Top 102 Gymnast Quotes & Sayings - Page 2

My parents have tried not to intrude. They kind of stayed apart from my gymnastics but are very supportive, and that's very helpful as a gymnast to not have your parents say, 'Did you do this today?' and just be very on top of you.

If you think about it - if you watch a gymnast compete, you don't see their training behind the scenes. You just see the competition. You see the final result when it's polished. And that is very much what people experience with concerts. They go to the concert. And they see the final version.

The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay--the text furnishing the hints, the clue, the start, the framework.

Creative people inspire me. Athletes also inspire me to come alive, especially my daughter, a competitive gymnast who works very hard, as much as six hours a day on her gymnastics skills.

Growing up I definitely looked up to Dominique Moceanu. She was my favorite gymnast and she was on that '96 Olympic team. She was always so fun to watch. I kind of wanted to model my career after hers.

I want to stay involved in gymnastics forever, but the Olympics really opened up doors in terms of motivational speaking. I'd like do some type of broadcasting or commentating for gymnastics events on TV, or even give my insights as a gymnast into other sports; I'm kind of a sports junkie in general.

My first dream as a young boy was to be a gymnast and my first memory of football is of watching Ajax win the European Cup in 1971. It was a time when a great philosophy was being developed at Ajax, making rounded players who were there as a complete team rather than as 11 individuals.

If you want to be the best gymnast in the world, you have to love the moment. Every single moment that you are competing. Every skill, you have to be showing it off. If you aren't showing it off, what are you doing?

For a gymnast to be successful, she needs to strike a balance of everything within herself. She needs to be graceful, flexible, perform all elements, turns, maintain co-ordination - she has to have all of that. If, for example, she only has co-ordination and nothing else, she will not succeed.

If you want to take it up a step and aim to become a competitive gymnast, you have to be mentally strong and prepared to take on the workload of going to the gym every day, rain or shine.

Allow some warm-up time each day to stimulate your creative flow. A pianist does keyboard exercises. A gymnast stretches. An artist needs to loosen up, too. It takes a few minutes to shift from the real world into a creative mode.

I get a lot of flak for it... people saying [my body] is not normal for a girl... But I'm okay with it. I think it's because I was a gymnast for eight years, from ages four to 12. My body was made before my bones were fully grown. Gymnasts are short, stocky, muscular powerhouses.

I would like to trade places with my sister. I think that would be really interesting. She's three years younger than me, and she's a gymnast. She goes to gymnastics, like, every single day, and that's a whole other world to me, and I think that would be very interesting.

I could have never been a high diver or a gymnast because I don't like subjectivity. I love where I'm faster than you,, or I can jump higher or swim faster. I don't want you holding a card before I figure out whether I won or lost.

I actually sing horribly, but I used to dance pretty good. I was a gymnast, and you can usually use those gymnastic tricks with dance. Plus, they're so much fun to do. That wasn't really a big part of my career. It was just a phase.

I was a rhythmic and athletic gymnast for a little while. Then, when I quit gymnastics, I fell in love with yoga. So sometimes I think I'd like to open up a yoga studio.

Teamwork. That's the biggest lesson you can learn from competing in NCAA gymnastics. Everyone just has to work together, you have to trust in everyone, and everyone has to push you to become the gymnast you want to be.

I have great mood swings, maybe because of playing lots of different characters as I do. I'm like a gymnast whose muscles get too stretched. I've got better at it, but I have a lot of emotional energy.

As a gymnast, I've always compartmentalized my life, which is a blessing and a curse. But over time, I've learned that my sport doesn't fully define me, and I think that's where a lot of the joy in my routines comes from now: I'm not compartmentalizing as much, and I know who I am beyond my sport.

I think the scores for Olympic gymnastics are affected by what countries the judge and the gymnast are from. That's wrong. That type of political pandering isn't meant for gymnastic Olympic events. It's meant for the Supreme Court.

Mads [Mikkelsen] and I have a really epic brawl - a week shoot, lots of rehearsal - and he was just delightful. He's a dancer and a gymnast so he knows how to plant the moves. He was always saying, "Are you okay?" When you've got that level of mutual consideration you form a family very quickly.

The complete novelist would come into the world with a catalog of qualities like this. He would own the concentration of a Trappist monk, the organizational ability of a Prussian field marshal, the insight into human relations of a Viennese psychologist, the discipline of a man who prints the Lord's Prayer on the head of a pin, the exquisite sense of timing of an Olympic gymnast, and by the way, a natural instinct and flair for exceptional use of language.

