Top 1200 Hip-Hop Quotes & Sayings - Page 3

Explore popular Hip-Hop quotes.
Last updated on September 19, 2024.
It's a weird sound [ "Animals"] inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
Hip-Hop isn't just music, it is also a spiritual movement of the blacks! You can't just call Hip-Hop a trend!
The hip hop industry is most likely owned by gays. I happen to think there's a gay mafia in hip hop. Not rappers - the editorial presidents of magazines, the PDs at radio stations, the people who give you awards at award shows.
Hip Hop is the rebirth of civilization. For people who were disconnected from their continent, from their language, from their culture, and from their ancestry, Hip Hop represented a step toward rediscovering what it means to be a Black American, or to be a Latino American.
By the time I was a teenager, when I went outside the house, it was about hip-hop all the time. Nothing but hip-hop, block parties. — © Mary J. Blige
By the time I was a teenager, when I went outside the house, it was about hip-hop all the time. Nothing but hip-hop, block parties.
I grew up with, maybe not the best hip-hop in the world, but a lot of hip-hop. Will Smith was, like, my jam when I was, like, 9 or 10 years old.
I love hip-hop. I have gone through many difference phases in my love affair with hip-hop.
I loved hip-hop. The first stuff I heard was Public Enemy, and I couldn't believe it. It was amazing, and I've always loved hip-hop.
Hip-hop is like underground. I don't know if hip-hop exists anymore. I don't know if it does.
I grew up listening to a lot of rap music. My dad's a DJ from Brooklyn, and he's a very soulful guy, so he always spun a lot of hip-hop, and that's where I get a lot of my hip-hop influence.
Hip-hop has permeated pop culture for decades. For a long time, though, it seemed to permeate it in a such a way that it never really got its just due. Now, hip-hop seems to be getting that recognition and is more widely accepted, which is great.
I've always loved hip-hop, since I was a kid, that's the music that I loved. I think everyone of our generation kind of fantasized about hip-hop in some ways.
I've been writing songs and making music since I was probably ten years old...so my inspirations back then, I don't know - I guess it was something that was innate. I was really shaped to make hip-hop music and love hip hop.
Hip-hop is such an amazing thing that kids still want to do it. They're not saying, "Ugh, that's the old people's music." No, they're younger than they've ever been that want to get into hip-hop music.
I'm a fan of hip hop music, so I always used a hip hop element in my music anyway. — © Damian Marley
I'm a fan of hip hop music, so I always used a hip hop element in my music anyway.
You are the hip-hop violinist, the creator, the visionaire, ... and therefore you should do whatever the hell you wanna do because whatever you do is right. They're not gonna have like 20 hip-hop violinists in the company. I know what to do.
Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool.
November is Hip-Hop History Month, where we give celebration to what hip hop has done to bring together people of the world, people of all nationalities, young people, all the political systems and politicians on the planet.
I love hip-hop music, ... It's rebel music is how I like to speak about it. Hip-hop and reggae come from the same community as far as class...they both come from the bottom of society.
How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
I'm 60, and I did 60-year-old women songs. I'm not trying to be the Hip-Hop Queen, although I am the original Hip Hop Queen.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
I've never been a mega-star. I'm more of a tastemaker of hip-hop. I try to be more of an ambassador for the era of hip-hop that I came in.
Hip-hop is still cool at a party. But to me, hip-hop has never been strictly a party; it is also there to elevate consciousness.
Why isn't it hip-hop when I do it? Everybody else can have beef within the music, talk about differences and it's ok. It's music, it's hip-hop, it's ground breaking. When I do it, it's war.
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
Hip-hop originated from the Bronx specifically; that means everything. I'm down the block from where hip-hop was born and raised, so I'm glad I am here and I'm able to represent New York the way I am.
Hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It's a platform where we could offer information, but it's also an escape.
Hip-hop has always been chronologically misunderstood. Too many times, people are hearing the story from the second floor. Nobody's heard the story from the basement. If hip-hop was a cake, all I can tell you is the eggs, the flour, the sugar, the vanilla - the ingredient years.
I do have a desire to bring a spiritual tone to the hip-hop community, which may force me to open a facility that teaches spiritual principles through the language of hip-hop culture.
