are there any writers on the literary scene whom I consider truly great? Yes: Truman Capote.
I have been told by a member of the board of one of Canada's most prominent literary magazines that a submission of mine once caused a great deal of controversy.
I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality. — © Yann Martel
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
He who, in an enlightened and literary society, aspires to be a great poet, must first become a little child.
You can write a great book and be ignored. Literary history is full of classics that were under-appreciated in their own time.
The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.
It's perceived as an accolade to be published as a 'literary' writer, but, actually, it's pompous and it's fake. Literary fiction is often nothing more than a genre in itself.
There is a great discovery still to be made in literature, that of paying literary men by the quantity they do not write.
The most important thing for me is realism. I don't like writing which does somersaults on the page, and I'm no great fan of the hard work literary novel.
There's literary creation and literary business. When I first got something accepted, it gave my life a validation it didn't otherwise have.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
The novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers.
I can't change overnight into a serious literary author. You can't compare apples to oranges. William Faulkner was a great literary genius. I am not.
All great literary works influence us as writers, not their stories as much as their storytelling ability.
But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.
The great break of my literary career was going to law school.
The literary artist lends verbal depth to the visual. The visual artist provides visible articulation for the literary.
All I am in private life is a literary critic and historian, that's my job...And I'm prepared to say on that basis if anyone thinks the Gospels are either legends or novels, then that person is simply showing his incompetence as a literary critic. I've read a great many novels and I know a fair amount about the legends that grew up among early people, and I know perfectly well the Gospels are not that kind of stuff.
I always say, and I mean it, that the great break of my literary career was when I went to law school.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
I promise myself great pleasure from my visit to England. You know I am to stay with Dickens while in London; and beside his own very agreeable society, I shall enjoy that of the most noted literary men of the day, which will be a great gratification to me.
...and the great advantage of being a literary woman, was that you could go everywhere and do everything.
Literary history is the great morgue where all seek the dead ones whom they love, or to whom they are related.
Science fiction is the characteristic literary genre of the century. It is the genre that stands in opposition to literary modernism.
Don't get me wrong, I love literary fiction. It's faux literary fiction I can't stand.
There are so many new young poets, novelists, and playwrights who are much less politically committed than the former generations. The trend is to be totally concentrated on the literary aesthetic and to consider politics to be something dirty that shouldn't be mixed with an artistic or a literary vocation.
There's definitely been a focus on the literary aspects of my music, and I always get a little cringey because I don't feel like I'm particularly literary. There's a sort of academic label that's put on me that seems inaccurate.
Theres always an anxiety about playing literary characters because one of the great joys of reading books is that you can create your own vision of things. — © Stephen Mangan
Theres always an anxiety about playing literary characters because one of the great joys of reading books is that you can create your own vision of things.
I also encourage my students to read literary criticism that is deeply personal yet formally inventive and intellectually expansive... books that offer unorthodox ways of doing double duty as literary criticism and as love letters to the power of literature per se.
There's always an anxiety about playing literary characters because one of the great joys of reading books is that you can create your own vision of things.
I learned a little of beauty - enough to know that it had nothing to do with truth - and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.
I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.
I have always loved reading, so was interested in the literary world, and took many literary portraits.
The literary culture, if you examine it, the high literary culture is that which preserves the government and you know it's really the talk for those who have.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
This is how I understand literature - as a kind of remix or echo chamber. What's going on in a literary work are other literary things disinterred, cannibalized, and recombined.
'War and Peace' holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate.
I am, of course, greatly honoured to win the Booker, which is one of the great literary prizes in the world. — © Richard Flanagan
I am, of course, greatly honoured to win the Booker, which is one of the great literary prizes in the world.
I'm not sure that the culture of literary prizes is always a good thing, but while there are literary prizes, it's nice to be nominated.
The short story is not as restrictive as the sonnet, but, of all the literary forms, it is possibly the most single-minded. ...at the end there has to be the literary equivalent of the magician's puff of smoke, an outcome that is both startling and anticipated.
Women need to become literary "criminals," break the literary laws and reinvent their own, because the established laws prevent women from presenting the reality of their lives.
I don't have traceable literary models because I haven't had great literary influences in my life.
A female writer does definitely get more attention if she writes about male characters. It's true. It's considered somehow more literary, in the same way that it's more literary to write about supposedly male subjects, such as war. You're considered more seriously by the literary establishment.
My literary heroes were mostly women writers and thinkers - Joy Williams, Joan Didion, Anne Sexton, June Jordan, Sarah Schulman, Audre Lorde, Cherrie Moraga, Christa Wolf - and much of this writing was political as well as literary.
My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers.
The English literary movement at the end of the 18th century was obviously due in great part, if not mainly, to the renewed practice of walking.
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