I have been curious about the mind and body for as long as I can remember. I was a gymnast, a ballet dancer, and a philosophy and physical therapy major. Following the thread of curiosity about mind and body, I took my first yoga class in 1980 and knew from the start that it would be a lifelong passion.

I had never heard of Cingular, but they needed people to jump on trampolines. Well, when I was 13, I was a trampoline gymnast. I had actually won nationals in my age group. So it was like one of those perfect, unbelievable miracles.

I'm 24, which I know doesn't sound very old. But in the world of gymnastics it is. The Tokyo Games are my last shot to compete as a gymnast for Team USA, and my last shot at winning a gold medal.

A lot of people say writers start losing their powers after 60 or 65. But I look at the best-seller list and see a book by that 14-year-old gymnast, Dominique Moceanu, and I think, 'Now, what's she going to tell the world? And these 25-year-old rock stars, what are they going to tell the world?'

Yeah, I do all the stuff I can. Let’s be frank, if you are in an action film, you are not in it for the characters, you are in it for the action – the stunts. If they take that away from you, it’s a sad story. Ha ha! I have damaged everything: knees, elbows, ribs. But I’m an old gymnast. I know how to survive.

I also get fed up with the fact that casting agents and directors have this impression of me as being frail and petite. I find it very patronizing. I'm quite beefy and strong. I was a gymnast in school and I have lots of muscles.

Eleven years old is not an early age to set your sight on the Olympics for a gymnast, because we normally peak in high school. I first qualified for the Olympics team during my sophomore year in high school, when I was 15 years old.

As a child, I was very active. I was a gymnast, I played touch football, netball and basketball. When I was 16 years old, I started yoga. I started working out at an early age.

My parents, Romanian immigrants, struggled to provide me a better life than the ones they had left in their homeland. They worked hard to give me every opportunity in life, and once I showed natural talent as a young gymnast, they spent every last penny on my training.

When I was doing gymnastics, I was playing. It was fun. The ballet was not fun at all. Yes, I agree you must have discipline, but you don't need to be a witch. You can't teach a child like that. Three times a week, I went back to train as a gymnast. Then I was happy.

I was a gymnast my whole life. I mean, I'd go to Starbucks and people would be like, 'Are you going to the next Olympics?' And when I'd say no, they'd literally look sad. So it was very hard for me to get excited about anything else. I thought that I had to do gymnastics forever.

We all have limitations. I don't have the right genes to be an Olympic weightlifter. I don't have the right genetics to be an Olympic sprinter. Or gymnast. Sure, if I trained my whole life, perhaps I could have become fairly decent in those sports.

As a kid, I trained to be an Olympic gymnast. My schedule was rigorous. Four hours a day, Monday through Saturday, I was at the gym. My body was like a boy's, narrow hips, flat-chested, wide shoulders. When I was 12, I badly injured my ankle and was forced to stop training immediately.

I love physical movement. Dance was my favorite thing, and I was a gymnast. I find that expression through movement is easier, in some ways, than expression through words.

Part of being a good gymnast is being very disciplined - you have to know how to train right, eat right, sleep right.

I'm no perfect gymnast. I want to go out and eat junk food, or I maybe don't sleep as much as I should, or some days I'll leave the gym and think, "Maybe I should have worked a little harder. Maybe I'm not as tired as I need to be." Every day you push a little harder, eat a little better, maybe go to bed a little earlier.

Wall climbing is an offshoot of the more traditional sport of mountain climbing. It is very difficult; one must combine a great deal of stamina with the ability of a world-class gymnast.

The fans had become used to looking toward the scoreboard whenever a gymnast stuck a landing. You could tell they were thinking, 'Was that good enough? Would the numbers read 10.00?' The athlete was looking, too.

Worlds helped me me boost my confidence up a lot actually. It made me a bigger, better, stronger gymnast.

Howard Altmann has found a way to make language transform itself. If the elusive moment between I and Thou could speak, it might be one of his quietly amazing lines-'you ask the silence to invert itself / like a gymnast in the dark . . . ' Without a trace of rhetoric, In This House reminds us of the power of poetry: to show us how to live in a world in which we are strangers. It's a thrill to come close to such an original and deeply realized art.