Top 1200 Handwritten Notes Quotes & Sayings - Page 18

When I play the first few notes of a song and people start screaming, I think: 'That's why I did this. That's why I wrote this song. That's a good job.' And it is a job.

We all use cash in our everyday life, but we don't use hundred-dollar bills. We're not using 500-euro notes. And yet these account for mountains of cash out there. I think they're being used in tax evasion and by criminals of all types.

I have a lyric journal that I write in a lot. When I’m going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It’s a kind of discipline.

I try to take notes of things that happen that I think are important or interesting or just little tidbits here and there that happen in life. And some of it's even just one line or like a saying and I just go off that.

Sometimes I just listen to classical pieces of music to take me away from my work. That's what I kind of do to wash away the notes that I've been working on all day. As human beings we need to sleep so that's kind of one of my little tricks.

Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.

Composing is like driving down a foggy road toward a house. Slowly you see more details of the house-the color of the slates and bricks, the shape of the windows. The notes are the bricks and the mortar of the house.

With proper acting, I don't know what I would play - I got sent a script for a play, and it said in the notes that my proposed character was 'hideously fat and ugly'. That made my day. I mean, I do know I am no oil painting.

I've tried to start my kids on 'Doctor Who,' but they're just not there yet. Someone had given me these TARDIS stick-em notes, so I gave them to Tucker, and he finally put them all over his locker. I'm like, 'You're the coolest fifth grader, ever!'

People think I'm not polite. But, what I have to say to people seems so unnecessary. I can't be forced. I'd rather just be what I feel. Even when I sing I try to imagine I'm all alone, there's nobody out there listening. I play with the notes, with the feeling. Each time the song is different for me.

I could read music and sing all the right notes at the right time. And over time, I literally found my voice, found a way to make sound.

I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.

I've always been a fan of instructional videos. The bass-player ones are insane. The music on them is fascinating. It's not something you hear on CDs or would really ever play in bands. You listen to it and are like, 'What is happening?' It's this blizzard of notes in weird time signatures, and they're trying to teach you that.

I think it's essential for writers to be involved in the recording process as things can often go wrong in this area. Voice actors are all too often presented with a wad of XL sheets, no proper character notes, context or reference and are just expected to perform.

With seven boys and one sister, there was always a lot of music in the house. A few of my brothers were playing instruments, so it was from hearing that, coupled with discovering early rock, which triggered me to pick up a guitar and try to pick out the notes.

Billie Holiday, Aretha Franklin. Now, they are so subtle, they can milk you with two notes. They can make you feel like they told you the whole universe. But I don't know that yet. All I got now is strength. Maybe if I keep singing, maybe I'll get it.

The only protection as a historian is to institute a process of research and writing that minimizes the possibility of error. And that I have tried to do, aided by modern technology, which enables me, having long since moved beyond longhand, to use a computer for both organizing and taking notes.

My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'

But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.

I like hearing other writers just about the way they approach writing. It gives me energy for my own work. It's weird; I'm always taking notes about fiction when I'm listening to people talk about craft.

Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.

Comedy is the ultimate truth. Jazz is hitting the notes that that no one else would hit, and comedy is saying words that no one else would say.

Before getting on 'The Voice,' I was very critical and judgmental of people's vocals. After getting on the show, I was so nervous, I realized my low notes were gone, so nerves do take a big toll on your voice.

When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.

The amount of work that TV writers and executives do is incredibly hard. I'm shocked that these people will hand in three outlines and two scripts, and everybody has to read them and give notes on all of them, even the writers.

Learning the notes on the fretboard is key to any guitarist's development on the instrument, and [Guitar] Trainer HD is a neat way to get that info burned into your brain without having to carry a guitar with you everywhere you go. Pretty cool!

My real name is Chord Overstreet. I actually got my name because my dad is in the music business as a songwriter. I was the third one in my family born, and there are three notes in a chord, so that's how they came up with my name.

I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.

Don't let your hands dictate what you think you can do. Look at fingerboard charts and imagine your eyes dancing on the notes you want to play, and forget about whether your hands can do it or not. Just try it.

I think one of the worst notes I think I've ever received was Ang Lee on 'Brokeback Mountain.' He came in on coverage, and he was like, 'More, more handsome.' I was like, 'I'll try that.'

I can't use logic concerning my feelings, my feelings demand musical notes, violins, guitar solos, the stomping of feet, poetic language, metaphors, poetic lines about birds or deserts or tree-crowded forests.

There's more of yourself in a book than a play. that's why we know all about Dickens and not much about Shakespeare. Ben Jonson murdered people; Marlowe was a spy; Shakespeare just sat in the corner and took notes.

