Top 250 Hendrix Quotes & Sayings - Page 5

People used to ask me, 'What do you reckon you'll be doing when you're 40?', and I told 'em 'rocking out and kicking ass!' Now it's 'What do you reckon you'll be doing at 60?' and the answer's exactly the same. I'm always going to love Jimi Hendrix - 'Purple Haze' will still give me a hard-on when I'm hooked up to a life-support machine. Hey, even when I'm dead, they're going to have a hell of a job nailing the coffin lid down.

I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.

I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.

People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.

There are many excellent guitar players but I have to say Jimi Hendrix and Eric Clapton are still at the top! There are many imitators but very few genuine articles. There is so much more to playing than a fast blur of notes, like feeling and emotion from the soul. It's like punctuating a sentence and knowing when to lay back and not fill up all the space. Those are the things I tried to teach my son Tim when he began playing.

All my big heroes are literary, writers. I'd love to meet Jimmy Hendrix or John Coltrane, but I'd much rather meet Thomas Wolfe, or F. Scott Fitzgerald. Words and books have always meant a lot to me. That someone can take words and string them together to where they will move me is just a hell of a thing. It's amazing to me; more amazing to me than music or painting. It's always been the written word or the spoken word, like a great lecture or a great lyric, or a great poem. To me it's just amazing. And I always aspire toward capturing that, or my version of it.

Girlchild . . . unfolds a compelling, layered narrative told by a protagonist with a voice so fresh, original, and funny you'll be in awe. This novel rocks . . . In Girlchild Tupelo Hassman has created a character you'll never forget. Rory Dawn Hendrix of the Calle has as precocious and endearing a voice as Holden Caulfield of Central Park. When you finish this novel, your sorrow at turning the last page will be eased by your excitement at what this sassy, talented author will do next.

I always use the Jeff Beck model. Jeff Beck is just a genius, and he keeps getting better ... If there's anybody in your field you want to aspire to be like, it is a guy who does what he wants to do. Every record at least he comes out with one thing that makes everybodys' jaw drop ... I would hope that Jimi Hendrix would have done that, although, man, the odds are against him because he did so much in such a short amount of time.

But there's a thin line between songwriting and arranging. ... Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too. ... And I think it's safe to say that the single very impressive figure to me was Merle Haggard. ... Dylan can do no wrong. ... Glenn Gould was my hero. Glenn Gould was my idol. I loved him. ... I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him.

I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.