Top 1200 Great Show Quotes & Sayings - Page 3

One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.

Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.

I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.

But the point of using the number was to show that sex was a great part of my life as basketball was a great part of my life. That's the reason why I was single.

I have great players around me. I have a great coach talking to me all the time, constantly teaching me. I feel reborn, like I'm learning every day. When I show up, I'm happy.

My show in Egypt was called, 'The Show,' or, 'Al Bernameg' in Arabic. Basically, it was a political satire show. It started on Internet by three, four-minute episodes, and then it evolved into a live show in a theater, which was something that was unprecedented in the Arab world.

That's the great thing about a series: you're driving to work, and you have an idea for a story for your characters, and you can go into work, and it's gonna be a television show. I mean that's what's great about the job.

I think references, where they fit organically, are great. It's great to do a show that's real and relatable, and so much of what is real, is using real things and instances that are specific. Specificity is the best tool you can have, as a writer.

I will not attempt to show that it would be a great evil to increase the patronage of the Executive. It is already enormously great, as every man of every party must acknowledge, if he would candidly express his sentiments.

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.

'The Practice' I was on for seven years and it was a law show, so I really - a lot of objections and things like that, lots of long, long monologues that David Kelly used to write me, which were great. I was really lucky to have my first show go that long.

On a good team there are no superstars. There are great players who show they are great players by being able to play with others as a team.

My plan was to go to New York and do some theatre, and then I got the script for 'Psych.' I was like, 'Ahh - just as I thought I was out, you pulled me back in!' I had a great meeting with the show creator and we laid out the parameters to make the show work: what I would do, what he would let me do.

I love science. I hate supposition, superstition, exaggeration and falsified data. Show me the research, show me the results, show me the conclusions - and then show me some qualified peer reviews of all that.

One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.

The show was bad, but I was great

'Donny and Marie' was a great experience. I tried so hard to be a great talk show host but it's all about relaxing and enjoying it. Marie and I finally figured that out. I would have liked it to continue but I'm kind of glad it's over because of the phenomenal workload.

I feel joy when I do a great show.

My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.

My concerts consist of black, white, Korean - everybody. And the age group is so broad, from kids to great-grandparents. I have a lot of people with disabilities who come to my show as well. I personally move them to the front of the line because the lines for my autograph signings are so long. I make sure everybody has a good time at my show.

There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.

The Practice I was on for seven years and it was a law show, so I really - a lot of objections and things like that, lots of long, long monologues that David Kelly used to write me, which were great. I was really lucky to have my first show go that long.

My son is pre-K and my daughter is in elementary school. So they don't watch the show. But my son knows that I'm on it - he says that 'Breaking Bad' is his favorite show even though he's never seen it. It's really great that he says that, because it makes me look like mother of the year.

I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.

The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.

I think the "trick" is you have to really want to do it. You're embracing more of the world. Which is great. We're all in the world together, you know? And the models in the show who are "plus size," they're not in a special place, they're not wearing differently styled outfits. They're just beautiful girls who are in the show, like normal. Everything's normal. That's how it should be!

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

When great men permit themselves to be cast down by the continuance of misfortune, they show us that they were only sustained by ambition, and not by their mind; so that PLUS a great vanity, heroes are made like other men.

Instead of locking people up and throwing away the key, it's important to invest in them and show them another way - show them what they can do, instead of telling them what they can't do. Because by investing in youth, we're investing into the future of this great nation of the United States of America.

I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.

'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.

A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.

I don't know if I'm embarrassed because I think it's a funny show, but I could imagine there being a snootiness about it, but I do find 'The Big Bang Theory' very funny. I think that's a good show. I think it's fun, I like the actors; I think they're all doing a great job.

One thing all the way through the show to me is boring. I don't care how great the artist is. I find that if my audience is very young, and they want to hear very young songs, my show will be dominated by that. But there'll be some ballads here and there and some swing tunes.

'Divorce Court' is a great show.

Great is Youth--equally great is Old Age--great are Day and Night. Great is Wealth--great is Poverty--great is Expression-great is Silence.

I know Becky G, Natti Natasha, and other Latina singers, we have been working many, many years and now we have the opportunity to show what we have, to show what we have been doing for many years. Great things are happening for women in the Latin music industry.

It's a very appropriate show to be doing around Halloween because it's very dark and mysterious. There are some great chorus scenes and some dark stuff and funny stuff as well. It's a really perfect balanced show in many regards.

For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.

We're gonna give you a great show.

What's great about New York is that there are a lot of theater actors and actresses, who are trained actors, that they bring onto the show. They're so talented, in such a weird, quirky and ominous way. And it's great to be able to work with new faces, too.

It's my responsibility to put on a great show.

The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.

If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'

One of my favorite moments was when I stepped onstage for my first Victoria's Secret show in 2010, It felt like all that work finally paid off. I had long legs that I worked hard all year to keep, and it felt great being able to show them off.

All my money comes from show money. You might get your deals, your advancements to do your album, but it wasn't in great abundance. Everybody's money in the '90s came from doing shows. That's a whole lot of show money, and that's it.

Do we look horrendous when people don't work together? Oh, God, yes. If the leave campaign is not prepared to show that it's big enough and ugly enough to put aside party differences in the interests of this great cause, then it has a great problem.

On every show I've been on, it's just managing all the different responsibilities and time management. 'The Walking Dead' is a really well-oiled machine, and I have a great number of people who do a great number of things very well.

It's been great to come to the U.S. and not have people judge me because of what they saw or heard when I was 16 and on a TV show. They're actually judging me on the fact that I can sing and how my personality is now. Which I think is great.

Everyone at 'CSI' has been so great to work with, and so great in terms of scheduling. There's a real feeling of family on that set... I've grown to have so much respect for the cast and crew - they're been together so many years and still care about the show and each other.

Creating a world in a sci-fi show is almost the whole battle. If you have a great story and you can create a great world, as far as the acting goes, it makes my job a whole lot easier.

It... does... not... have... to... be... pointed out all the time. Like, 'Isn't it great that you're black, and you're a woman?' Isn't it great that the show's good? I would just love for it not to be a thing - for it just to be, like, super norm.

I don't think I would be getting any of these movies without that show, and that's a strong show, a great fan base and it's helped me out a lot. It took me out of Canada and brought me down to the states and gave me my career basically.

Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.

In mythos and fairy tales, deities and other great spirits test the hearts of humans by showing up in various forms that disguise their divinity. They show up in robes, rags, silver sashes, or with muddy feet. They show up with skin dark as old wood, or in scales made of rose petal, as a frail child, as a lime-yellow old woman, as a man who cannot speak, or as an animal who can. The great powers are testing to see if humans have yet learned to recognize the greatness of soul in all its varying forms.

There's something rare and wonderful that's very particular to television, and it's when a great cast meets a great show runner/creator with the right set of characters to play. That's what happened with 'Arrested Development.' It happens every so often, but all too rarely on TV.

When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.

As the actors on the show we rarely get an opportunity to, as I said we get the scripts the night before but we have great producers on this show, so every once and a while matt or mike will say "I want to take the character in a different direction this season, what do you think about this?" and we do sort of get to add to it and feed it.

We can become great in the eyes of others, but we'll never become successful when we compromise our character and show disloyalty toward friends or teammates. The reverse is also true: No individual or team will become great without loyalty.