Top 1200 Hamlet Revenge Quotes & Sayings

Because revenge is a very known feeling in American culture, there's a certain element of an eye for an eye. There's the saying, 'Be careful what you wish for, you might get it.' When you wish for revenge, and you think you've gotten it, what happens then? Revenge is just a really good drive for drama and good action.

When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.

You don't really audition for Hamlet; Hamlet is one of those roles that a director or producer decides you should do it.

The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.

The whole idea of revenge and punishment is a childish day-dream. Properly speaking, there is no such thing as revenge. Revenge is an act which you want to commit when you are powerless and because you are powerless: as soon as the sense of impotence is removed, the desire evaporates also.

Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.

I've seen 'Hamlet' many times, and Hamlet, he was just a hideous neurotic; he never changes. He doubts - all the way to the end, all the way until when he dies, he doubts.

I think Hamlet is a very funny play - Hamlet is riddled with wit.

Revenge, revenge, Timotheus cries, See the Furies arise!

The damnable frustration of revenge. Revenge is for dreams...never for reality.

I not only loved studying theater, I loved being a theater major. It gave me an excuse to brood, to grow a beard, to wear black 'at' people. I didn't just want to play Hamlet, I wanted to be Hamlet.

I named my first album 'The Sound of Revenge' because I wanted to get revenge on everyone who doubted me. But when I finally got revenge, I didn't enjoy it.

Elegant revenge is great. The perfect revenge that lets people see who they actually are for a moment.

I'll live as a courtesan, not as a woman. I'll embrace any man that comes my way. It's not hard giving your body and not your heart. And I'll take revenge. To all those rich nobles, I'll get revenge for all the pain I received. No...even more. Then I'll get revenge on you, Head Mistress. Breaking my love and making me a courtesan, will not be a good thing for you.

Revenge is not worthy of you. If you concentrate on revenge, you will keep those wounds fresh that would otherwise have healed.

There's a difference between what I call a dumb ghost and a smart ghost. The smart ghost is Hamlet's father - you know, he says, "Get revenge, my son!" That's incredibly rare. It's much more the grey lady in the same place everyday, moving across the floor.

You cannot lead America to a positive tomorrow with revenge on one's mind. Revenge is so incredibly negative.

It is useless to meet revenge with revenge; it will heal nothing.

The artist will have had his revenge for being made to wait, A revenge not only necessary but right and clever-- Simply to leave him out of the scene forever.

Hamlet: Is this a prologue, or the posy of a ring? Ophelia: 'Tis brief, my lord. Hamlet: As woman's love.

Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.

If you look at revenge we are still winning three one you know, so I don't think it is a question of revenge, is a question of a personal thing

Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.

I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.

Hamlet: Lady, shall I lie in your lap? Ophelia: No, my lord. Hamlet: DId you think I meant country matters? Ophelia: I think nothing, my lord. Hamlet: That's a fair thought to lie between maids' legs. Ophelia: What is, my lord? Hamlet: Nothing.

I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.

What antidote can there be for an idea that popular and poisonous? Revenge provides revenge, which is sure to provide revenge, forming an endless chain of human misery. Here's the antidote: Forgive us our trespasses, as we forgive those who trespass against us. Amen.

I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died.

I started to realise that it wasn't for me. Perhaps I didn't have to give my Hamlet before I died, that the world might be an OK place without my Hamlet, in fact.

HAMLET [...] we fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table; that's the end. CLAUDIUS Alas, alas. HAMLET A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm. CLAUDIUS What dost thou mean by this? HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar.

Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.

The problem with the Jude Law "Hamlet" was simply that it wasn't unpredictable, that it was a very down-the-center modern production. You wouldn't go to the theater expecting to see an old-fashioned "Hamlet" where everybody wears an old fashioned costume. You don't get points for putting on a "Hamlet" where everybody dresses in black. I've seen that one several times. But again, it's not that it has to be new, it simply that it has to be different, fresh, that it doesn't bore, that it doesn't make me - I don't feel as I'm watching it that I know where it's going to go.

Revenge is what I want. Nothing but pure unadulterated revenge. But my mother brought me up to be a lady.

