Top 217 Gypsy Quotes & Sayings - Page 3

Explore popular Gypsy quotes.
Last updated on April 16, 2025.
When I had long hair, I used to tie it back, so the guys would say I would look like the 'Gypsy.' I used to hate that, but the less you like a nickname, the more it sticks.
My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
My favorite song as a boy was definitely 'Downtown' recorded by Petula Clark. I still love it! And the original cast recording of 'Gypsy'; I played my mother's cast recordings until there was no vinyl left.
We still name our military helicopter gunships after victims of genocide. Nobody bats an eyelash about that: Blackhawk. Apache. And Comanche. If the Luftwaffe named its military helicopters Jew and Gypsy, I suppose people would notice.
I was very burned out after Buffy. It was exhausting. It took me from essentially 18 on the pilot to being 24 and married when we finished. That show was my life. I was doing movies on the hiatuses and on weekends, but I needed to explore and live that gypsy lifestyle.
We both have different inspirations, style-wise. Lisa really loves Penelope Cruz and that classic gypsy look, whereas I like trashy hot messes and '50s pin-up girls.
If you don't have a bed, or a dresser or a wall, or a book or a toy you are oppressed. An African American in a white world. A Jew in a Christian world. A gypsy. A Native American. A Chinese American. Let's say, you were born deprived.
I wanted to have a home where I could go home and unlock my door and go in and be settled. I was tired of being a gypsy. — © Christine McVie
I wanted to have a home where I could go home and unlock my door and go in and be settled. I was tired of being a gypsy.
Jasmine smirke at the weapon in my hand. "That little toothpick won't save you, Gypsy." "Touthpick?" Vic muttered in an indignant voice. “Did she just call me a bleeding toothpick? Kill her! Kill her now!
I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife And all I ask is a merry yarn from a laughing fellow rover, And quiet sleep and a sweet dream when the long trick's over.
During the summertime, I really like to dress like a gypsy. I love that whole lifestyle and the whole mixing of fabrics and flowy materials.
A maverick may go his own way but he doesn't think that it's the only way or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours.
My name is actually Mia Gypsy - my mum said she named me that because of everywhere I'm from. She felt that I'd always be roaming from place to place, and I've always felt like that.
She [Gypsy Rose Lee] was a sophisticated self-satirist with a contagious delight in the comedy of sex. She was coy; she was sly; she always had a witty quip; she had an intensely dramatic presence.
Some people are drawn naturally - there are natural guitarists, and there are natural piano players, and I think guitar implies travel, a sort of footloose gypsy existence. You grab your bag and you go to the next town.
I met a gypsy and she hipped me to some life game, To stimulate, then activate the left and right brain. Said, 'Baby boy, you only funky as your last cut. You focus on the past, your ass'll be a has-what.' That's one to live by, or either that's one to die to.
Gypsy [Rose Lee] wasn't a linear person, and she didn't live life in a linear fashion. She was relentlessly self-inventing, and moved backward as often as she moved forward.
As she walked along she dramatized the night. There was about it a wild, lawless charm that appealed to a certain wild, lawless strain hidden deep in Emily’s nature—the strain of the gypsy and the poet, the genius and the fool.
The Tonys ignored West Side Story. The Tonys ignored Gypsy. It's a kind of public humiliation. — © Stephen Sondheim
The Tonys ignored West Side Story. The Tonys ignored Gypsy. It's a kind of public humiliation.
I would totally lose myself in the music and be a gypsy. I would go wherever I wanted to in my head - wherever the music took me. My body followed.
My mother was a gypsy, and she had a lot of dark blood in her, and her hair was very, very thick - she couldn't even get a brush through it. So I have been very fortunate. And every time I go to cut it off, hairdressers refuse to do it.
Dad was a baker, and we lived above the bakery, so I was always popping down to have an apple pie or a doughnut or a custard or gypsy tart: I had a very sweet tooth, and I think that that was what got me into doing what I do now.
I make body chains that come from the neck, cross in the middle of your chest, then go around your waist. I mix them with feathers for a gypsy, bohemian style.
Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.
The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.
'Gypsy' is the ultimate stage-mother story: Mama Rose is the one who should have been a star; she's the one with the talent. But she chose to have kids and put her dreams into them. The musical shows the power of showbiz and how much it can mean to someone.
A half-century before Madonna, Gypsy [Rose Lee] understood how to make performance out of desire, how to exploit the very human and eternal instinct to always want most what we'll never have.
I come from a strong matriarchal line. I was raised by Gypsy, her sister, Mary, and my maternal grandmother. The result of not having my father live with us meant that, when it came to understanding the opposite sex, it was like working without a map.
I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially.
