Top 1200 Green Screen Quotes & Sayings - Page 2

'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.

Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.

Now her eyes meet mine like green lightning-they are green, these eyes of hers, whose power is so indescribable-green, but as are precious stones, or deep unfathomable mountain lakes.

I am very pleased with my synthetic golf green from Southwest Greens. It reacts like a championship golf green, so I can practice my short game whenever I'm at home. I couldn't believe that a synthetic green could be this perfect.

A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.

You could have the biggest screen, you could have the clearest screen. But if there is not great content on this thing, that big-screen TV is not a huge value to you, even though it has the best picture on the planet.

Theater definitely prepared me for Cyborg in the best way possible. All of the green screen definitely takes me to my minimalist theater days.

I see a green tree. And to me it is green. And you would call the tree green also. And we would agree on this. But is the colour you see as green the same colour I see as green?

'Mars et Avril' is a science fiction film. It's set in Montreal some 50 years in the future. No one had done that kind of movie in Quebec before because it's expensive, it's set in the future, and it's got tons of visual effects, and it's shot on green screen.

Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.

I would suggest that a Green Real Deal is something to be far more excited about than the Green New Deal because the Green New Deal will never happen.

Green, the color of growth, or surgent life, enwraps the land. New green, still as individual as the plants themselves. Cool green, which will merge as the weeks pass, the Summer comes, into a canopy of shade of busy chlorophyll.

The book can't compete with the screen. It couldn't compete beginning with the movie screen. It couldn't compete with the television screen and it can't compete with the computer screen I don't think. And now we have all those screens so against all those screens I think the book can't measure up.

I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light.

On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.

The amazing thing about rotoscoping is that it's very malleable. Unlike green screen, where the computer subtracts out the background, rotoscoping is an additive technology in that you don't take anything away from the footage - you add layers on top of it.

When I was younger, I watched Spiderman, and they had the Green Goblin, and before the Green Goblin died, he told Spiderman that it wasn't him, it was the Green Goblin that was killing all those people. I thought, 'Hmm, I should try to change my personality sometimes when it comes to interviews.'

Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.

What happens off-screen definitely informs your performance on screen.

You don't have your film finished when you have your director's cut finished. It's just a bunch of green screen.

A lot of actors will complain about the green screen work, but what you do get to do is what you probably should have learned, from the beginning, on stage. You have to create it in your mind and really go there to bring it. Part of the fun of acting is those challenges. You feel goofy, but sometimes that's a good feeling.

An actor's off-screen persona should never overshadow his on-screen characters.

All green was anished sae of pine and yew, That still displayed their melancholy hue; Sae the green holly with its berries red, And the green moss that o'er the grael spread.

Curiously, light-loving green plants reject the Sun's green light, reflecting it back at you, which is why they look green.

O the green things growing, the green things growing, The faint sweet smell of the green things growing! I should like to live, whether I smile or grieve, Just to watch the happy life of my green things growing.

When we have a lot of the running, which we do on green screen, that is actually the hardest... I swear I have, like, four separate scenes in a row running, and I'd only done one at a time before.

'Pair of Kings' is so much fun, literally. It is a very physical show with loads of stunts and green screen work, and you never know what great adventure is ahead of you! It's also a nice change in terms of being of similar ages to Doc Shaw and Mitchel Musso.

She was green when green wasn't in. From sea to shining sea, Lady Bird Johnson has left her legacy in a more beautiful America. From millions of trees and wildflowers planted, to interstates free from billboards and replaced with green.

One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.

I want to have a movie where people's eyes are glued to the screen, not when they're running from the screen.

I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.

Brayden met my eyes. His were hazel, almost like Eddie’s but with a little green. Not as much green as Adrian’s, of course. No one’s eyes were that amazingly green.

I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.

You learn so many different skills on the show «Merlin». You're constantly asked to do green-screen, horse riding, comedy scenes, dramatic scenes, everything. The ability and the skill to adapt under a tight schedule is one that I'll definitely take away.

It's funny, because even though on a drama like 'Picket Fences' those long monologues would stress me out, doing special effects where there's a green screen and there's nobody there to to react to and you have to recite all this dialogue, it's so much more difficult.

I want to touch the world through my performances on screen but also off screen.

Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games.

I'm an East Coast guy and always will be. But I'm always going to find my way back to Green Bay whether I'm living here or not. Green Bay is a great place. Green Bay is awesome.

The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.

And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.

I don't have a problem with green screen at all. I think children invented CGI. We invent worlds. A stick can become a sword. Or a bowl of stones can become a bowl of tomatoes. That's what children do, and that's what CGI enables us to do.

I don't know if Rush Limbaugh knows the difference between a screen porch and a screen play.

I think what matters is whatever you do on screen should be good irrespective of the time you have on screen.

The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.

When I was eight, nine years of age, my mother bought me a pair of green trousers - corduroy green trousers. I didn't like green, and I basically buried them underground. And my mother kept asking me, 'Where are your trousers?' I said, 'Oh, I don't know.' And from then on I stopped wearing green.

I wanted green in my hair, so I did green. And I got my sunflowers to match. I've never done it before. Just said, 'OK, I'm doing my hair green.'

You always feel quite vulnerable when you're naked on a set. You feel quite silly, actually. And with the green screen around you, it's not that sexy. But, it looks stunning. It's art. It's not vulgar. It's not indecent. It's not realistic. It's beautiful, I think.

There's this black and green hair style I did one time. And it was literally inspired by my neighbor taking out their green recycling bins in a black outfit. I just loved the color combination, and I was like, Oh, I want black and green hair now.

The spring of 1942 was given over to a very impassioned, strategic debate about where we should first attack in counterpunching against the Germans and Italians. The British argued very persuasively on the part of Winston Churchill, prime minister, that this was a very green American Army, green soldiers, green commanders.

You are green, it is true; but they are green also. You are all green alike.

I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called "Adaptation" where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.

You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."

I plot the par 5s back from the green and make my plan. If I can reach the green in two shots, I'm going to be aggressive off the tee. But if 's a three-shot hole, the goal changes. You want to put yourself in position to hit your favorite shot to the green.

I remember Gayle King popped up on the screen, wearing a green dress - I'll never forget it - to announce the best R&B album category and when she said my name I could not believe it. After that I closed my laptop. I didn't need to hear anything else.

Why don't you have a room done up in every color green? This will take months, years, to collect, but it will be delightful-a melange of plants, green glass, green porcelains, and furniture covered in sad greens, gay greens, clear, faded, and poison greens?

'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.

On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.

The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.

[On Doctor Strange] just from costumes to everything was just so well done, so beautifully thought through and well-crafted. And so - , and they didn't even make me pretend that much with green screen.

On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.