Top 1200 High Fashion Quotes & Sayings - Page 12

It's just really important I think for fashion to be affordable, because everyone should have the opportunity to wear cute things and be happy and comfortable in what they are wearing. That's definitely how I like to shop and how I like to think about clothes and fashion.

High fidelity is a rich experience, and you'll put up with terrible convenience to get it - maybe it's high cost, waiting in line, jumping through hoops. High convenience is the opposite - it's a commodity, but it's cheap and easy and ubiquitous. A great exclusive boutique shop is high fidelity; Wal-Mart is high convenience. Both are hard to establish in their own way. The thing to remember about sustaining either is that you can't sit still. Some other entity will always find a way to challenge your fidelity position or your convenience position.

I wanted to appeal to people who've never really listened to hip-hop or really given it a chance before. I've also tried to incorporate all my favorite lifestyle things in the music. Of course, 'Fashion Killa' is one of peoples' favorites because it just expresses how much I like fashion.

People I respect complimenting me on my work in fashion is more exciting to me than anything I ever achieved as a Spice Girl. I am now competing in an arena where I can hold my head high. I feel quite confident in what I'm doing now, much more than the singing. I was never going to give Mariah Carey any competition.

I grew up in the Bronx. I used to remember going to all these fancy stores in Manhattan to run errands or whatever, and I felt intimidated, like they did not talk to me because I was from the Bronx. I never want anyone to be intimidated by fashion. Fashion is fun or, at least, should be.

If you're building a consumer app, you're necessarily coupled to the intrinsic time cycle of human fashion in that it's a fashion-driven space, and we see that in the cycle of these various apps. I think for infrastructure that that just naturally tends to play out over a longer time horizon.

I'm 19 now, and I go to The New School in New York, where I study Criminal Psychology. My first week of second semester was during Fashion Week when my first editorials in 'CR Fashion Book' and 'Sports Illustrated' came out. It was crazy!

I'm a really big advocate of ethical fashion. I actually have a travelling boutique called Maison de Mode, which is all about ethical fashion. I also like Maiyet from Paris. They're very Celine-esque in their silhouettes. I love their back story, too: they work with orphans in Colombia and India.

I've always had an interest in the fashion industry. Fashion advertising and lifestyle branding has always been intriguing and provocative to me. It's not just clothing or style that I had interest in, it was more the marketing side of things that I had intrigue in.

The Phrygians select a natural hillock, run a trench through the middle of it, dig passages, and extend the interior space as widely as the site admits. Over it they build a pyramidal roof of logs fastened together, and this they cover with reeds and brushwood, heaping up very high mounds of earth above their dwellings. Thus their fashion in houses makes their winters very warm and their summers very cool.

After all, we scientific workers ... like women, are the victims of fashion: at one time we wear dissociated ions, at another electrons; and we are always loth to don rational clothing; some fixed belief we must have manufactured for us: we are high or low church, of this or that degree of nonconformity, according to the school in which we are brought up-but the agnostic is always rare of us and of late years the critic has been taboo.

I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.

For people who aren't familiar with my background, I didn't graduate high school. My career high salary was about $200,000. My last position was about $122,000. For a guy without a high school diploma, that's pretty good.

I feel like now fashion is just part of how I think about everything. When I send out a mood board to our contributors every month about our monthly theme, there are photos from our fashion shows, but there are also film stills and album art.

I think if I wasn't in very high level, I never will be in the team. Cause I was high, in very high level.

It was all about how we were going to build these costumes with lighting in them, and trying to make them a little more high fashion, a little sexier, and a little edgier. But we just did tons and tons of research, and we would constantly be bringing things to each other and inspiring each other.

Your high points and your low points. High points don't last that long, it's a high and it happens. It's great at the moment but you really can't live on it.

My biggest challenge in making 'The Devil Wears Prada' was simply to maintain a tone of sophistication and reality. It's about the fashion world, or it's set in the fashion world, and that's a world that's easy to mock. It's easy to satirise people trying to lose weight and choosing between fancy clothes.