In Gypsy [Rose Lee] the musical, her mother, 'Mama Rose', is portrayed as a slightly eccentric, pushy, ambitious stage mother, but that version doesn't come close to the truth.
Luckily, I was raised by a kind of gypsy family, which is why I always get along better with people who worked in circuses than with kids of other actors. My mom was so carefree with us in a beautiful way. We were used to sleeping anywhere.
The gypsy in my soul is living on the road again, ... When I first started my career, I was on the road for about five or six years straight, not living anywhere. Thirty-three years later, I`ve come full circle.
I never thought I would get married and have kids. I thought I was going to be a gypsy actor, traveling all over the world playing the great roles. I ended up having a kid very young, and it put things in perspective.
I am a Maharashtrian but was not brought up in Maharashtra, as my father worked in CPWD and was transferred every two years. So I have always been a gypsy. I, therefore, could not make good friends, and it still takes me a long time to form attachments.
I greatly admired Gypsy [Rose Lee] for being able to rise above her circumstances; I was terrified of her; I thought she was generous; I thought she was brilliant; I thought she was cruel.
I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.
Burlesque thrived during the Great Depression, and by extension, so, too, did Gypsy [Rose Lee]. Men could no longer afford to pay $5.50 to see a show on Broadway, but they could scrape together $1.00 for a matinee at a burlesque house.
I've been doing a lot of work with my brilliant trainer Pat Manocchia, who has a gym called La Palestra. He's trained me for every big show I've done, every demanding 8-show week role that requires stamina, like 'Sunset Boulevard' and 'Gypsy.'
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I remember my mother had this deck of cards that her mother had given her and that she passed on to me. It was a gypsy tarot deck that I used to carry everywhere.
Well I see you there with the rose in your teeth One more thin gypsy thief... Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried... And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear.
When I got out of high school I hit the road. I lived like a gypsy. Those were the best times of my life. I was living from club to club not knowing where my next meal was coming from. No credit cards, no apartment, no bills, no managers, just on the road with a truck and five guys.
I enjoy some nights in the studio. I'm not the greatest person in an enclosed space; I'm a live player by birth - like a gypsy folk player, I just sit in the corner and play.
I moved to Paris for two years, then to London, then New York in 2002. In that time, I also lived in Japan, Italy, Germany - I've been a bit of a gypsy. — © Caitriona Balfe
I moved to Paris for two years, then to London, then New York in 2002. In that time, I also lived in Japan, Italy, Germany - I've been a bit of a gypsy.
FREEDLEY: Will I feel better after I take it? DR. FITCH (coldly): I, am a physician, Freedley, not an astrologer. If you want a horoscope, there's a gypsy tearoom over on Lexington Avenue.
There's a race of men that don't fit in, A race that can't sit still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and rove the flood, And they climb the mountain's crest; Their's is the curse of the gypsy blood, And they don't know how to rest.
What is this gypsy passion for separation, this readiness to rush off when we've just met? My head rests in my hands as I realize, looking into the night that no one turning over our letters has yet understood how completely and how deeply faithless we are, which is to say: how true we are to ourselves.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
One of my favorite people is Gypsy Rose Lee. She bears out the Biblical promise that he who has, gets. And I hope she gets a lot more.
I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.
With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? -Bob Dylan, "Sad-Eyed Lady of the Lowlands” (1966)
My father is a gypsy. He traveled in caravans and was branded by the Ku Klux Klan. You know I have a history about race in my family that has very much to do with the other things that you name about poverty, about class, about access - or lack of it.
I'm very much into the Gypsy Kings. It's rumba and very festive, very passionate music, rhythmic guitar, passionate singing about love from happy people.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
I was definitely in acting class in school, but I was never the princess of the play. I will always remember: they always gave me the part of the gypsy or the old man in the corner.
I understand travel. I understand the experience of travel. I mean there is something of the "air-conditioned gypsy" in me. — © Greg Lake
I understand travel. I understand the experience of travel. I mean there is something of the "air-conditioned gypsy" in me.
I still have a Gypsy sense of adventure. I don't think I have slept in the same bed for more than three or four months my whole life. I am always planting vegetables that I never get to eat and flowers that I never see flower. I have always moved around the world.
When I speak of home, I speak of the place where in default of a better--those I love are gathered together; and if that place where a gypsy's tent, or a barn, I should call it by the same good name notwithstanding.
Skylark,Have you seen a valley green with SpringWhere my heart can go a-journeying,Over the shadows in the rainTo a blossom covered lane?And in your lonely flight,Haven't you heard the music in the night,Wonderful music,Faint as a will-o-the-wisp,Crazy as a loon,Sad as a gypsy serenading the moon.
This site uses cookies to ensure you get the best experience. More info...
Got it!