Top 68 Grimm Quotes & Sayings

Pinocchio's really naughty. He's all impulse: 'I want to sleep now. I want to eat that. I want to run off to Pleasure Island.' It's commedia dell'arte meets Grimm's tales.

Those Grimm brothers," she said with a sigh, "they'll never amount to anything." And she was right because all they ever became was writers.

The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.

The concept of 'green jobs' or a 'green economy' is often attacked as the work of the Grimm Brothers by those wedded to the grim science of free-market economics.

I was brought up, as a lot of kids are, on 'Aesop's Fables,' 'Brothers Grimm,' 'La Fontaine,' all those sorts of things. Hans Christian Andersen is a hero of mine.

In 2007, Michael Grimm, former Marine, former FBI agent, accountant and attorney, was poised for success as a small business owner. Instead, as alleged, Grimm made the choice to go from upholding the law to breaking it. In so doing, he turned his back on every oath he had ever taken.

I came on board 'Clown' because it was a very simple story, and it was a very nice script and a very refreshing take on a kind of The Brothers Grimm fable, you know?

If you go back to, say, the Brothers Grimm or Roald Dahl, you see so much darkness in children's material.

People say, 'Grimm, you've been shot like 50. So why don't you just rhyme like 50? Then, you could get the money like 50, Otherwise, before you see success...you'll be 50.'

Well, 'Grimm' is important to me for obvious reasons. I'm lucky to be able to do what I love to do for a living. I never, ever forget that. And charity work just helps me feel like I'm doing something to support my belief that we are all one. I'd like to actually do more in the future.

I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.

The supernatural is ubiquitous in children's entertainment, from Grimm and Hans Andersen to Disney and 'Harry Potter.'

I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.

The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century.

Sometimes you have to censor books. When I read 'Peter Rabbit,' I skip the part about Peter's father ending up in one of Mrs. McGregor's pies. I also hid the book of 'Grimm Fairy Tales.' They're just too grim for my grandkids. Reality will come soon enough.

Unfortunately, as obsessed as I am with all of those Grimm's slash Disney princesses, I do think women have evolved socially in so many ways.

Pryce, a veteran of Brazil and Baron Munchausen and a longtime Gilliam friend, bristles at the word chaos when applied to the Brothers Grimm set.] Terry knows what he wants, ... He's very demanding, but in a positive and generous way. And if you're up to it, it's very exciting. If you're not, you fall by the wayside.

The Grimm brothers always said that their informants were women, which is possibly not true, women of the people. There is the constant evocation of women's voices, in the collecting and arrangement of these stories, and yet the message of so many of them is incredibly misogynist. I was very puzzled by that, and that book explores that contradiction.

I think it's really hard to draw a hard-and-fast line and say 'Grimm's Fairy Tales' doesn't count as science fiction or fantasy. Or at what point do we say mythology is not fantasy, so reading mythology when you're young does not count as an exposure to fantasy?

Like a grindhouse version of Grimm's Fairy Tales, Wallwork's fiction is smart, innovative, and a hell of a lot of fun.

I really enjoyed entering a new world and getting to know a new character - the world of 'Grimm' and becoming a Wesen.

Getting the role in '300' saved me. I'd been out of work for 11 months after 'The Brothers Grimm.' Once the film came out and didn't do so well, the director Terry Gilliam blamed me for absolutely everything. It was pretty appalling, and I had started to wonder if I'd ever get another job again when I was asked to audition for '300.'

I'd run over Russ Grimm's mother to win the Super Bowl, too.

Life to me is a bit of a (Brothers) Grimm fairy tale.

I loved working on 'Grimm.' The entire cast and crew were wonderful and welcoming.

My relationship with Wilhelm and Jacob Grimm reaches far back into my childhood. I grew up with Grimm's fairy tales. I even saw a theater production of 'Tom Thumb' during Advent at the State Theater in Danzig, which my mother took me to see.

In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.

Baron Grimm declared that, as a rule, it was easy for little minds to attain splendid positions, because they devoted all their ability to the one object.

Girls, I need to tell you some things about our family," Sabrina said. "Have you ever heard of the Brothers Grimm?

A massive and brilliant accomplishment--the first English translation of the original Grimm brothers' fairy tales. The plain telling is that much more forceful for its simplicity and directness, particularly in scenes of naked self-concern and brutality. Hate, spite, love, magic, all self-evident, heartbreaking, delightful. I will return to this book over and over, no doubt about it.

