Top 1200 Hear Music Quotes & Sayings - Page 4

Being Bob Marley's son has done many things for me, in terms of having a career in music. I'm very proud of my music, and I'm very proud of where I'm from. People hear that I'm Bob Marley's son, and they turn on my music to listen just out of curiosity.

I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.

If you can hear music, you can hear the musicality of the way someone speaks. It's easier to nail down the way that they talk. So much of it is listening, just like in acting. If you're listening, you pick up the nuance of why a person behaves the way that they behave.

The music that inspires the souls of lovers exists within themselves and the private universe they occupy. They share it with each other; they do not share it with the tribe or with society. The courage to hear that music and to honor it is one of the prerequisites of romantic love.

It’s important to me that people hear my music on its own merit and not in relation to another project I’ve done. Ultimately, the music has its own energy and message and stands on its own.

When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.

We met because Chad was in one of my classes, and I was looking for someone to write music with. I knew that he wrote his own music, and he seemed nice, so I found out he was going to be in a practice room, practicing his trumpet. He'd already said he was too busy to hang out or hear any new people or work on any music, so I stalked him.

I hate the technological rip-offs that pass for music formats these days, and go back to vinyl to hear a good record because the sound is always so much fuller. I don't even like listening to music in the car.

You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!

I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.

The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.

My family's still loves my music. Every time they hear me on the radio they call my phone - my grandma even called me: "I hear you on the radio!" I'm like, "Grandma, you listen to that and you be in church?"

When I make my music, I try and speak to me. I try to go back and hear it, so my music gets me through the times, you know what I'm saying?

I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.

I would just hear piano players and I would hear music, and just think - I don't just want to sit here and passively listen; I want to get inside it.

I want my music to be everywhere, I want it to be heard. I want to give people an opportunity to enjoy my music, and maybe even hear about this beautiful truth that's in it.

For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence

I've got a very wide taste in art. I like Russian icon painters. I like Salvador Dali. It's like music. Sometimes you want to hear Led Zeppelin, and sometimes you want to hear Stravinsky. It just depends.

I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.

In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music.

You may hear the most beautiful things, you may hear promises, you may hear everything you want to hear but if the person you're dating is not following up with their actions then they're just words.

There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.

Because obviously when we write our music, we pour our heart and soul into it. I put everything into my music... I just feel like, I want people to actually hear what I have to say.

I love making music. I love being involved in arranging music. It's very natural to know what I want to hear next and come up with ideas that are variations of what might be good.

Music is this divine thing, the closest that we can get to something divine. It's like this instinct we all own, and some of us have found a way to hear that music and write it down and share it with people.

If you want to hear good music, good music will always be found.

I love music so much that I have to try to make my own music. And not copy music. If I hear a song that I love - how is the groove and how is the beat and what is the feeling of this? - I can make it my own. So then I try, and I watch it become something totally different. But that's the way I have to do it.

Through the music and words we, as the band The ex, express our thoughts and opinions and ideas. It is not always totally necessary for our audience to clearly hear and understand every line I sing. The power and impact, the positive energy of the music are as much part of the whole thing as the words. We are not trying to convert people, but we believe in our music and like to play it in front of other people, hoping that we can get them as excited as we are about our music.

With Dick Smith there, and the words of Peter Shaffer... they've got to be the most beautiful descriptions in music ever written on film or in literature. And we could hear the music accompanying the words... What more can you ask for?

I'm not a jukebox; I don't play exactly what the crowd wants to hear - that doesn't make sense. But, I do look at people requests. At the end of the day, they are the ticket payers and they are the ones that come to the show. If I played music that purely entertains me, I'd play very weird music.

It's quite hard to have your mom as a teacher - it's like, she's not necessarily a 'real teacher' for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano.

That's what I love about those old movies - the music is like a constant companion. Even in scenes that aren't particularly dramatic, like a woman checking her watch, you hear the music as a comment on that action.

For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence.

It's just all love. That's what music is. That's why music is created. To make people feel good, to uplift people. That's what musicians are for: to give everyone an escape, to let everyone feel good and take people out of everyday problems, so that they can hear music and sing words that are hopefully relatable.

Now anybody can make music at home, and you can hear music on any computer without having to buy it. Everything is apparently better with all the machines we have now, but at the same time, the quality of life is not improving.

I hear music as narrative.

I've always wanted to be a director; it's just how my mind has always worked. If I hear music, I see music videos and all the shots and setups to edit it all together. If I interact with a person, I'm seeing a whole scene come to life.

The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.

I never made music for that crowd. I never made music to fit in. I made music of what I like to hear.

The world of music is changing so dramatically every day, the way people hear music. It's different. It's a new day and requires new thinking.

I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country.

I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.

Yes, anyone can log onto your "anonymous" band's MySpace page and hear the music. So, in theory you have gotten your music in front of 5 billion people. The other thing is that something has to cause them to go to those bands MySpace page, and it's that reliance on taste makers or radio, that is still very much a part of how music is sold and marketed.

I think hip-hop is actually one of the most challenging things that's happened in music in a long time. The people who are in charge of what people see or hear are afraid. What you hear on top 40 or what you see on BET or MTV is not a fair representation of what is really going on...

To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.

One thing Drake is known for is putting out good, quality music. To acknowledge me and my music was all I needed to hear from anybody. Nobody could tell me anything after that.

It's quite hard to have your mom as a teacher - it's like, she's not necessarily a "real teacher" for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano. That was the main thing.

I try not to worry about other people's music. But if there's one thing that I hear these days, it's that people try and put [music] down so tight that they take all the color out of it.

I have my views and obviously my music has connotations that lean toward what I believe, but I've learned through other artists' mistakes that I'm never going to use my career as a platform for politics, especially at shows. People come to hear music. It's my job to entertain them, and it's my escape too.

Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.

You weren't supposed to hear Elvis Presley. You weren't supposed to hear Jerry Lee Lewis. You weren't supposed to hear Robert Johnson. You weren't supposed to hear Hank Williams. And they told the story of the secret America.

I feel good to know that they recognize the potential of reggae music. And they are exposing it to the world, letting the world hear how beautiful reggae music can be.

It sounds kind of cliche, and a lot of people say it about our music, but I think a good place to hear our music for the first time is on vacation, or somewhere warm, on the beach or something like that.

When you take your music around to your people in the city or your label, and don't nobody like it, but you really like it, and you like, 'Dang, these folks don't hear what I hear.'

I spend just as much time on how people hear my music as I do the actual music, no matter how long it takes. I'm such a visual artist as well that it always goes hand-in-hand.

I hear hundreds of years of life. I hear wind and rain and fire and beetles. I hear the seasons changing and birds and squirrels. I hear the life of the trees this wood came from.

What I really appreciate about the music that I grew up to is that I feel like I can put it on now and still hear something new. It's still relevant. That's how I want my music to be perceived. It's what I strive for.

Music always turns into music. As soon as I play a key, push a key down, there's no theory any more. When I go and I hear a sound on the keyboard, all theories go out the window.

When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.

My interest in making music has been to create something that does not exist that I would like to listen to. I wanted to hear music that had not yet happened, by putting together things that suggested a new thing which did not yet exist.