Top 145 Hay Quotes & Sayings - Page 3

I love a vision board. I have one hanging over my desk right now. Because what you see, you become, and it reminds you when you start getting busy in the day, about your vision. I like words more than pictures. I have a card sitting on my desk right now that says, "I only give out that which I wish to receive in return." It's one of Louise Hay's cards. Words remind me more and it gives me something to hold onto when I'm frantic about something else.

There's too much political hay to be made undercutting the war, and the consequences be damned. If they want to defeat the war to defeat Bush, well, noted. If they truly believe that the United States is in the same group as the Nazis, the Soviets and Pol Pot, then they've shown they have no perspective, no judgment, no sense of nuance, shall we say. And the idea that such comparisons might be picked up in the Middle East and broadcast with glee is irrelevant; they're parochial to a fault, and care little for anything beyond their reputation and power in Washington.

Who did you pass on the road?" the King went on, holding out his hand to the Messenger for some more hay. "Nobody," said the Messenger. "Quite right," said the King; "this young lady saw him too. So of course Nobody walks slower than you." "I do my best," the Messenger said in a sullen tone. "I'm sure nobody walks much faster than I do!" "He can't do that," said the King, "or else he'd have been here first.

Think they work you too hard? Think of poor Ali Sard. He has to mow grass in his uncle's backyard and its quick growing grass and it grows as he mows it the faster he mows it the faster he grows it. And all that his stingy old uncle will pay for his shoving mower around the hay is piffulous pay of two dooklas a day. And Ali can't live on such piffulous pay!

Love and hate hold hands always so it made natural sense that they'd get confused by upset married folk in the wee hours once in a while and a nosebleed or bruised breast might result. But it just seemed proof that a great foulness was afoot in the world when a no-strings roll in the hay with a stranger led to chipped teeth or cigarette burns on the wrist.

Race horses are like golfers, you're never sure how they're going to come out of the stalls. It's just - hopefully the horses come out of the race all right, just fit and ready to go again in the near future, but 3rd was good. It's paid for its hay.

The ruin of a man's teaching comes of his followers, such as having never touched the foundation he has laid, build upon it wood, hay, and stubble, fit only to be burnt. Therefore, if only to avoid his worst foes, his admirers, a man should avoid system. The more correct a system the worse will it be misunderstood; its professed admirers will take both its errors and their misconceptions of its truths, and hold them forth as its essence.

[on going to Sunday school:] It looks like rain, and I hope it will rain cats and dogs and hammers and pitchforks and silver sugar spoons and hay ricks and paper-covered novels and picture frames and rag carpets and toothpicks and skating rinks and birds of paradise and roof gardens and burdocks and French grammars before Sunday school time.

We come to the New Testament, where again a host of imperative verbs is mustered in support of that miserable bondage of free-choice, and the aid of carnal Reason with her inferences and similes is called in, just as in a picture or a dream you might see the King of the flies with his lances of straw and shields of hay arrayed against a real and regular army of seasoned human troops. That is how the human dreams of Diatribe go to war with the battalions of divine words.

I did all my guitar playing at my house. And then finally, I was throwing hay and stuff working in Stockton and somebody offered - somehow they had heard me singing at the house and said: Hey, I'll hire you for our fraternity party or sorority party. And I said: Well, are they going to pay me? And he said: Yeah, we'll pay you 50 bucks.

Longhaired preachers come out every night, Tryin' to tell us what's wrong and what's right. But when asked about something to eat, They will tell you in voices so sweet. You will eat (You will eat!) By and by, (By and by!) In that glorious land in the sky. (Way up high!) Work and pray, live on hay, You'll get pie in the sky when you die. (That's a lie!)

Life was a fairy-tale, then, it is a tragedy now. When I was 43 and John Hay 41 he said life was a tragedy after 40, and I disputed it. Three years ago he asked me to testify again: I counted my graves, and there was nothing for me to say. I am old; I recognize it but I don't realize it. I wonder if a person ever really ceases to feel young - I mean, for a whole day at a time.

When the soldier returns from the wars, even though he has white hair, he very soon finds a young wife. But a woman has only one summer; if she does not make hay while the sun shines, no one will afterwards have anything to say to her, and she spends her days consulting oracles that never send her a husband.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?

Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him.

The scent organ was playing a delightfully refreshing Herbal Capriccio - rippling arpeggios of thyme and lavender, of rosemary, basil, myrtle, tarragon; a series of daring modulations through the spice keys into ambergris; and a slow return through sandalwood, camphor, cedar and newmown hay (with occasional subtle touches of discord - a whiff of kidney pudding, the faintest suspicion of pig's dung) back to the simple aromatics with which the piece began. The final blast of thyme died away; there was a round of applause; the lights went up.

I mean, these are really dedicated people [in Lovecraft Society] when it comes to [h.P.] Lovecraft. But in the top floor of the John Hay Library, you have all of Lovecraft's archives. And messing around in there, I noticed, I said, what are these paintings? And the librarian told me, "Well, those are Pickman's paintings." I said, "I thought this was like something he made up, like The Necronomicon, that kind of stuff." And he said no, that the guy actually existed.

My young men shall never work, men who work cannot dream; and wisdom comes to us in dreams. You ask me to plow the ground. Shall I take a knife and tear my mothers breast? Then when I die she will not take me to her bosom to rest. You ask me to dig for stone. Shall I dig under her skin for her bones? Then when I die I cannot enter her body to be born again. You ask me to cut grass and make hay and sell it and be rich like white men. But how dare I cut off my mother's hair.

We may have been like needles in a hay stack, but they were like needles . . . in a stack of needles

The sandy cat by the Farmer's chair Mews at his knee for dainty fare; Old Rover in his moss-greened house Mumbles a bone, and barks at a mouse. In the dewy fields the cattle lie Chewing the cud 'neath a fading sky; Dobbin at manger pulls his hay: Gone is another summer's day.

They whirled past the dark trees, as feathers would be swept before a hurricane. Houses, gates, churches, hay-stacks, objects of every kind they shot by, with a velocity and noise like roaring waters suddenly let loose. Still the noise of pursuit grew louder, and still my uncle could hear the young lady wildly screaming, "Faster! Faster!"

This [the movie Babe] is the way Americans want to think of pigs. Real-life 'Babes' see no sun in their limited lives, with no hay to lie on, no mud to roll in. The sows live in tiny cages, so narrow they can't even turn around. They live over metal grates, and their waste is pushed through slats beneath them and flushed into huge pits.

The golden line is drawn between winter and summer. Behind all is blackness and darkness and dissolution. Before is hope, and soft airs, and the flowers, and the sweet season of hay; and people will cross the fields, reading or walking with one another; and instead of the rain that soaks death into the heart of green things, will be the rain which they drink with delight; and there will be sleep on the grass at midday, and early rising in the morning, and long moonlight evenings.

...it’d be like looking for a needle in a burning haystack.' 'Oh, I’ve done that,' Mark said airily. 'It’s a game we used to play, after we got rid of all our livestock and didn’t need our hay no more. You throw a match into the haystack, give the fire a three-second head start, and begin looking. You can find the needle every time if you work quick

Freedom is not empowerment. Empowerment is what the Serbs have in Bosnia. Anybody can grab a gun and be empowered. It's not entitlement. An entitlement is what people on welfare get, and how free are they? It's not an endlessly expanding list of rights - the "right" to education, the "right" to food and housing. That's not freedom, that's dependency. Those aren't rights, those are the rations of slavery - hay and a barn for human cattle.