I did not have a car in high school and neither did Angelina. Try to imagine. You go to Beverly Hills High, one of the wealthiest high schools in the nation. Even the cheapest car that anyone has is brand new. All my friends are well off. I have a movie-star father and no car. It was debilitating.

The first and most important thing for me is that people feel how beautiful fashion can be and that it is not just a case of well-made and expensive clothes. Fashion is so rich and it is such an amazing occupation because we can draw on so many different sources of inspiration - just as a hummingbird feeds on a multitude of flowers.

My wife is very interested in fashion. I am absolutely not. I couldn't give a toss. Fashion is a perfectly valid thing to be interested in. I'm just not particularly interested in pop culture. I think I am more interested in things that have a settled permanence about them.

So for me, fashion was about standing out as an individual - and it helped me get the attention that most people try to get with publicity stunts or by doing other crazy things. But I just let the attention come to me naturally, and I think some of that has to do with my fashion.

Sex is something I live very well, but it is something I revealed very slowly in my fashion. What I do is emotional. For me, there is a base, which is my Italian roots. It's a strong passion for fashion, a passion for sensuality and dressing for one's self.

When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.

I think fashion can tell a story about celebrating difference, can talk about how different people are, how diverse people are - and for me, that's where fashion really succeeds, when it tackles things to do with the world we live in.

Growing up in Atlanta, it brings a particular swagger about a person. There are three or four places in the country where people think of fashion: One is LA, obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.

The fashion world is much more ephemeral than the film industry and moves at a faster pace, and it's got even more frenetic since the Nineties; more paparazzi hanging about and it seems to me there are even more fashion magazines.

You can watch Chanel fashion shows and watch the news. Fortunately you don't have to choose. I always vote, I go to rallies, but I also go to fashion shows.

I'm not avoiding your question on my relationship to the fashion world or my work being shown in a fashion setting. My work's most often seen in the streets on billboards. I don't know if it being seen in a shop is any much different.

Music and fashion go hand in hand. I think music inspires all types of arts; it inspires life, emotion, mood, and all of those things are reflected in my fashion and my style. One doesn’t go without the other.

Fairness and equality means that what you are never limits who you can be. It means that a young African-American man like my father can start a business with $500 and a dream. It means that a young African-American woman like my mother can walk into European fashion houses with her head held high and be treated with respect.

When I started, I'd hear other people saying, 'God, she's so bizarre-looking,' because I didn't look like the girl next door. But I was just normal. I was the girl next door. There were people in high fashion I could better relate to who were doing something more interesting and not talking this sort of rubbish.

My first-ever social medium was actually MySpace. But my first video ever was on YouTube - that's when I thought I was a fashion guru - posting fashion stuff. I deleted all of those videos. And I regret doing that today, because I want to look back and see how baduy I was in seventh grade!

I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.

Fashion is so close in revealing a person's inner feelings and everybody seems to hate to lay claim to vanity so people tend to push it away. It's really too close to the quick of the soul. Vain trifles as they seem, clothes have, they say, more important offices than to merely keep us warm. They change our view of the world and the world's view of us. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way you live. Fashion should be a form of escapism, and not a form of imprisonment.

I think a lot of people would assume that my job is more about supermodels and naked ladies and all that, and no, it's just really about fashion, merchandise and customers. So the obviously sexy parts - you get to go to the fashion show and all that stuff. It's really just business. That's my story. I'm sticking to it.

High high in the hills , high in a pine tree bed. She's tracing the wind with that old hand, counting the clouds with that old chant, Three geese in a flock one flew east one flew west one flew over the cuckoo's nest

For rather particular reasons, the interior-design industry moved more quickly than fashion to cope with AIDS. One reason is that it is made up of generally smaller businesses than fashion. The human losses were more quickly noticed.

