Top 643 Harlem Renaissance Quotes & Sayings - Page 8

Explore popular Harlem Renaissance quotes.
Last updated on December 4, 2024.
Leisure was the sine qua non of the full Renaissance. The feudal nobility, having lost its martial function, sought diversion all over Europe in cultivated pastimes: sonneteering, the lute, games and acrostics, travel, gentlemanly studies and sports, hunting and hawking, treated as arts.
I'm not a critic. I'm not a journalist. I'm not a philosopher. Arguing that punk has run its course is like saying painting ran its course after the Renaissance. Punk is an idea. It's freedom. And it'll be around 200 years from now for the people who want it.
The apartments of the rich are cabinets of curiosities: a conglomeration of classical antiquity, gothic, renaissance; Louis XIII... Something from every century but our own, a predicament that has arisen in no other period... so that we seem to be subsisting on the ruins of the past, as if the end of the world were near.
I disagree with Muhammad. I'm against hate, anti-Semitism and homophobia. This is not a village of hate. It's a village of hope. Don't let midgets give us a bad name. There are still giants in Harlem, giants who will stand up for our children.
If I could have picked an era to have lived, I think I would've loved to have been one of Louis XIV's mistresses. They were so fantastic and aristocratic, and they had so much power. And he was such a renaissance man. I think I would've fit into that nicely.
In the Middle Ages and the Renaissance, man's dispute with madness was dramatic debate in which he confronted the secret powers of the world; the experience of madness was clouded by images of the Fall and the Will of God, of the Beast and the Metamorphosis, and of all the marvelous secrets of Knowledge
I grew up on 135th Street. I grew up on the poor side of New York. I grew up in Harlem.
I realised at the age of 16 that unless I read the gospels, I would never have access to Renaissance art, to the music of Bach or the novels of Dostoevsky. So in the evenings, when the other boys went to play basketball or chase girls - I had no chance in either - I found my comfort in Jesus.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
If I go up to Harlem or down to Sixth Street, and I'm not dressed up or I'm not wearing my jewelry, then the people feel I'm talking down to them. People expect to see Mrs. Astor, not some dowdy old lady, and I don't intend to disappoint.
Christopher Lynch has made the best and the first careful translation of Machiavelli's Art of War. With useful notes, an excellent introduction, an interpretive essay, glossary, and index, it is a treasure for readers of military history and Renaissance thought as well as for lovers of Machiavelli.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.
I was a teacher. I also worked at Harlem Children's Zone. I moved back to Baltimore and opened up an after-school, out-of-school program on the west side and then worked in two public school districts, in Baltimore and Minneapolis.
There were no mail-order catalogues in 1492. Marco Polo's journal was the wish book of Renaissance Europe. Then, Columbus sailed the ocean blue and landed in Sears' basement. Despite all the Indians on the escalator, Columbus' visit came to be known as a "discovery.
Until the June 1967 war I was completely caught up in the life of a young professor of English. Beginning in 1968, I started to think, write, and travel as someone who felt himself to be directly involved in the renaissance of Palestinian life and politics.
I'm not going to let Donald Trump take away from our community, something that Fannie Lou Hamer shed blood to give us. Something that Ella Jo Baker braved conditions in the South and sweatshops in Harlem to give us.
Marcus Samuelsson is a chef who inspires me everyday. He has such a deep understanding of flavors and techniques. His food is representative of the diverse world that we live in. What he has done in Harlem with Red Rooster is very special. Marcus is not just a chef, he's a food activist.
The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.
I find contemporary Holocausts against other species so unbearable as to make life itself a fundamental question mark. Are we a demonic, suicidal species? Can good conquer evil? And if so, when will that renaissance of virtue occur? This is truly "psychology today."
I think that there is not really a difference between a 'Peanuts' and a beautiful Renaissance painting. There is something very romantic in the 'Peanuts' - it's at the same level of a novel or a Jane Austen story or a beautiful embroidered rose fabric. It is a piece of romanticism.
If the poem is so moving that even if you have no experience in that particular setting be it 1920's Harlem let's say. You still are so moved that you can put yourself in that position. That means that the writer has managed to go beyond the personal and touch the humanity in all of us and it's really a blast to read it because I realize how that this does hold true for the truly great poems.
The Renaissance was a time of mercenary soldiers, ours is a time of mercenary labor. — © Eric Hoffer
The Renaissance was a time of mercenary soldiers, ours is a time of mercenary labor.
I'm a reporter. I've been a big supporter of The Clinton Foundation. Back in 2001 and 2002, people forget that Bill Clinton went to Harlem and set this foundation up. They've helped millions of people across the globe and here in America.
Usually the German translators do something terrible, especially with Tom Wolfe, which is that they make it local. So if the characters are from Harlem, the translators put all this Berlin slang into their mouths, and that's just terrible. You cringe when you read that. But there really is no good solution to the problem, except learning English.
I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
Our understanding of Shakespeare already depends largely on the vitality of Renaissance elements in our education. Each man must live in his own generation, as the saying is; but the generations are bound together by the golden links of the great tradition of civilization.
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
America owed its military renaissance in the 1980s and 1990s to Vietnam. Veterans like Norman Schwartzkopf, Colin Powell, Alfred Grey, Charles Krulak, and Wesley Clark returned home angry and ashamed at their defeat and rebuilt all-volunteer, professional armed forces from the ground up.
I do feel we live through what I like to call The 2nd Renaissance, but although I foresee a widespread return to the European religion I don't foresee a return to the past. The world has changed, everything is different today, and so will Paganism be.
