Top 1200 Head Quotes & Sayings - Page 10

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Last updated on November 26, 2024.
Missionarying was a better thing in those days than it is in ours. All you had to do was to cure the head savage´s sick daughter by a miracle- a miracle like the miracle of Lourdes in our day, for instance- and immediately that head savage was your convert, and filled to the eyes with a new convert´s enthusiasm. You could sit down and make yourself easy now. He would take the ax and convert the rest of the nation himself.
Heat skittered through her belly, then directly south. “Sawyer.” In answer, he brought his head up and kissed her. Deep, hungry, tasting her in a purposely slow, thorough manner before pulling back to once again look into her eyes. Oh, God. “Sawyer, what are we doing?” she whispered. He shook his head. “No f#cking clue.
Come from the heart, the true heart, not the head. When in doubt, choose the heart. This does not mean to deny your own experiences and that which you have empirically learned through the years. It means to trust your self to integrate intuition and experience. There is a balance, a harmony to be nurtured, between the head and the heart. When the intuition rings clear and true, loving impulses are favored.
Hadrian shook his head and sighed. “Why do you have to make everything so difficult? They’re probably not bad people—just poor. You know, taking what they need to buy a loaf of bread to feed their family. Can you begrudge them that? Winter is coming and times are hard.” He nodded his head in the direction of the thieves. “Right?” “I ain’t got no family,” flat-nose replied. “I spend most of my coin on drink.” “You’re not helping,” Hadrian said.
I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.
It was like the first time i saw a cadaver. For weeks afterward the cadavers head, or what was left of it - floated up behind my eggs and bacon at breakfast and in the face of Buddy Willard, who was responsible for my seeing it in the first place, and pretty soon I felt as though I were carrying that cadavers head around with me on a string, like some black, noseless balloon stinking of vinegar.
Mallory dropped her head to the steering wheel. "Look, I'm mad at you, okay? This isn't about me. I know my painful memories are relative. My life is good. I'm lucky. This isn't about how poor little Mallory has had it so hard. I'm not falling apart or anything." He stroked a hand down her back. "Of course you're not. You're just holding the steering wheel up with your head for a minute, that's all.
Indeed, follow your star if you want to head north and it's the North Star. But if you want to head north and it's Mars, you had better follow somebody else's star. — © Antonin Scalia
Indeed, follow your star if you want to head north and it's the North Star. But if you want to head north and it's Mars, you had better follow somebody else's star.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
Sylvia had given him a scalding lecture, the gist of it being that whatever a woman enjoyed wearing was feminine and anything she didn't enjoy wearing wasn't, and if he was too stubborn and old fashioned to understand that, he could go and soak his head in a bucket of cold water. He hadn't quite forgiven her yet for saying they would have to look hard to find a bucket big enough to fit his head in to, but he admired the sass behind the remark.
I thought told you to watch where you put your feet," he said accusingly. Erak shrugged. I did," he replied ruefully. "But while I was busy watching the ground, I hit that branch with my head. Broke it clean in two." Halt raised his eyebrows. "I assume you're not talking about your head," he muttered. Erak frowned at the suggestion. Of course not," he replied. More's the pity," Halt told him.
His mane was like a crest, mounting, then falling low. His neck was long and slender, and arched to the small, savagely beautiful head. The head was that of the wildest of all wild creatures- a stallion born wild- and it was beautiful, savage, splendid. A stallion with a wonderful physical perfection that matched his savage, ruthless spirit.
He stuck the pencil over his ear, looking unconvinced. "Mmm. What position would you be the most comfortable for you?" I couldn't say aloud the answers that popped into my head at that question, but the flush that spread across my face like wildfire gave me away. He caught his lower lip in his teeth, and I was sure it was to contain a laugh. Most comfortable position? What about with my head stuck under a pillow?
My dad grew up with straight-up no running water. He slept in a twin bed with his two sisters and his mom, like 'Charlie And The Chocolate Factory' style: like, feet at the head, feet at the head alternating. And then I think his dad slept on, like, a bed of newspapers on a floor in their apartment.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.
What did you say to the messanger mi'lady? Do you remember the exact words of your last proposal?" "I probably said, "Will you marry me?" Connor smiled. He pulled her toward him, lowered his head and kissed her just long enough to stun her. He lifted his head then, looked into her eyes, and finally spoke to her. "Yes Brenna. I will marry you.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
[S]omething inside us, the feeling of resentment, the feeling that wants to get one's own back, must be simply killed. I do not mean that anyone can decide this moment that he will never feel it anymore. That is not how things happen. I mean that every time it bobs its head up, day after day, year after year, all our lives long, we must hit it on the head. It is hard work, but the attempt is not impossible.