I have an aunt who believed strongly that teaching kids that Shakespeare is 'hard' is wrong, so she handed me 'Hamlet' when I was in kindergarten to see what would happen. What happened was I did a book report on 'Hamlet' and caused quite a lot of trouble!

Someday, I expect to see a television version of 'Hamlet' and see Hamlet come on during the intermission and hold up his sword and say 'This is made of the same fine steel as such-and-such razor blades.'

We learn our lessons; we get hurt; we want revenge. Then we realize that actually, happiness and forgiving people is the best revenge.

Because revenge is a very known feeling in American culture, theres a certain element of an eye for an eye. Theres the saying, 'Be careful what you wish for, you might get it'. When you wish for revenge, and you think you've gotten it, what happens then? Revenge is just a really good drive for drama and good action.

John Calvin's theology emphasizes the sanctity of conscience, the sanctity of companionate marriage, and the obligation of those in power to attend to the well-being of the people in general, especially the poor. Interestingly, for the interpretation of Hamlet, for example, he forbids even the thought of revenge. This is not the Calvin of myth, but when the Elizabethans read him there was no such myth, nor would there be now, if he were read.

A small revenge is more human than no revenge at all.

It will be harder because they are going to want revenge, they need revenge.

It was reading Hamlet that ruined the concept of authenticity for me, not because Hamlet lacked existentialist credentials himself - indeed, as an earlier discontented Dane, he could be said to have laid the ground for Kierkegaard - but because the line 'to thine own self be true' was spoken by that humourless old ninny, Polonius.

The instructor has to teach history, cosmogony, psychology, ethics, the laws of nations. How can he do it without saying anything favorable or unfavorable about the beliefs of evangelical Christians, Catholics, Socinians, Deists, pantheists, materialists, or fetish worshipers, who all claim equal rights under American institutions? His teaching will indeed be "the play of Hamlet, with the part of Hamlet omitted."

To be honest, it's true that revenge breeds more revenge, so the Rainbow Taxi crew had to think hard about what to do and how to resolve it.

Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.

Of course 'Hamlet' is a debate about the nature and morality of revenge and whether it is right to do something to assuage your angry feelings.

I joined the army to avenge the deaths of my family and to survive, but I've come to learn that if I am going to take revenge, in that process I will kill another person whose family will want revenge; then revenge and revenge and revenge will never come to an end.

Most people don't know that I am an accomplished dramatic actor... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him.

... Revenge, ... All of a sudden, revenge started brewing in the back of their minds.

'Hamlet' was the first movie I saw. In 1948, my mother said, 'I'm going to take you to see 'Hamlet' with Laurence Olivier.' She was worried about taking me to it because she wasn't sure I was old enough to understand it or to maybe be adversely affected by it, but I got recordings of it and memorized all the soliloquies.

Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.

It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.

I'm not much of a revenge person, because I think when you start with revenge it cheapens what you've been through.

Hamlet and Victor Frankenstein are each obsessed with death. Hamlet's whole story is a philosophical preparation for death; Victor's is an intellectual refusal to accept it.

I became an actress because I discovered the world of the imagination when I was about 14 or so and the concept that you could engage in this amazing world of storytelling. I saw a production of Hamlet, and I didn't know Hamlet died in the end.

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life?

Is not every action of Hamlet induced by a fanatical impulse, which tells him that duty consists in revenge alone? And dose it need superhuman efforts to recognize that revenge never can be duty? I say again that Hamlet thinks much, but that he is by no means wise.

Usually, you see this play as a guy who can't make up his mind, but our version is more of a revenge thriller than a man who is pontificating what he should do next. I've never seen a 'Hamlet' this big, this exciting, with this many cast members; it's quite a spectacle.

Actors want to do Shakespeare again and again, or want to do Hamlet. When you hear one guy do Hamlet and another guy do it, it's going to be a whole different experience.

When I think of all the Hamlets I've seen, there's been a load of different styles, some marvellous. You like the Hamlet you saw when you were the right age to think you could be Hamlet.

Our knowledge will take its revenge on us, just as ignorance exacted its revenge during the Middle Ages.