Top 284 Harlem Quotes & Sayings

I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.

I am particularly conscious of my connection to the poets of the Harlem Renaissance because I, too, am a Black poet, born into, and shaped by, the very community in which those poets of the past produced so much of the work we associate with the Harlem Renaissance. We speak from the same place, both literally and metaphorically.

I got a job as a children's librarian at PS 175 in Harlem, and that changed everything. That was an epiphany. I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles.

I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, Git r done!

For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.

When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.

I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.

People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."

It is important to have permanent safe spaces in Harlem.

Nonresidents have a tendency to rush their visits to Harlem.

I'm from Harlem.

My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.

I'm from Harlem, born and raised there.

Growing up in Harlem, I was always in the parks playing ball.

My parents grew up during the Harlem renaissance.

The Negro and all things negroid had become a fad, and Harlem had become a shrine to which feverish pilgrimages were in order . . . Seventh Avenue was the gorge into which Harlem cliff dwellers crowded to promenade.

Harlem is filled with moments of history.

We can't have Harlem become one borough for the rich.

Wyatt Walker can walk through Harlem. No one would know him.

Since the '80s, Harlem has the place to go. Before the '80s, just as far as hip-hop go, Harlem has always been a strong point, fashion-wise, music-wise, all of that.

We both grew up in the atmosphere of struggle, both Ossie and me, ... I come out of Harlem and Harlem comes out of me - wailing police sirens and street parties, rumors and landlords, that cultural, spiritual scene. And Ossie came up from the South, where struggle and dying were part of everyday life. That is who we are.

I'm just a Harlem dude that can rap, and people dig my style and persona.

'Harlem: The Unmaking of a Ghetto' is a surprise and a fresh way of looking at Harlem, connecting the black district with the architecture of its historical past.

I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.

As long as black people preserve their culture in Harlem, Harlem will always be alive.

Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.

We didn't sit around the dining table talking about Madam Walker, but the silverware that we used every day had her monogram on it and our china for special occasions had been Madam Walker's china... and the baby grand piano on which I learned to read music had been in A'Lelia Walker's apartment in Harlem during the Harlem Renaissance.

I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.

I'm from the burbs. I've been in the hood, but I don't live there. I have lived in the hood, but I don't live there anymore. I lived in Harlem, and that was crazy, even though Harlem is a lot nicer than it used to be.

I'm the only tenured black faculty in the sciences at Columbia, in the middle of Harlem.

When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.

As a kid growing up and seeing so much strife taking place in society, and particularly on Blacks and people of color, I had an opportunity as a young man to witness the change that was taking place in Harlem, the exodus of white folks leaving Harlem, which I thought was a very cohesive situation. But they felt that they needed to leave.

If there was a Harlem Globetrotters of rugby league, he’d be in it.

Many people in Harlem never go out of Harlem. I mean they'd never even been downtown. And you can see how this bitterness can accumulate. Here you see people crowded and hovered up in ghettos and slums with no hope.They see no way out.

Harlem was a development, a developer's dream and a place where residents had more space and more amenities than ever before. The subway reached 145th street about 1904, and it seemed that Harlem's destiny was to become largely a preserve of successful ethnics relocating and arriving. Then, overnight, the bust took place.

Living at the YMCA in Harlem dramatically broadened my view of the world.

The short-range involves the long-range. Immediate steps have to be taken to reeducate our people into the, a more real view of political, economic, and social conditions in this country, and our ability in, in a self- improvement program to gain control politically over every community in which we predominate, and also over the economy of that same community as here in Harlem. Instead of all the stores in Harlem being owned by white people, they should be owned and operated by black people.

In Harlem, for instance, all of the stores are owned by white people, all of the buildings are owned by white people. The black people are just there - paying rent, buying the groceries; but they don't own the stores, clothing stores, food stores, any kind of stores; don't even own the homes that they live in. They are all owned by outsiders, and for these run-down apartment dwellings, the black man in Harlem pays more money than the man down in the rich Park Avenue section.

Harlem World' is all about me doing my thing.

Here - at this final hour, Harlem has come to bid farewell to one of its brightest hopes - extinguished now, and gone from us forever.... Many will ask what Harlem finds to honor in this stormy, controversial and bold young captain - and we will smile. ...We will answer and say unto them, ‘Did you ever talk to Brother Malcolm? Did you ever really listen to him? ...For if you did you would know him. And if you knew him you would know why we must honor him.'

Harlem is really a melting pot for a lot of different people.

Everybody says 'Good Morning' in Harlem because it's true! And that's lovely.

I credit a lot of my success to being from Harlem, growing up there.

I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.

Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.

Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'

Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue.

I've always loved Harlem and its communities.

I love Harlem, it's like a second home to me.

In Harlem, black was white. You had rights that could not be denied you; you had privileges, protected by law. And you had money. Everybody in Harlem had money. It was a land of plenty.

I met Obama once, backstage at the Apollo in Harlem.

We don't windsurf in Harlem.

I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'

I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.

I had a paper route at eight years old in Harlem.

Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.

With 'Dope Walk,' I wanted to bring back kids dancing and having fun again. That's how it used to be in Harlem. I remember everybody Harlem-shaking and 'Chicken Noodle Soup'-ing. Those were some of the most fun and memorable times in my life.

Harlem is a very family-oriented neighborhood, and it always has been.

'Harlem River' is about the Harlem River in uptown Manhattan. I don't know much to say about it. I came upon that river a couple of years ago. I was doing a walk the length of Manhattan, from the top to the bottom, and I had never seen that river before.

Where I'm from in Harlem, everybody look like a rapper.