Top 643 Harlem Renaissance Quotes & Sayings - Page 9

I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.

The Italian Renaissance extends beyond food, of course. Just about every major Italian furniture designer now has a shop in Paris, and Le Bon Marche recently opened an outlet for Santa Maria Novella perfumes, elixirs and soaps from Florence on its ground floor.

In one particular chapter in Ulysses, James Joyce imitates every major writing style that's been used by English and American writers over the last 700 years - starting with Beowulf and Chaucer and working his way up through the Renaissance, the Victorian era and on into the 20th century.

I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.

I think people sometimes have a hard time placing me because I don't fit into a box. When they ask what I do at a cocktail party, I either say I'm a Renaissance woman or I'm a high-level madam. Lately I've been more comfortable saying I'm an artist, because that can cover a lot of different things.

The plan was just to make great art, and working with Donald Glover, who is such a renaissance man, we've been working together for ten years, and he is always pushing the envelope in a way - like, whenever we work together, I have no idea what it is going to turn out to be.

In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four.

Dance Theatre of Harlem has done a lot of good things well, a lot of good things badly, and a lot of bad things - it doesn't matter how.

No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again.

Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.

I'm grateful for my health, glad I'm making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I don't take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. It's a gratitude list. It works.

I'm asked that a lot: 'James, is there really a continuing spiritual renaissance occurring on this planet? Look at all the conflict, look at the wars.' And I believe, yes, we're still moving toward a deeper spirituality. It's personal. It's grassroots. It's everybody trying to get their own connection made, and from there it grows out.

Renaissance or the reawakening of Europe. And, and this reawakening actually involved an era during which the people of Europe, who were coming out of the Dark Ages, were then adopting the value system of the people in the East, in the, of the oriental society.

That whole heroic notion of the women warriors known as Amazons is extremely appealing. It was appealing in antiquity, and, throughout the Middle Ages, the Renaissance, they're always portrayed as heroic, courageous, and the equals of men, and that's just extremely attractive and has been since antiquity.

Blacks commit murder eight times more per capita than any other group in our society. If I had put all of my police officers on Park Avenue and none in Harlem, thousands and thousands more blacks would've been killed during the eight years that I was mayor.

There is no monolithic black culture. It's completely different for someone born in Harlem to someone born in Houston or London with one exception, which is that people contributing to black culture have the experience of being black.

Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.

New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.

Everybody in mathematics had given up for 100 years or 200 years the idea that you could from pictures, from looking at pictures, find new ideas. That was the case long ago in the Middle Ages, in the Renaissance, in later periods, but then mathematicians had become very abstract.

One of a handful of films made in Detroit, '8 Mile' doesn't feature the Motown renaissance that Mayor Coleman A. Young dreamed of in the 1970s. Instead, it's the beaten-down city: 8 Mile refers to the line of demarcation between Detroit and suburban, mostly white Oakland County.

I came from a white middle class neighborhood. Was I expected to go back there and teach the woman next door about Renaissance sonnets? The embarrassing truth of the matter was that I was being chosen because Yale University had some peculiar idea about what my skin color or ethnicity signified.

I did not know how to paint a mural. I did not know how to prepare the surface. There was nobody from the Renaissance around who could advise me, and I did the best I could.

Without mincing words or really embellishing anything... I consider Mike Alsbury the renaissance man. He could do it all. He was an engineer. He was a pilot. He worked well with others. He had a great sense of humor. I never heard him raise his voice or lose his cool.

Renaissance cowboy/raconteur Pop Wagner ...deadpan funny ...his presence is like meeting Woody Guthrie and Will Rogers riding a single, many colored horse. Pop is a kind of 'textile genius' who is able to spin, at once, both yarn and rope.

What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal.

Right now, scientists are in exactly the same position as Renaissance painters, commissioned to make the portrait the patron wants done, And if they are smart, they'll make sure their work subtly flatters the patron. Not overtly. Subtly.

I spent many years in college studying English literature. I was on the verge of attending grad school to get a Ph.D. in Renaissance poetry - my lost careers were being a writer, artist, or academic. Do I regret spending all that time poring over Shakespeare when I could have been getting a jump start on the competition? Not at all.

I used to live in the Bronx, then I lived uptown on 106th St. and Broadway, and finally I moved to Harlem right before it became gentrified. I lived on 120th St. between Fifth and Lenox Aves. in a little brownstone. I knew the neighborhood was changing when they started putting trees in the middle of the block.

I'll step in an airport just now, and people will recognize me. I'm in Harlem on 144th and whatever, and people are coming up to me like, "What's up, Chamillionaire?" And seeing it grow is, nothing turning into something, that feeling is a really good feeling.

And then there was moments with white guy where like we would be in Harlem. There would be five brothers in the corner, and this is an awful feeling but you're holding his hand and you want to pull your hand away cause you don't want the judgment. And you're gonna get the judgment even if it's just in looks. And the black men are the worst when it comes to judging.

How could I have been the valedictorian, the smartest, and never known Harlem existed? As a result, I began a lifelong learning experience, because I could not accept what the party line was with education - that these people want to live like this, these people don't have ambition, they don't want to work. You know, all the usual bullshit.

Two factors explain our success. One, MIT's renaissance after World War II as a federally supported research resource. Two, the mathematical revolution in macro- and micro-economic theory and statistics. This was overdue and inevitable, MIT was the logical place for it to flourish.

A renaissance in cellular biology has recently revealed the molecular mechanisms by which thoughts and perceptions directly influence gene activity and cell behavior...Energy psychology, through its ability to rapidly identify and reprogram limiting misconceptions, represents the most powerful and effective process to enhance physical and emotional well being.

n Italy for 30 years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.

