Top 1200 Hamlet Death Quotes & Sayings

Actors want to do Shakespeare again and again, or want to do Hamlet. When you hear one guy do Hamlet and another guy do it, it's going to be a whole different experience.

I have an aunt who believed strongly that teaching kids that Shakespeare is 'hard' is wrong, so she handed me 'Hamlet' when I was in kindergarten to see what would happen. What happened was I did a book report on 'Hamlet' and caused quite a lot of trouble!

Hamlet: Is this a prologue, or the posy of a ring? Ophelia: 'Tis brief, my lord. Hamlet: As woman's love.

As an artist, you're thankful to get a shot at a story more than once, because it doesn't happen all the time. Whether you talk about 'Hamlet' or 'Death of a Salesman,' you always want to see what the next group of actors will do.

I became an actress because I discovered the world of the imagination when I was about 14 or so and the concept that you could engage in this amazing world of storytelling. I saw a production of Hamlet, and I didn't know Hamlet died in the end.

I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.

'Hamlet' was the first movie I saw. In 1948, my mother said, 'I'm going to take you to see 'Hamlet' with Laurence Olivier.' She was worried about taking me to it because she wasn't sure I was old enough to understand it or to maybe be adversely affected by it, but I got recordings of it and memorized all the soliloquies.

Though yet of Hamlet our dear brother's death the memory be green.

ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king. HAMLET The body is with the king, but the king is not with the body. The king is a thing - GUILDENSTERN A thing my lord? HAMLET Of nothing. Bring me to him. Hide fox, and all after!

My first book, 'To Be or Not To Be,' took 'Hamlet' and converted it to the choose-your-own-path format. It was a great fit for a book where you control what happens - a book as game - because the plot of 'Hamlet' is very game-like: get a mission from a ghost to kill the final boss, kill the final boss, and game over. You win.

HAMLET [...] we fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table; that's the end. CLAUDIUS Alas, alas. HAMLET A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm. CLAUDIUS What dost thou mean by this? HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar.

You don't really audition for Hamlet; Hamlet is one of those roles that a director or producer decides you should do it.

I believe the death of Bobby Kennedy was in many ways the death of decency in America. I think it was the death of manners and formality, the death of poetry and the death of a dream.

Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.

Do you see yonder cloud that’s almost in shape of a camel? Polonius: By the mass, and ‘tis like a camel, indeed. Hamlet: Methinks it is like a weasel. Polonius: It is backed like a weasel. Hamlet: Or like a whale? Polonius: Very like a whale.

When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.

Death is never an ending, death is a change; Death is beautiful, for death is strange; Death is one dream out of another flowing.

Everybody is afraid of death for the simple reason that we have not tasted of life yet. The man who knows what life is, is never afraid of death; he welcomes death. Whenever death comes he hugs death, he embraces death, he welcomes death, he receives death as a guest. To the man who has not known what life is, death is an enemy; and to the man who knows what life is, death is the ultimate crescendo of life.

Death when to death a death by death hath given Then shall be op't the long shut gates of heaven. [Mors, mortis morti mortem nisi morte dedisset (dedisses).]

I started to realise that it wasn't for me. Perhaps I didn't have to give my Hamlet before I died, that the world might be an OK place without my Hamlet, in fact.

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life?

For watching death, and above all, after death; not death in battle, but death after battle, brings one to certain indifferences that are also a form of death.

I think Hamlet is a very funny play - Hamlet is riddled with wit.

I am almost sure to be blotted out by death, but sometimes I think it is not impossible that I may continue to live in some other manner after my physical death . Or, as Hamlet wonders, what dreams will come when we leave this body?

Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.

I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.

It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.

When I think of all the Hamlets I've seen, there's been a load of different styles, some marvellous. You like the Hamlet you saw when you were the right age to think you could be Hamlet.

Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.

Death is not as terrible as you think. It comes to you as a healer. Sleep is nothing but a counterfeit death. What happens in death we can picture in sleep. All our sufferings vanish in sleep. When death comes, all our mortal tortures cease; they cannot go beyond the portals of death.

The problem with the Jude Law "Hamlet" was simply that it wasn't unpredictable, that it was a very down-the-center modern production. You wouldn't go to the theater expecting to see an old-fashioned "Hamlet" where everybody wears an old fashioned costume. You don't get points for putting on a "Hamlet" where everybody dresses in black. I've seen that one several times. But again, it's not that it has to be new, it simply that it has to be different, fresh, that it doesn't bore, that it doesn't make me - I don't feel as I'm watching it that I know where it's going to go.