When you go to make a purchase, take a look at the product and ask yourself: 'am I being cheated?' If a product from a 'fast fashion' chain is falling apart before you've even bought it, it's not a deal. It's the fast-fashion company trying to get you to buy something that is quick on trend but slow on quality.

I was a teacher and an administrator at Parson's School of Design, and as an administrator, I was associate dean. And in that role, I went around fixing things that were broken. And the Parson's fashion program was broken.So fashion chose me. It needed to be developed and evolve. I don't know if it comes naturally to anyone.

I will say that the high road can get so high that you can get a nose bleed, in which case you have to get off the high road.

It's not in what you wear but how you handle yourself. Like Hollywood celebrity Lindsay Lohan, I used to like her a lot because of her great fashion style but look at her attitude. Fashion is also about knowing what's right and doing what is right.

I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.

Fashion was always with me since I was young. I would always be like, 'What do I want to be when I grow up?' And it hit me when I was young - I wanted to be a fashion designer.

One of the criticism I had about the Affordable Care Act is it made insurance so expensive that people who had it didn't even use it because their premiums were high. Their deductibles were high. Their copays were high.

Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.

Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.

Fashion once meant dresses and heels, and I didn't know why I'd want to be dressed that way. Now I'm like, 'Oh my God, those Saint Laurent boots!' Those are not words I thought I'd ever say. A beautiful suit is nice. I get fashion now. In fact, I love it.

If you spot a market where the only choices are at either one end or the other - high fidelity or high convenience - there's probably a big opportunity at the other end. That was the opening for Federal Express, for instance. When it started, there was only one mail service in America - the US Postal Service, which was high convenience. Fred Smith created a high-fidelity mail service.

Fashion week is not an episode of 'Girls' or 'Friends,' where I'm OK that there is not a black person in sight because I honestly believe these characters don't come into contact with - therefore don't have - any black friends. No, in the case of Fashion week, it feels wrong.

I think the WikiLeaks releases furnish us with an opportunity to observe the upper reaches of the American status hierarchy in all its righteousness and majesty. High-achieving colleagues attempting to get jobs for their high-achieving children. Foundation executives doing fine and noble things. Prizes, of course, and high academic achievement.

I was my thinnest when doing 35 fashion shows a week in different countries because I didn't have time to eat. I've never bought the idea that models in fashion magazines cause readers to have anorexia and bulimia. And you can't be a model if you've got those conditions anyway, because you'll get acne and hair all over your body.

I was going to the flea markets to buy furniture. It was getting done the way it was getting done - on a small scale and with a lot of soul and heart and risk. We did fashion like fashion was done before - spontaneously, with joy and freedom, and that's what created our identity.

Fashion as we used to know it doesn't exist. The dress as we know it today-it's dead. The dress has become so short it's really a tunic worn with leggings....Fashion is fantasy, it's a child's game....Now I'm going to be this, and then I'm going to be something else.

Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.

I don't think there's anything to be ashamed of about being a woman who loves fashion. Fashion is a vehicle for self-expression, it tells the world who you are and how you want to be seen. If you use it as a canvas for creativity, then you might want to talk about it, you know? And I fully embrace that.

Fashion is not just about what we wear, but...fashion is also a business. It is an art, it's a career that involves science, engineering, accounting and so much more. People can learn about the math behind Charles James' designs, and think, 'Maybe I should pay closer attention to geometry this semester'

I think people should have fun with fashion, should enjoy wearing beautiful clothes--but also not save everything for the best. Fashion is there to be enjoyed, to be indulged--to wow in. Don't save it for Sunday best only. Get it out of the tissue paper and be sensational every day.

We were raised in a family that had high aspirations for their children, and those high aspirations tended to be along the lines of service and high-minded beliefs, living up to your responsibilities. Both my Danforth grandparents admired service very much.

I feel like I've gone through stages with the industry; when I first started showing it was during the time of the recession, the economical situation meant fashion was suffering. But now the fashion business is back and booming, and I think it just encourages me to constantly set myself bigger and bigger challenges and reach new goals.