Top 1200 Greatest Poetry Quotes & Sayings - Page 3

Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.

The greatest minds are capable of the greatest vices as well as of the greatest virtues.

Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.

I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.

Poetry at large in America is naturally a reflection of the American system and culture. That's my possibly narrow view of it, or reductive view. But I think for as many portals for critical consciousness in the poetry world and in the American spirit that exist, there's also an over-arching, dominant mirroring, in poetry, of the corporate structure, the capitalist enterprise.

Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?

Women do not have as great a need for poetry because their own essence is poetry.

Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry, is a kind of circuit that takes place between a poet, a poem and a reader, and that meaning doesn't exist or inhere in poems alone.

Sound health is the greatest of gifts; contentedness, the greatest of riches; trust, the greatest of qualities.

Poetry, just because it is poetry, doesn't mean it is some kind of magic spell.

I definitely wish to distinguish American poetry from British or other English language poetry.

Poetry has roots, but they are sometimes cut off and still poetry is written.

One of my greatest joys is poetry. I read it almost every day, and I've even taken a stab at writing some of my own. A poem I wrote for my mother when she was dying really helped me get through that hard time.

The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.

Yet, it is true, poetry is delicious; the best prose is that which is most full of poetry.

First of all I think that poetry is very noble and I always have with me the sense of the nobility of poetry.

I think it's great that these little various skills I have seem to add up to something, because I'm not the greatest pianist or the greatest vocalist or the greatest actor.

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.

I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.

He is the greatest artist who has embodied, in the sum of his works, the greatest number of the greatest ideas.

If we truly are the greatest city in the greatest country on Earth, we cannot fail those facing the greatest need.

Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.

I have no idea, actually, where I fit in, in terms of poetry camps. At AWP conferences, I have been on panels about humor, collaboration, visual poetry, confessional poetry, gender, and the body, as well as tributes to Edward Field and Albert Goldbarth. I felt at home on all of them - most poets straddle more than one school.

For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.

Well, the great thing for me about poetry is that in good poems the dislocation of words, that is to say, the distance between what they say they're saying and what they are actually saying is at its greatest.

Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.

I never think of poetry or the poetry scene, only separate poems written by individuals.

For me, poetry has a strong link to my filmmaking. My films learn from my poetry. In poetry, you're free. You start in the corner and you don't know where it leads you. I have no message, I have nothing I want to tell, I just start and I see where it leads, and it's a big surprise and relief if it's good. That's the ideal state for filmmaking.

Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.

The greatest poem is not that which is most skillfully constructed, but that in which there is the most poetry.

Real poetry, is to lead a beautiful life. To live poetry is better than to write it.

The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.

The poetry of India can be truly known only through scanning the poetry of all languages.

Poetry -- even bad poetry -- may be our final hope.

I have always loved American poetry, which is very different from Irish poetry.

The poetry of this one is called philosophical, of that one philological, of a third rhetorical, and so on. Which is then the poetic poetry?

Poetry is not a civilizer, rather the reverse, for great poetry appeals to the most primitive instincts.

I have been writing poetry since 1975. My first poetry book was published in 1986.

I think many people (like myself) prefer to read poetry mixed with prose; it gives you more to go by; the conventions of poetry have been getting far off from normal life, so that to have a prose bridge makes reading poetry seem more natural.

Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.

What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.

If you're the greatest, it's okay to say you're the greatest. My suggestion to everybody is to be their own greatest fan. Weaker personas and personalities define that as egotistical or arrogant, but what it means is their self-esteem isn't that strong.

I would say that American poetry has always been a poetry of personal testimony.

I never think about poetry except when I'm writing it. I mean my poetry.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.

The advantage of poetry over life is that poetry, if it is sharp enough, may last.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

It seems to me that the natural world is the greatest source of excitement; the greatest source of visual beauty; the greatest source of intellectual interest. It is the greatest source of so much in life that makes life worth living.

When people decide to talk publicly about poetry as an art form and how it's received, they often get very abject about it: "Nobody reads poetry," and then a thousand people write back, "No, we read poetry." There's an abundance of this negative preaching to the choir, and it's very similar to the experience I'm having.

In most of the world, poetry has such a different reputation than it does in Western culture. Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives. People aren't listening to poetry as if they're taking their vitamins. Instead, it's a popular vessel you can fill with anything. You could fill it with sass. You could fill it with rage. You could fill it with political statements.

The truth holds the greatest magic, the greatest beauty, and sometimes the greatest danger.

Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned.

Poetry is essentially the antithesis of Metaphysics: Metaphysics purge the mind of the senses and cultivate the disembodiment of the spiritual; Poetry is all passionate and feeling and animates the inanimate; Metaphysics are most perfect when concerned with universals; Poetry, when most concerned with particulars.

If the object of poetry is, to make men, then poetry is the heir of prophecy.