Unlike a high-wire walker, I don't think any musician strikes the wires of a piano or draws a bow across a violin's strings primarily for the kick of an adrenalin fix. There is danger on stage, but dropped notes are not broken bones; a memory lapse is not a tumble to the ground.

Directing is exhausting, but not for the actual directing part, when you say "Action!" and give creative notes. As a director, the exhausting part is that you are a professional answer-machine.

I love writing thank-you notes. There's something very nostalgic to me about the feel of a card and putting pen to paper. How many times in our lives are we required to put pen to paper anymore?

To ruminate upon evils, to make critical notes upon injuries, and be too acute in their apprehensions, is to add unto our own tortures, to feather the arrows of our enemies, to lash ourselves with the scorpions of our foes, and to resolve to sleep no more.

I keep everything in Notepad: shopping lists, to-do lists, recipe tasting notes, my blog content calendar, recipe inspiration, blog-post drafts.

A lot of the time, in pop music especially, there's reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.

I started getting fan notes from people saying, "Oh, keep up the mess-ups," and I'm thinking, "I'm not doing it deliberately. This is just who I am." But people thought it was funny. I guess if you're watching and you see that I could do it, maybe it gives hope that anybody can do it.

The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.

For a while, I was working on transcribing rap lyrics and then converting them into rhythmic patterns on the piano. And so in my mind, when I was taking a solo, I would be saying the lyrics and trying to play actual notes to their rhythms. Now, the influence just comes in and out in my playing.

Just as music comes alive in the performance of it, the same is true of mathematics. The symbols on the page have no more to do with mathematics than the notes on a page of music. They simply represent the experience.

The way I build stuff in my mind, it's sort of like a puzzle for me. I always talk about it like, when I'm writing a scene there's a certain feeling I'm trying to create. I'll have my list of scenes and it's more like feelings, these notes I want to hit.

I won't say if nerd is the right term, but I'm a big, big cricket fanatic. I just cannot stop thinking, talking cricket. I do carry notebooks and make notes to look at improving and developing my own game.

Sometimes it might seem like I'm using my songs to give other people pointers. But mainly, they're for me, just little notes to myself that I collected, and the wisdom that I've read. I give myself a lot of advice.

I value my correspondence with writers...I was in New York and had lunch with Oliver Sachs and compared notes with him - he is someone I really like. I love staying in written correspondence with some writers. That's enough for me.

I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.

A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.

All subjects are the same. I memorize notes for a test, spew it, ace it, then forget it. What makes this scary for the future of our country is that I'm in the tip-top percentile on every standardized test. I'm a model student with a very crappy attitude about learning.

I liken movies to playing a piano: Sometimes you're playing the chords and different notes with unresolved cadences and playing all major chords that are all over the place, and you're enjoying yourself with a great, simple melody.

Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.

My father played one of the first electric guitars in England. He built his own in 1940, because you couldn't buy them in those days. He used three telephone pickups under the strings, which gave chronic distortion on chords but was quite good on single notes.

I believe that mathematical reality lies outside us, that our function is to discover or observe it, and that the theorems which we prove, and which we describe grandiloquently as our "creations," are simply the notes of our observations.

I actually think that many of the musicians who have something meaningful to say don't win competitions. An incredible pianist like Horowitz had so much to say, but he might not win anything in competition because of his wrong notes.

Christopher Lynch has made the best and the first careful translation of Machiavelli's Art of War. With useful notes, an excellent introduction, an interpretive essay, glossary, and index, it is a treasure for readers of military history and Renaissance thought as well as for lovers of Machiavelli.

I picked up the phone to call the police, but then I considered how it would sound when I told them that I was calling from inside my bathroom, where I’d OD’ed on laxatives, and that a possible rapist was quietly passing me notes under the bathroom door.

I sit down and watch videos. I take notes. That's when that inspiration comes - the moment that makes sense of my profession. The instant I know, for sure, that I've got it. I know how to win. It's the moment that my job becomes truly meaningful.

My third day playing saxophone, I was in front of a congregation. I still didn't know the names of all the notes. I was playing by ear, following along, but it was such an encouraging environment, I couldn't fail. It was all, 'Yeah baby, you sound real good' no matter what you play. It was a great way to learn.

Speaking Out is honest about some of the challenges posed by speaking out and looks at possible responses and coping strategies. By comparing notes, we can help guide each other through what can be challenging life experiences.

I love jotting down ideas for my blog, so I doodle or take notes on all kinds of stuff that inspires me: the people I meet, boutiques I visit, a florist that just gave me a great idea for an interior-design project, things like that.