...I do have to wonder what sort of childhood the Grimm brothers endured. They are not a merry bunch of storytellers, what with their children roasted by witches, maidens poisoned by old crones, and whatnot.

I realise that there's something about fantasy, whether it's written by the Grimm Brothers or J. K. Rowling or Thorne or J. M. Barrie, that it gets closer to the human experience than realism every could.

I have to reign in my personality a little bit. Sometimes you want to go more colorful, but that's not my job on the [Grimm] show. My job is to be the center of the show, and the further you move out the more it can get wild.

I don't watch scary movies. Sometimes, even having to read the script and do an episode of 'Grimm,' I get a little tense because I know someone's going to jump out of somewhere.

I love that very traditional fairy tale where it's not all 'happily ever after.' I like all that old school, bloody, 'Brothers Grimm' sort of stuff. So you have all those shades of gray in there.

I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.

There seems to be a real taste for the fantastical these days. People like to get back into their imaginations. Maybe there's something a little nostalgic about 'Grimm' and the fairy tales that they grew up with. And it's a very unique approach to the procedural side of things.

In general, I agree with Jacob Grimm and feel that we ought to permit changes and uncontrolled growth in language. Even though that also allows potentially threatening new words to develop, language needs the chance to constantly renew itself.

Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.

With 'Grimm,' it's a lot of fun for me to be able to play within the familiar world of fairy tales. As for satisfying my inner fantasy geek, anything that would have me wielding a sword or shooting a bow would be a dream.

The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.

Getting the role in '300' saved me. I'd been out of work for 11 months after 'The Brothers Grimm.' Once the film came out and didn't do so well, the director Terry Gilliam blamed me for absolutely everything. It was pretty appalling, and I had started to wonder if I'd ever get another job again when I was asked to audition for '300.

If you put a much older woman in 'Doctor Who,' they can identify with it. I think it's quite an interesting concept, and if you remember things like 'Grimm's Fairytales,' the older woman is often the villainess, often the terrifying figure - why I do not know, but often she is. I think it's an idea to be exploited.

I had to create a children's show, because we wanted the money - and it was, interestingly enough, the first project at the Angel Island theatre space. We did the show, an adaptation of Grimm's Fairy Tales. It was hardcore Grimm - nothing was sanitized - and it was called 'The Mary-Arrchie Kid's Show.' It was well-received, and so I applied to do it through Urban Gateways in Chicago.

If you read Grimm's fairy tales, they're absolutely terrifying.

Michael Grimm never met a tax he didn't lie to evade.

I don't watch scary movies. Sometimes, even having to read the script and do an episode of 'Grimm', I get a little tense because I know someone's going to jump out of somewhere.

The characters are great, and this is the first adventure of the brothers Grimm, so there's plenty of potential to make a franchise. We've been quite successful in the past, so anything like that, if it does pay off with hopefully the good movie that I think it will be, it pays off also down the road.

I loved reading Grimm's fairy tales and Hans Christian Andersen, and I loved to dream about other worlds and other lives. Maybe that has something to do with having an incomplete family, being an only child. All I know is I loved to pretend, and all that was in tandem with my wanting to be an actress.

One of the pleasures of the original 'Grimm's Fairy Tales' is how incredibly ghastly they are. The ugly sisters have their eyes pecked out by crows.

It's been a lot of fun from script to script to get inside the mythology of 'Grimm.' We've been given a lot of freedom to explore the mythology as well as the backstories and interpersonal connections of the characters.

Either I can stay up here and freeze my ladycrackers off trying to find a falling star, or you can do something about it yourself. I— and my freezing nether regions— would thank you most assuredly. As would all of Dalkeith. Do something, man.” - Grimm

I think the show [Grimm] became a little more procedural following the pilot, and I didn't know that would happen. Recently more of the mythology has crept in, and the characters are starting to bloom.

I was raised on the brothers Grimm, but my favorite fairy tales in the world are Oscar Wilde's - 'The Nightingale and the Rose,' 'The Selfish Giant.' The latter is probably my all-time favorite.

No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again.

I often visit Maria Tatar's 'The Grimm Reader' for a cold dose of courage. Her translations come from the Brothers Grimm, whose now-famous collection of 'Kinder- und Hausmarchen' ('Children's and Household Tales') was first published in 1812. The book was not intended for young readers.

I think, reading the Grimm's fairy tales, they all have some sort of moral component to them, teaching you a lesson.

The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages.

Once upon a time, I was a little girl sick in the hospital, and my mother gave me a copy of 'Grimm's Fairy Tales' to comfort me.

In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'