Karrin smiled faintly and shook her head. "He always said you knew ghosts. You're sure it was really him?" Mort eyed her. "Me and everyone else, yeah." Karrin scowled and stared into the middle distance. Mort frowned and then his expression softened. "You didn't want it to be his ghost. Did you?" Murphy shook her head slowly, but said nothing. "You needed everyone to be wrong about it. Because if it really was his ghost," Mort said, "it means that he really is dead." Murphy's face...just crumpled. Her eyes overflowed and she bowed her head. Her body shook in silence.
'Tell me one last thing,' said Harry. 'Is this real? Or has this been happening inside my head?' Dumbledore beamed at him, and his voice sounded loud and strong in Harry's ears even though the bright mist was descending again, obscuring his figure. 'Of course it is happening inside your head, Harry, but why on earth should that mean it is not real?'
I feel like there's a voice in my head, always, telling me every idea is brilliant, and another telling me every idea is the worst. And they argue in my head until somebody wins, until I solicit an audience to be, like, 'Will you help me figure this out? Is this the best or the worst idea?' And they tell me!
You think he’s still alive?” Royce asked, nodding his head toward Alric. “Sure,” Hadrian replied without bothering to look. “He’s probably sleeping. Why do you ask?” “I was just pondering something. Do you think a person could smother in a wet potato bag?” Hadrian lifted his head and looked over at the motionless prince. “I really hadn’t thought about it until now.
When I visited North Korea in November 2014, is that Kim Jong-un is not merely the head of state of the DPRK - the Democratic People's Republic of Korea, North Korea - he's also their deity. So, when you insult him as the head of state, you're also insulting the deity, which of course the regime plays to a fare-thee-well to the domestic audience there.
My dear brother, we must not mind a little suffering for Christs sake. When I am getting through a hedge, if my head and shoulders are safely through, I can bear the pricking of my legs. Let us rejoice in the remembrance that our holy Head has surmounted all His suffering and triumphed over death. Let us follow Him patiently; we shall soon be partakers of His victory
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
Yes, I did bite the head off of a dove. Yes, I did bite the head off of a bat. It's a stupid thing to do, but I did it.
The writing is therapeutic for me, it's an introverted process, I'm really inside my head. It's a really obsessive process. The live show, though, is the opposite. It's an extroverted process. It pushes me to connect with people, and so it pulls me out of my head and just pulls me out of myself.
Imagine this guy hits Mike Hammer over the head with a wooden coathanger and knocks him out. You hit Mike Hammer over the head with a wooden coathanger, he'll beat the crap out of you.
THIS TORTURE Why should we tell you our love stories when you spill them together like blood in the dirt? Love is a pearl lost on the ocean floor, or a fire we can’t see, but how does saying that push us through the top of the head into the light above the head? Love is not an iron pot, so this boiling energy won’t help. Soul, heart, self. Beyond and within those is one saying, How long before I’m free of this torture!
If you get under water, you're at the mercy of our team coming in and getting us before we get another one on the head, and another one on the head, and another one. Or, we have to be able to handle it, and that's where our trainer and our coaches and our people who help us stay fit come into play, the other part of the team.
The purpose of language is to communicate. That's the most basic definition of language. I have my own subjective experience going on in my head, and you have your own subjective experience going on in your head. The only way we can bridge that unbridgeable gap is through language.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
Right or wrong, when a team is doing well, the head coach and the quarterback get all the praise and when a team's not doing well, the head coach and the quarterback get all the blame. I've learned to drown that out.
He tilted his head to the side, still watching me in that same, disconcerting way. “Some things are true, drunk or sober. You should know that. You deal in facts all the time.” “Yeah, but this isn’t—” I couldn’t argue with him looking at me like that. “I have to go. Wait… you didn’t take the cross.” I held it out to him. He shook his head. “Keep it. I think I’ve got something else to help center my life.
I'm always confused when people say how much they miss 'Invader Zim' because the show never stopped running in my head, and then I remember everyone else isn't in my head. I try to imagine the world for all those people who don’t know what Zim's been up to since the show went off the air and it makes me shudder. How can people live that way? Hopefully this comic helps make the world a better place.
God, I love you," he said, and laid his head on her belly, his arms locked around her hips. Madelyn slid her fingers into his hair. "It took you long enough," she said gently. "What I lack in quickness, I make up in staying power." "Meaning?" "That I'll still be telling you that fifty years from now." He paused and turned his head to kiss her stomach.
Think with the big head, man! Think with the big head!
We have reached the age, those of us to whom fortune has assigned a post in life's struggle, when beaten and smashed and biffed by the lashing of the dragon's tail, we begin to appreciate that the old man was not such a fool after all. We saw our parents wrestling with the same dragon, and we thought, though we never spoke a thought aloud, 'Why doesn't he hit him on the head?' Alas, comrads, we know now. We have hit the dragon on the head and we have seen the dragon smile.
