Top 1200 Guitar Player Quotes & Sayings - Page 15

Marshall was a pioneering player. As a threat in so many different aspects of football, he revolutionized the way in which the running back position was played. He was the player that I wanted to emulate.

And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.

One of my favorite expressions ever uttered by a player is Roy Campanella's line about how, in order to be a major-league player, you have to have a lot of little boy in you.

I didn't mean for it to cause such a furor, but I was the first guy to ever do the national anthem with a guitar. Everyone else had the big brass band. Nowadays it's tracks that they sing to, but in my day, we had no tracks. And I was the only orchestra that I knew that was the best orchestra and that was me and my guitar.

I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.

I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.

I want to be a top-flight football player, so I lead the life that enables me to be that type of player. I prefer to be seen in a decent light rather than an indecent one.

I first started actually playing guitar when I was eleven years old. I had some neighborhood friends who told me they were starting a band and needed a guitarist. I told my folks, and by the next day I had a guitar lesson set up with a local teacher.

If you can prove that you're in that elite class on a consistent basis, it speaks volumes about a player's longevity. It also says that as a player, you were steady, stable, and great and that you deserve to be recognized.

A football player is often bigger than a basketball player - more massive, that is. The basketball player is taller and more slender. So it is with redwoods. The tallest redwoods are often slender, and so they aren't the largest ones.

Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.

If your going to learn to play lead guitar, get an electric guitar .. it doesn't have to be an expensive one .. acoustic guitars aren't good for learning lead, because you can't play up very high on the neck and they take heavier-gauge strings which makes it hard to bend notes

I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.

There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.

My sporting hero was Drazen Petrovic, the NBA basketball player, who was killed in a car accident in 1993. He was a good friend, an unbelievable player, and I dedicated my Wimbledon win to him.

Aston Villa were signing this player and that player, and I was thinking this is my chance to get to the Premier League. I was a little bit over-eager to join them.

There were basically three themes. One was the sun theme which is the guitar when he'd get sun on his leg and it comes again in the end. And there's of course the lullaby which Dido sang, "If I Rise." And then there's this driving guitar which is the motivation theme.

I didn't know anything about music when I started a band. I barely knew how to play a guitar. I didn't know how to produce records. I learned how to play bass guitar and keyboards in Rilo Kiley. I picked up a lot from my collaborators.

I think if you're a lady playing a guitar, other ladies need to see you playing the guitar, and they don't need to see men come out and fix your equipment for you. It just looks incredibly pussy. So I just do it all myself.

I have gone from a player who thought he would spend his whole career with one organization to a player who's been with three organizations in a week. It's like rotisserie baseball.

Most single player games put a lone character against an army that is just standing around waiting for the player to show up and defeat them.

I love melody, and that's what I love about pop music. The words can become what they are through a special melody. I learned to play guitar by myself, and writing songs came with playing guitar, so the writing isn't one part and the music something else.

Weirdly enough, if I'm having trouble with a guitar part - not the playing of it but the writing - I'll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I've found so many guitar parts from echo. It's limitless.

When I started writing songs for Temple of the Dog, I went to my room with my acoustic guitar, and I was happy staying in that mode. It was more chordal based and more lyric driven. I enjoyed not making riff-based songs built around a guitar idea.

There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.

51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.

Diego Costa always gives us physical and moral strength. He is a very important player for the character he transmits to the team, and his potential as a football player.

I'm a former player, I've got a bunch of friends that I played with over the years and I've seen the toll that playing football can have on their bodies. And of course my son was a player as well.

Dennis Lindsey and Coach Snyder gave me an opportunity to really show what I can do, and progress into the player I am now, and the player I'll be in the future. I'm forever grateful.

My engineer on the 'Life is Too $hort' album was Al Eaton. Al Eaton had a studio called One Little Indian Studios, and he was a pretty good guitar player. He would suggest certain songs. Al was the force behind 'Life is Too $hort' and definitely the force behind songs like 'The Ghetto.'

I think if you take 'Get Ready,' 'Waiting For The Siren's Call,' 'Lost Sirens' - those three New Order albums were mostly guitar-based. There were a couple of dance tunes in there, but they were mainly guitar-oriented. They came about through jamming, a lot of them.

One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.

