Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I'd hoped that he'd be eulogizing me.
I think one of my favorite directors is P.T. Anderson - living directors, I should say. And Spike Jonze is one of my favorites, Gus Van Sant.
Nothing (at least that can be done by humans) immortalizes anyone. The Fault in Our Stars will hopefully have a long and wonderful life, but it will eventually go out of print, and eventually the last person ever to read it will die, and then the characters will no longer live in any consciousness.Also, that is okay. That is good, actually. That is how it should be. One of the things the characters in this novel have to grapple with is the reality of temporaryness. What Gus in particular must reconcile himself to is that being temporary does not mean being unimportant or meaningless.
The first time I went to Cannes, Gus Van Sant was there in competition with 'Last Days.'
A man who wouldn't cheat for a poke don't want one bad enough. --Augustus "Gus" McCrae
I want to thank Gus Van Sant for selling out so that I could use his editor Curtis Clayton, who did a great job.
Gus: "It tastes like..." Me: "Food." Gus: "Yes, precisely. It tastes like food, excellently prepared. But it does not taste, how do I put this delicately...?" Me: "It does not taste like God Himself cooked heaven into a series of five dishes which were then served to you accompanied by several luminous balls of fermented, bubbly plasma while actual and literal flower petals floated down around your canal-side dinner table." Gus: "Nicely phrased." Gus's father: "Our children are weird." My dad: "Nicely phrased."
Sometimes suffering is just suffering,” she told Gus. “It doesn't make you stronger. It doesn't build character. It only hurts.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
I came up with a lot of characters when I was growing up that were just creative outlets, and then, at one point, I came across Gus Dapperton in the back of my head when I was making music.
One afternoon, I was playing this new video game, 'Blood and Guts.' I was controlling Gruesome Gus versus the Crimson Menace, and I had totally waxed the guy. It was this really complex sequence of moves, and I was so excited about conquering the game that I wanted to show it to someone. Unfortunately, the only one home at the time was Mom.
Dad had a sign of his own. MY BEAUTIFUL FAMILY, it read, and then underneath that (AND GUS).
It will all end very badly, Gus
I love you present tense,” I whispered, and then put my hand on the middle of his chest and said, “It’s okay, Gus. It’s okay. It is. It’s okay, you hear me?” I had—and have—absolutely no confidence that he could hear me. I leaned forward and kissed his cheek. “Okay,” I said. “Okay.
I want more numbers than I’m likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn’t trade it for the world. You gave me a forever within the numbered days, and I’m grateful.
Socrates became a trendsetter. Other philosophers, including Plato and Aristotle and Gus, quickly followed suit, dropping their last names too. And, for centuries after that there would be countless imitators including oltaire, Michelangelo, and, much later, Cher.
People, especially successful people, are habitual creatures. They're organized. This makes them productive - Gus Mitchell
If you`re in a safe Republican district, say Congressman [ Gus] Bilirakis,you probably don`t have much to worry about which is why you can get away with talking about death panels.
Above us, the wind blew and the branching shadows rearranged themselves on our skin. Gus squeezed my hand. "It is a good life, Hazel Grace.
One of the things I'm proudest of, one year on my refrigerator, I taped a Christmas card from the Republican National Committee and season's greetings from Gus Hall of the American Communist Party. They both stayed up their months and I'm proud of it.
You’re joining us for dinner, I hope?” asked his mom. She was small and brunette and vaguely mousy. “I guess?” I said. “I have to be home by ten. Also I don’t, um, eat meat?” “No problem. We’ll vegetarianize some,” she said. “Animals are just too cute?” Gus asked. “I want to minimize the number of deaths I am responsible for,” I said. Gus opened his mouth to respond but then stopped himself.
So how’s it going?” “Okay. Glad to be home, I guess. Gus told me you were in the ICU?” “Yeah,” I said. “Sucks,” he said. “I’m a lot better now,” I said. “I’m going to Amsterdam tomorrow with Gus.” “I know. I’m pretty well up-to-date on your life, because Gus never. Talks. About. Anything. Else.
Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should.
I found this deer toy that poops out candy. And so if I say, 'Cree, you have to go to bed right now. You will get a candy.' We've named the pooping deer 'Gus.'... He gets a jelly bean. And it works. Positive reinforcement is the way to go. I'm learning things like that which help me be a better parent.
You know how we make a Scotch and water in this home?" "No, sir," Gus said. "We pour Scotch into a glass and then call to mind thoughts of water, and then we mix the actual Scotch with the abstracted idea of water.
Now the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.
Anyway, that was the last good day I had with Gus until the Last Good Day.
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
I went on spouting bullshit Encouragements as Gus's parents, arm in arm, hugged each other and nodded at every word. Funerals, I had decided, are for the living.
I was blind and heart broken and didn't want to do anything and Gus burst into my room and shouted, "I have wonderful news!" And I was like, "I don't really want to hear wonderful news right now," and Gus said, "This is wonderful news you want to hear," and I asked him, "Fine, what is it?" and he said, "You are going to live a good and long life filled with great and terrible moments that you cannot even imagine yet!
If there's one thing Gus Uhlenbeek's got, it's pace and determination.
He took a bite, swallowed. "God. If asparagus tasted like that all the time, I'd be vegetarian, too." Some people in a lacquered wooden boat approached us on the canal below. One of them, a woman with curly blond hair, maybe thirty, drank from a beer then raised her glass towards us and shouted something. "We don't speak Dutch," Gus shouted back. One of the others shouted a translation: "The beautiful couple is beautiful.
I was surprised. I'd always associated belief in heaven with, frankly, a kind of intellectual disengagement. But Gus wasn't dumb.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
When surprised and excited and innocent Gus emerged from Grand Gesture Metaphorically Inclined Augustus, I literally could not resist.
I pointed at the little kids goading each other to jump from rib cage to shoulder and Gus answered just loud enough for me to hear over the din, 'Last time, I imagined myself as the kid. This time, the skeleton.
I refer the largest number of my clients to Payce Payroll because the specialize in the restaurant and contractors industries. I am pleased with the service they provide, competitive fees and responsiveness to clients. What most impressed me was that one of the founders, Gus, came to personally meet with me and a client to establish their payroll software. They truly care about their clients.
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
Just slip out the back, Jack, make a new plan, Stan, you don't need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don't need to discuss much, just drop off the key, Lee, and get yourself free.
How are the eyes?' 'Oh, excellent,' he said. 'I mean, they're not in my head is the only problem.' 'Awesome, yeah,' Gus said. 'Not to one-up you or anything, but my body is made out of cancer.' 'So I heard,' Issac said, trying not to let it get to him. He fumbled toward Gus's hand and found only his thigh. 'I'm taken,' Gus said.
I've had the opportunity to work with so many great directors. Different styles, as well, like Gus Van Sant. He just does the casting and the milieu and let's you do your thing, quietly. Bertolucci, who can talk to you about your internal world in quite a creative way or just say, 'Well, put your hand over here.'
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
I love making things, like software, and films, and laughter. And working with Gus Silber, to make the Funny Business book, has been a fantastic journey.
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
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