My favorite era of hip-hop was between '85-'89. That was the era that got me to love hip-hop.
Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.
I love hip-hop, but hip-hop is a way of life.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
I ain't calling me God. I'm just doing my part on where I think hip hop should go. I think hip hop should be about more money, crazier sounds, different beats.
Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.
Hip-hop was born of people who did not have a voice. They were not heard. And those people exist and are a part of a framework of life... as long as that's true, people will gravitate to hip-hop.
My influences are vast and varied. I was into classic rock at the same time that I was into hip-hop. It was just that hip-hop was the first music that I got really really into. Rock was right on its tail.
Everyone uses grime as a footstool, but imagine Biggie Smalls started doing hip hop, and it started going well, and then he started making RnB: there would be no hip hop! — © Big Narstie
Everyone uses grime as a footstool, but imagine Biggie Smalls started doing hip hop, and it started going well, and then he started making RnB: there would be no hip hop!
More than half of all the hip hop record sales are white people, and I think that might be a result of my record helping people to accept hip hop.
The young generation just wanna move. And you know what? I love it. I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment.
I come from a world of hip-hop, but I love all types of music, and that's what Revolt will reflect. It will be home to electronic dance music, pop, hip-hop.
We listen to a lot of hip hop. They're the ones that are trailblazing. It used to be rock, but it's really turned to hip hop, and they're doing really unique and cool things, and we wanted to do that, too.
Everybody's not always open to everything. People have biased feelings about certain things, especially in the hip-hop world. The hip-hop world hates homosexuality.
I keep my hip-hop as hip-hop, my R&B as R&B and my pop as pop. The ability to cross those boundaries and do all these things effectively is not commonly done.
Bounce is a primarily call-and-response style of hip-hop over a 'Trigger Man' beat. It's a New Orleans-created hip-hop style that developed in the late '80s, early '90s.
Hip-hop is the music of the youth. It sort of has the same purpose as what we do, at least lyrically, because we both are communicating a message, just in different ways. Hip-hop artists talk, we sing. They rap forcefully, we sing gracefully.
That's the unwritten rule in hip-hop. If I get on a record with you, I want to smash you. That's it. Every MC knows that. If I'm on a track with you, I want to be the best on the track. That's just how it is in hip-hop.
I wanna make my imprint in the game as far as music - hip-hop, and just music, period. 'Cause I come from hip-hop, that's my background, but I'm not gonna let that limit me from where I can go.
I listen to a lot of hip hop artists, and I think hip hop and poetry go hand in hand. The 'Def Jam Poetry' on HBO is just so sick to me. — © J. J. Redick
I listen to a lot of hip hop artists, and I think hip hop and poetry go hand in hand. The 'Def Jam Poetry' on HBO is just so sick to me.
I think the hip hop world and the rock world still have a lot in common, but it certainly seems like things happen and break at a much faster pace in the hip hop world.
Unfortunately there is a standard set for it that precedes hip-hop. It would be great if corporate America didn't do this, but there is a huge market for sex and violence and anti-Black representations in America and the world that doesn't begin or end with hip-hop.
Prince, Bootsy Collins, Earth Wind & Fire and Parliament all had albums that sound different. I wanted to show, as a hip-hop producer, I'm one of those that can do anything, because I was raised on so much music aside from rap and hip-hop.
The thing about hip-hop is they always want to classify you as one particular artist, but hip-hop is about going outside the box and expressing yourself however you want to.
I can admit there are some problems in hip hop but it is only a reflection of what's taking place in our society. Hip hop is sick because America is sick.
Critics are always complaining about the materialism of hip-hop and accusing the artists of living way above their means. But this ostentatious sort of spending isn't strictly the province of hip-hop. It's almost like a continuation of the American Dream.
Me and hip-hop have a relationship that has nothing to do with no other rapper, no matter where you from or nothing. Every n*gga got his own personal relationship with hip-hop and this is mine.
I really like hip-hop and rap; that's my main influence. I really wanna be more of a hip-hop artist.
I'm a fan of hip-hop as a whole, period. I love hip-hop. I look at it as a study and I love it.
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