Most people don't know that I am an accomplished dramatic actor... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him.

Eyes like streams of melting snow, cold with the things she does not know. Heaven above and Hell beneath, liquid flames to hide her grief. Death, death, death with no release. Death, death, death with no release.

Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.

The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.

Now death is death! and yet is not one death Another death? Stabbing is not the same As shooting! Would you say a strangled man Was drown'd? The end is one, the means are many, And there the difference lies!

It was reading Hamlet that ruined the concept of authenticity for me, not because Hamlet lacked existentialist credentials himself - indeed, as an earlier discontented Dane, he could be said to have laid the ground for Kierkegaard - but because the line 'to thine own self be true' was spoken by that humourless old ninny, Polonius.

'Hamlet' is one of the most dangerous things ever set down on paper. All the big, unknowable questions like what it is to be a human being; the difference between sanity and insanity; the meaning of life and death; what's real and not real. All these subjects can literally drive you mad.

There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.

The instructor has to teach history, cosmogony, psychology, ethics, the laws of nations. How can he do it without saying anything favorable or unfavorable about the beliefs of evangelical Christians, Catholics, Socinians, Deists, pantheists, materialists, or fetish worshipers, who all claim equal rights under American institutions? His teaching will indeed be "the play of Hamlet, with the part of Hamlet omitted."

I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.

Someone once said that if you sat a million monkeys at a million typewriters for a million years, one of them would eventually type out all of Hamlet by chance. But when we find the text of Hamlet, we don't wonder whether it came from chance and monkeys. Why then does the atheist use that incredibly improbable explanation for the universe? Clearly, because it is his only chance of remaining an atheist. At this point we need a psychological explanation of the atheist rather than a logical explanation of the universe.

Death? Why this fuss about death? Use your imagination, try to visualize a world without death! Death is the essential condition of life, not an evil.

There is a kitsch of death. For example, death transformed into sweet sleep: The 'good night, sweet prince' of the last scene of Hamlet.

Hamlet: Lady, shall I lie in your lap? Ophelia: No, my lord. Hamlet: DId you think I meant country matters? Ophelia: I think nothing, my lord. Hamlet: That's a fair thought to lie between maids' legs. Ophelia: What is, my lord? Hamlet: Nothing.

Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.

I not only loved studying theater, I loved being a theater major. It gave me an excuse to brood, to grow a beard, to wear black 'at' people. I didn't just want to play Hamlet, I wanted to be Hamlet.

But death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man’s best friend; when man could endure life no longer, death came and set him free.

The greatest mystery in life is not life itself, but death. Death is the culmination of life, the ultimate blossoming of life. In death the whole life is summed up, in death you arrive. Life is a pilgrimage towards death. From the very beginning, death is coming. From the moment of birth, death has started coming towards you, you have started moving towards death.

I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died.

One learned gentleman, "a sage grave man," Talk'd of the Ghost in Hamlet, "sheath'd in steel"— His well-read friend, who next to speak began, Said, "That was poetry, and nothing real;" A third, of more extensive learning, ran To Sir George Villiers' Ghost, and Mrs. Veal; Of sheeted Spectres spoke with shorten'd breath, And thrice he quoted Drelincourt on Death.

Someone's killed 100,000 people. We're almost going, "Well done! You killed 100,000 people? You must get up very early in the morning! I can't even get down the gym. Your diary must look odd: 'Get up in the morning, death, death, death, death, death, death, death - lunch - death, death, death - afternoon tea - death, death, death - quick shower ...' "

Is not every action of Hamlet induced by a fanatical impulse, which tells him that duty consists in revenge alone? And dose it need superhuman efforts to recognize that revenge never can be duty? I say again that Hamlet thinks much, but that he is by no means wise.

I've seen 'Hamlet' many times, and Hamlet, he was just a hideous neurotic; he never changes. He doubts - all the way to the end, all the way until when he dies, he doubts.

Do you take me for a sponge, my lord? hamlet: Ay, sir; that soaks up the king's countenance, his rewards, his authorities. But such officers do the king best service in the end: he keeps them, like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry again. rosencrantz: I understand you not, my lord. hamlet: I am glad of it: a knavish speech sleeps in a foolish ear.

Hamlet and Victor Frankenstein are each obsessed with death. Hamlet's whole story is a philosophical preparation for death; Victor's is an intellectual refusal to accept it.

Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.

There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.

Someday, I expect to see a television version of 'Hamlet' and see Hamlet come on during the intermission and hold up his sword and say 'This is made of the same fine steel as such-and-such razor blades.'

You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.