You must have the score in your head, not your head in the score.
I hate to tell you, dragon, but that's an integral part of the whole usiness," he whispered. "If you're afraid to touch me then we're not going to get very far." She lifted her head to look at him. "I thought I could lie back and let you ravish me," she said with complete honesty. He shook his head, the smile hovering around his lips, his eyes intent. "This is a cooperative effort, my love. You have to do your part.
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
The first undeniable reality is that every living thing dies, and the second undeniable reality is that we suffer throughout our lives because we don't understand death. The truth derived from these two points is the importance of clarifying the matter of birth and death. The third undeniable reality is that all of the thoughts and feelings that arise in my head simply arise haphazardly, by chance. And the conclusion we can derive from that is not to hold on to all that comes up in our head. That is what we are doing when we sit zazen.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
I have been young, but now am old. I have spent a whole life-time in battling against infidelity with the weapons of apologetic science; but I have become ever more and more convinced that the way to the heart does not lie through the head; and that the only way to the conversion of the head lies through a converted heart which already tastes the living fruits of the gospel.
In Formula 1, the neck is really important. There's a lot of force that's going to your head. We also have a helmet and it's not that light. When it's all about g-force, all of that extra weight in the helmet compounds and puts more and more pressure. To be able to maintain your head in a straight position - especially around the corners and while braking - you need to have strong neck. To train that, it's difficult.
The world is a spinning die, and everything turns and changes: man is turned into angel, and angel into man, and the head into the foot, and the foot into the head. Thus all things turn and spin and change, this into that, and that into this, the topmost to the undermost, and the undermost to the topmost. For at the root all is one, and salvation inheres in the change and return of things.
Hey, here's a way to stop suicide bombings - give the Palestinians a bunch of missile-firing Apache helicopters and let them and the Israelis go at each other head to head. Four billion dollars a year to Israel - four billion dollars a year to the Palestinians - they can just blow each other up and leave the rest of us the hell alone.
You can read minds, and you didn't tell me?” Link stared at me like he just found out I was the Silver Surfer. He rubbed his head nervously. “Hey, man, all that stuff about Lena? I was yankin’ your chain.” He looked away. “Are you doin’ it now? You're doin’ it, aren't you? Dude, get out of my head.” He backed away from me and into the bookshelf. “I can't read your mind, you idiot.
I think I've had my taste.I got to work with Sam [L.Jackson]. I can say I did it. I had my shot. I'd love to do something with [Robert] De Niro or Dustin Hoffman or Al Pacino. Those are guys I grew up watching. That would be wonderful. Now that I've gotten a taste working with a bona fide movie star, I think I'd be more prepared to go head to head with some of the big boys.
I'm sorry, was that homophobic? No--I think it was, 'cause I hear that a lot. Dave, What?, You're talking about being gay. You probably secretly are gay. And I'm like listen voice in my head, I'm not! HOW DO YOU KNOW YOU WOULDN'T LIKE IT? HOW DO YOU KNOW YOU WOULDN'T LIKE IT? I know I wouldn't like it, other scarier voice in my head! 'Cause one time while making a sandwich, a cucumber went up my ass. Three times.
Ask not what's inside your head but what your head's inside of. — © William Mace
Ask not what's inside your head but what your head's inside of.
He wanted head and hands and arms on a pillow - in many different positions. I was asked to move my hands in many different ways - also my head - and I had to turn this way and that. There were nudes that might have been of several different people - sitting - standing - even standing upon the radiator against the window - that was difficult - radiators don't intend you to stand on top of them. (On being photographed by Alfred Stieglitz)
I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist... Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
No matter what's in your head, you go up into any hospital, up to a terminal ward and it'll smack you right back into reality that, "Hey man, whatever you're dealing with, if it's heavy on your heart and head, you're gonna have to let that go, because there, some people are dealing with unavoidable situations that they can't let go." And then they eventually let those go, so, I mean, that's helpful.
I think that religion stops people from thinking. I think it justifies crazies. I think flying planes into a building was a faith-based initiative. I think religion is a neurological disorder. If you look at it logically, it's something that was drilled into your head when you were a small child. It certainly was drilled into mine at that age. And you really can't be responsible when you are a kid for what adults put into your head.
We need saints; we need this head - this talking head - to communicate. Every single religion you have people that go in-between, that can talk to god or communicate ideas. Then there are the talking heads in the news every time we watch TV. No matter how complex, you still need a person there to tell you what happened: a storyteller of sorts. I find that fascinating that we feel so attached to this primitive mode of connection, this primitive interface to the world.
Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.
Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.
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