Top 1200 Green Screen Quotes & Sayings

I think green buildings are extremely important but it's only part of the equation. A lot of people think that if I put a green building everything is going to be fine, but actually it's not just the green buildings we need, but green businesses, green governments, green economics. We have to extend the greening of buildings to our business and our lifestyles - that is the most important thing to do next.

It's hard, the green screen; it's a different way of working.

I do understand sometimes when actors say there's no one to talk to, or you can't react to, there's truth in that, but for me, I've always enjoyed green screen, and blue screen.

I work a lot with a green screen, which is really time consuming. All the special effects are.

Green vegetables are something that fascinate chefs; the ability to keep vegetables green. How do we keep them green? What makes them green? Why are they green? And then that sort of army green. Why do they go from bright vibrant electric green to army green, and how can we avoid that?

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

Working with a green screen is easy. It's just like being a kid. But it's not nearly as satisfying.

When it comes to acting on green screen, it doesn't really make all that much of a difference to me because how you interact with your environment or characters is always dictated by your imagination. So when you're acting against a green screen, you have more of an opportunity to create your own world. So what was magical throughout this process was watching this movie come to life with the 3D.

I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.

Being on set and seeing all that green screen, and how it activated my imagination, was amazing to me. I fell into that world very easily, and it was incredible to be a part of.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have stunt doubles come in and do all the action. Anybody can do it. They're relying on stunt doubles and green screen and $200 million budgets - it's all CGI created. To me, it's not authentic.

I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.

My job stays the same, whether we're acting by candlelight, against a green screen, or on a stage somewhere. Which is just as well, because I really couldn't do anything else.

Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.

Green screen's not my favourite thing to do.

Green how I want you green. Green wind. Green branches.

You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.

Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.

I now know all shades of the color green, having spent 90 days staring at that green screen. I'll never forget that color, as long as I live.

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

'Screen time' is meaningless - what matters is what you do while on the screen. The good, the bad, and the ugly faces of screen time will all have to do with which activities you engage into.

I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.

Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.

If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.

Working with green screen, you really rely on the director in a way that you don't on different types of films.

With all this talk of Going Green, Buying Green, Living Green, and Green being the new whatever, I've come to realize that, although we had no green, my grandmother was actually the 'greenest' person I've ever known.

Green strongly influences the heart and helps alleviate tension. Positive qualities associated with green are generosity, humility, and cooperation. Foods of the green vibration are all green fruits and green vegetables.

When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.

There are always challenges to green screen.

I wish they taught green screen acting classes.

'Green Lantern' I screen-tested for twice. I fought for the role. And I'm glad I did, because I felt like I earned it.

I don't ever do those kind of epic, huge, green-screen movies.

Green how I love you green. Green wind. Green boughs. The ship on the sea And the horse on the mountain.

They say you get nauseous in a green screen room, but I haven't yet. It's a little odd playing pretend with props and monitors that we're supposed to be watching, but I'll get used to it.

These devils find a way to get at'cha. All it takes is some green and your face on the screen.

Green Screen was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

Imagining things are there that are not really there, with the green screen, is very much like theatre, when you're looking at the fourth wall.

You've seen how actors make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.

Verde que te quiero verde. Verde viento. Verde ramas. Green I love you green. Green Wind. Green branches.

For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.

I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.

I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.

When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.

You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen.

All the green-screen stuff - all the special effects stuff - I shot right there in my house, in the basement in my theater room.

They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.

I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'

It's hard to keep the energy and the emotion of the scene when they're installing a massive green screen behind you.

I think you should be prepared for a green-screen CGI at all times.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.

Green grass, green grandstands, green concession stalls, green paper cups, green folding chairs and visors for sale, green and white ropes, green-topped Georgia pines. If justice were poetic, Hubert Green would win it every year.

I didn't work with any of the beasts [ "Fantastic Beasts"], I didn't have much green screen, but I loved working on it. I'm excited to see it myself.

I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.

Working with a green screen is so different than working with another human.