Top 13 Guinevere Quotes & Sayings

Guinevere is just head over heels and doesn't know how to handle these new emotions that she's feeling, as a young woman. Unfortunately, she can't reign it all in, all the time. And, even though she tries to do the right thing and be the good girlfriend and have her morals, she slips up a little bit.

I've always wanted to play Guinevere. I just asked Chris what he thought, and he steered me in the right directions. We just wanted to make her young and able to make mistakes, which I think is important.

Guinevere is not the Morgan type, where she's sultry and she knows she has this incredible female energy that she can use and utilize, and she's not necessarily used to having this power over men.

'Goldenheart' is like a modern-day Joan of Arc. Think of it like medieval times-cum-2045 or Lancelot and Guinevere in 3025. It's a new version of these battles - age-old stories for the now.

I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.

C’est moi, c’est moi,’tis I,' I told him. It seemed appropriately melodramatic, though I didn’t know if he’d catch the reference. I shouldn’t have worried. Unexpectedly, he laughed. “Trust you to quote Lancelot rather than Guinevere.

The next day brought more visitors. Sarah was eating a simple luncheon with Charis, Ariel, and Guinevere and was experiencing for the first time in her life the pleasure of talking freely with other girls she trusted. It wasn't that they talked about anything of importance. Indeed, most of their conversation was hopelessly trivial- Mordecai would have shaken his head sadly over such frivolity, Sarah reflected with an inward smile. But to talk so openly, and to laugh so unrestrainedly, was somehow far more significant than any single thing that was said.

Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.

In France, you have 900 years of romantic love going back to the troubadours and minstrels that wrote stories of Lancelot and Guinevere. You have gallantry at the highest level.

Guinevere and Arthur's story is so about the passion. It's about the sexual attraction between them. You can't have that story and show that sexual attraction with them kissing, and then shut the door. It just doesn't work. It's such an important part of their relationship and what happens in Camelot later on. It's who they are and how they bond.

I was very aware of the legend, from such an early age. Being a Brit, you are so aware of King Arthur, Camelot, Guinevere and Morgan, the witch. Merlin is this mad magician who's cloaked in mystery. It has that mystery about it. And, it's a lead role for a woman that's strong and has a real journey to take.

What I don't like about Guinevere is the fact that she can't control her passions and urges. She gets herself into quite a love triangle, and quite a web. Personally, I find that very difficult to relate to. But, it wouldn't be interesting, if she did everything right.

Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.