I appreciate being able to give back to charities I care about such as the American Diabetes Association - my older sister passed away from diabetes - and Figure Skating in Harlem, which teaches young girls about confidence, focus and goal-setting.
I'm engaged in food on so many levels, and I love that. So my work, my craft, is around food, and writing is one aspect of it; communicating a narrative, cooking online is one aspect of it; solving the food chasm that we have in Harlem and finding a farmers market is another one, and all of them are equally exciting for me.
The other day I went to a school in Harlem to talk to some 7th graders [12-year-olds] and I said, ‘If I have to give you some advice, the most important thing is: the sooner you become your own best friend, the better your life will be,’?
When I was a young kid, my pops introduced me to it. He took me to Harlem, 145th and Edgecombe, to watch the filming of Claudine with James Earl Jones and Diahann Carroll. That was my first taste of seeing a set and the cameras, and I was bit by the acting bug at a young age.
Programming is how we talk to the machines that are increasingly woven into our lives. If you aren't a programmer, you're like one of the unlettered people of the Middle Ages who were told what to think by the literate priesthood. We had a Renaissance when more people could read and write; we'll have another one when everyone programs.
America became a special source of attraction to people who were fleeing the aftereffects of the 30 Years War and the religious persecution that began to sweep through Europe in the period between the Renaissance and the Enlightenment. And when people got here, very often they succeeded.
Being a Negro writer these days is a racket and I'm going to make the most of it while it lasts. About twice a year I sell a story. It is acclaimed. I am a genius in the making. Thank God for this Negro literary renaissance. Long may it flourish
[During the Renaissance] the Italians said, "We are one in the Father: we will go back." The Northern races said, "We are one in Christ, we will go on. — © D. H. Lawrence
[During the Renaissance] the Italians said, "We are one in the Father: we will go back." The Northern races said, "We are one in Christ, we will go on.
In my own young black life, I have done my part to gentrify a half-dozen mixed neighborhoods ranging from Spanish Harlem to Fort Greene to the ninth arrondissement of Paris. Many of my well-educated black, Latino, Asian and Arab friends have done the same.
Crisis' seems to be too mild a word to describe conditions in countless African-American communities. It is beyond crisis when in the richest nation in the world, African Americans in Harlem live shorter lives than the people of Bangladesh, one of the poorest nations of the world.
Architecture traditionally has been the slowest of art forms. It was not unusual for great cathedrals to take centuries to complete, with stylistic changes from Romanesque to Gothic or Renaissance to Baroque as common as the addition of chapels or spires. But because the function remained the same, the form could be flexible and its growth organic.
I grew up in Harlem. My grandmother was one of the best cooks around, but the first thing she did on Sunday mornings when she started cooking a daylong meal was to take a big block of lard from the back of the refrigerator and throw it into the pan. I know how Hispanics buy their food, and it is not always nutritious.
I know of nothing more significant than the awakening of men and women throughout our country to the desire to improve their houses. Call it what you will - awakening, development, American Renaissance - it is a most startling and promising condition of affairs.
'Luke Cage' is about a reluctant superhero who lives in the shadows in Harlem. He has to decide if he's going to step up and fight for the heart of the city and defend the people against Cornell 'Cottonmouth' Stokes, my character, who kinda wants to keep everything in order and intact. I'm the criminal element in the story.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
My contention is that if you trace it back, it was the people of the East who brought them out of the Dark Ages, who brought about the period, or ushered in or initiated the atmosphere that brought into Europe the period known as the Renaissance.
The socially pernicious, racially wasteful, and soul-withering consequences of the working of mothers outside the home must cease. And this can only come to pass, either through the programme of institutional upbringing, or through the intimate renaissance of the home.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
[T]he more the public is confused, the easier it falls prey to doctrines of pseudo-science which may at some future date recieve the backing of politically powerful groups [...]a renaissance of German quasi-science paralleled the rise of Hitler.
I lived in mafia neighborhoods off and on when I was a kid. If you were in Little Italy, in East Harlem, in Brooklyn... Those neighborhoods were, in those years, dominated by mafia families. You knew it and you felt it, you know?
I started reading. I read everything I could get my hands on...By the time I was thirteen I had read myself out of Harlem. I had read every book in two libraries and had a card for the Forty-Second Street branch.
When I decided to go to art school, it wasn't necessarily something I thought I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the Studio Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.
When I go to America, I'm fortunate enough to stay in the nicer areas but the last time I went there - to New York last October, November - I went and explored. I went to the rough areas - to Brooklyn, Harlem, the Bronx; I walked around and you see it first-hand, what life is like out there.
Once, when we were playing at the Apollo Theater, Holiday was working a block away at the Harlem Opera House. Some of us went over between shows to catch her, and afterwards we went backstage. I did something then, and I still don't know if it was the right thing to do—I asked her for her autograph.
The story of Christian reformation, revival, and renaissance underscores that the darkest hour is often just before the dawn, so we should always be people of hope and prayer, not gloom and defeatism. God the Holy Spirit can turn the situation around in five minutes.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
A housing renaissance has begun. This may be hard to believe after the dizzying, six-year-long crash in home sales, construction and house prices. But housing turned the corner last year, and it will take off in 2013.
It seems to me that the arts are rather flourishing. There's an awful lot of bad art about because of this, but that's true of every great era. I'm sure there was a lot dreadful art in the Renaissance that we fortunately don't see today.
I've gradually fooled myself into becoming a real painter... I really just like to sit in my air-conditioned Rome painting studio surrounded by Medieval and Renaissance architecture and to hold a tube of Alizarin Madder Lake in my artist's hand and marvel at the shiny goop inside.
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