I absolutely remember when I decided upon playing Ernie Ball strings, and it was right then and there at the guitar store up in Seattle when I picked up my first guitar ever. They said, 'What kind of strings should we put on it?' And I just looked at the brightest color package and said, 'That one!'

Imagination is the key to my lyrics. The rest is painted with a little science fiction...All I'm writing is just what I feel, that's all. I just keep it almost naked. And probably the words are so bland...I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around...Music doesn't lie. If there is something to be changed in this world, then it can only happen through music.

I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.

It sounds boring, but I'm such a guitar junkie and a gear junkie. I'm always fiddling with my stuff. It's relaxing to me... I'm always pulling my stuff apart, getting my pedal board out and fiddling with it or changing guitar strings.

Michael will always, to me, be the best player ever. He changed the game. He made it global. Every player today should tip their hat to him.

My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.

My mom was a volleyball player, and my dad was a soccer player. I never thought about it, but they always served healthy food at home, and I love it, and it kind of was a regular part of my day.

One day, I was just fingering around on the keys of a Fender Rhodes piano, and I came up with this little riff, and all of a sudden, it morphed into a song. It had never been touched by a guitar, which was very weird for us. 'Under the Ground' is the first song I have ever written that had nothing to do with the guitar.

The ukulele was the first of many instruments they had bought for me. They got me a guitar when I was eleven, which my son Morgan uses until this day. They paid for 3 years of guitar lessons; they bought me a bass fiddle, which I still play.

I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.

I never really trained to be a musician, but I've been playing guitar since I was around, like, 13 years old. For me, the guitar has always been the instrument that I've played. I play a little piano. I taught myself everything by ear. I don't read music at all, which has not really been a hindrance.

I saw Jennifer Batten do a cool guitar solo before I ever saw any other girl do a cool guitar solo.

I discovered early on that the player who learned the fundamentals of basketball is going to have a much better chance of succeeding and rising through the levels of competition than the player who was content to do things his own way. A player should be interested in learning why things are done a certain way. The reasons behind the teaching often go a long way to helping develop the skill.

My guitar, it was new when I got it, but it has a hole like Willie's where it's just worn out from my pinky going back and forth over the wood over all these years. I got Willie Nelson to sign that spot on my guitar. I'm a huge fan of him.

I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.

I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.

A player is someone - a guy - that messes with girls' emotions just to try and get what they want. I've been asked, 'Do you consider yourself a player?' And the answer is no. I don't think I'm anywhere near that.

Since a very young age, I've dreamt of being a professional soccer player, and from a psychological and mental aspect, I've tried to prepare myself to be a good player.

You have to take each player as a separate case and understand how to deal with them, which is not easy when you start in the job and are confronted with a player telling you he has a gambling or a drink problem.

One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.

Either a player accepts competition or they say they absolutely need to play. For a player to have an open door, I have to have, at the same position, an element that is just as good or even better.

I really rate Paul Scholes, because he hasn't got the high profile of many of the Manchester United players, he doesn't get too much attention, but he is one very good player. He is an intelligent player, he works hard and he scores some great goals. He is not flamboyant and is a quiet lad off the pitch but he is a tremendous asset to Manchester United and to England. He has already got my vote as player of the year.

There's never before been a Chess player with such a thorough knowledge of the intricacies of the game and such an absolutely indomitable will to win. I think Bobby is the greatest player that ever lived

Every July, August and part of September I escape of the guitar, I escape of Paco de Lucia and I go to Mexico to the Carrabian. I have a little house there where I spend two months listening to music, no playing because I don't bring the guitar with me, fishing and cooking my fish and charging the batteries for new concerts.

I feel more mature as a player and I have the opportunity to show why they were all talking about me a potentially good player a few years ago.

I started writing little short stories and poems as soon as I learned to read and write. I think I was six years old. And then when I got to be eleven, twelve, and into my teens, I was just listening to records all the time, and I got a guitar. I started to take guitar lessons when I was twelve.

'Swagger' would be the word for 'Dirt On My Boots.' With the real funky drum loop and the ganjo rolling down, and then the fiddles and the guitar and steel, it really took an old school style where it's fiddle, steel, guitar, and mixed it with a drum loop.

I enjoy some nights in the studio. I'm not the greatest person in an enclosed space; I'm a live player by birth - like a gypsy folk player, I just sit in the corner and play.