Fascism was an explosion against intolerable conditions, against remediable wrongs which the old world failed to remedy. It was a movement to secure national renaissance by people who felt themselves threatened with decline into decadence and death and were determined to live, and live greatly.

One of the things that always fascinated me about the Renaissance was that it was a time both of great scientific discovery and also of superstition and belief in magic. And so it was a period in which Galileo invented the telescope, but also a time when hundreds were burned at the stake because people thought they were witches.

I've worked over four dozen nine-to-five jobs before taking the chance to chase my dream of wanting to become an actor and filmmaker. Growing up in Brooklyn and Harlem, working at jobs like the bus company were great. I had benefits, a great salary, and security. But it wasn't my dream.

But there's more than just solving the how-to problems. I've often said that if we're going to have a real rural renaissance, I'd just take the solving of the how-to problems for granted. The first thing I'd provide would be festivals.

I grew up in a renaissance period, a very lucky time when the greatest music ever made was also the most commercial. We'll never see that again, so for me, there's only one criteria, which is greatness. That's all I care about. Is what I'm doing reaching for greatness? Whether I achieve it or not, that is one hundred percent of my criteria.

All my life I’ve pursued the perfect red. I can never get painters to mix it for me. It’s exactly as if I’d said, ‘I want rococo with a spot of Gothic in it and a bit of Buddhist temple’—they have no idea what I’m talking about. About the best red is to copy the color of a child’s cap in any Renaissance portrait.

If we believe in the rebirth of our civilization... then clearly this renaissance must begin in the chambers of our own hearts... We cannot wait for society to change, or for our institutions to be renewed. We, as individuals, must assume responsibility for our own personal transformation.

People think that design is styling. Design is not style. It's not about giving shape to the shell and not giving a damn about the guts. Good design is a renaissance attitude that combines technology, cognitive science, human need and beauty to produce something that the world didn't know it was missing.

Development of Western science is based on two great achievements: the invention of the formal logical system (in Euclidean geometry) by the Greek philosophers, and the discovery of the possibility to find out causal relationships by systematic experiment (during the Renaissance). In my opinion, one has not to be astonished that the Chinese sages have not made these steps. The astonishing thing is that these discoveries were made at all.

I certainly think there are things that impressed me as a child about the church. The smells and the sounds and the pagaentry of it remained with me. The aesthetic I really love. I think a lot of my sense of melody comes from singing those hymns and doing the renaissance music and stuff.

Well, I couldn't play an instrument. I'd just stand up front and announce the numbers. They had me sing a little, but that was a horrible mistake. I can't carry a tune in a bucket. We played black theaters and nightclubs all over hell. One-nighters. Apollo Theater in Harlem and the Earle Theater in Philly - That was big time for blacks.

If you're a guest [at my $113 million house], you'll be able to call up on screens throughout the house almost any image you like - presidential portraits, reproductions of High Renaissance paintings, pictures of sunsets, airplanes, skiers in the Andes, a rare French stamp, the Beatles in 1965.

In Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace - and what did that produce? The cuckoo clock.

If you want to get an interesting perspective do not think of Hugh as a traditional 20th century physicist but more of a Renaissance man with interests and skills in many different areas. He was smart and lots of things interested him and he brought the same general conceptual methodology to solve them. The subject matter was not so important as the solution ideas.

In the Studio Museum in Harlem, when I was dealing with that community and dealing with my peers in the streets, it allowed for me to get outside of Yale, to get outside of art-speak, and to really think about art as a material practice that has very useful and pragmatic material precedent.

He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.

No individual has done more to help me pursue a career in science than my wife of forty-five years. I met Enid Cassandra Morgan during the election campaign of 1948 when she was a Sunday school teacher, a leader of the youth organizations of St. Phillips Episcopal Church, and the head of Harlem Youth for the election of Henry Wallace.

I'm not guilty. You're the one that's guilty. The lawmakers, the politicians, the Colombian drug lords, all you who lobby against making drugs legal. Just like you did with alcohol during Prohibition. You're the one who's guilty. I mean, c'mon, let's kick the ballistics here: ain't no Uzi's made in Harlem. Not one of us in here owns a poppy field. This thing is bigger than Nino Brown. This is big business. This is the American way.

Whoever lights the torch of war in Europe can wish for nothing but chaos. We, however, live in the firm conviction our times will see not the decline but the renaissance of the West. It is our proud hope and our unshakable belief Germany can make an imperishable contribution to this great work.

Let us help the phoenix to rise from the ashes; let us help lay the foundation for a new renaissance; let us help to accelerate the spiritual awakening until it lifts us into the golden age which would come.

We are in the middle of a tough, ideological conflict that is being waged across the entire continent. On the one side are those who say that global challenges like migration and terror cannot be met with national parochialism. On the other side are those who would like to see a renaissance of the nation-state.

I got a New York designer to build my dream store here, which is a little bit of Florence in New York. It's like the Duomo on Madison. I got inspired by Santa Maria Novella and all the Renaissance architecture.

Since the Renaissance, a concept called 'progress' has been baked into our society. Progress - founded on an accumulation of knowledge through experience (and in the case of science, through experiment). To build on the past rather than endlessly relive it. That's what separates us from the beasts.

My greatest role model is my mom because she's a Renaissance woman. She has had many careers over the course of her life because she really is just an extremely creative, passionate person and is very involved in many different things.

I think the poetry that came out of Belfast, and especially the Queen's University set, in the 1970s and '80s - you know, Paul Muldoon and Seamus Heaney, Derek Mahon and Ciaran Carson - that was probably the finest body of work since the Gaelic renaissance, up there with the work of Yeats and Synge and Lady Gregory.

People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It's a new kind of togetherness which may seem totally alien, but it's the togetherness of modern technology.