Top 1200 Historical Figure Quotes & Sayings - Page 4

I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

Unfortunately, in self-discovery, you get the culty types who want the father figure or mother figure to tell them everything to do. They don't want to do any work. They want to hang on your energy and try to drain it.

It is exciting to kind of figure things out in yourself and then use other people to help you figure things out so you can really reach your potential.

Knowing you don't have much time left changes things. You get kind of philosophical. And you figure things out-more like, they figure themselves out-and everything gets real clear.

I'm trying to figure things out in the world. No one knows what this life thing is all about - there's no manual. Just trying to figure it out.

I have rarely read a more wonderful book than To Win Her Favor by Tamera Alexander. Rich with historical detail and fully developed characters, this novel held me spellbound until the last page. If you read one historical novel this year, make it To Win Her Favor. It will linger with you long after the last page.

The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man.

I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.

I'm excited to watch slope style and halfpipe. And then, of course, when my events are done, I get to go to hockey, which is always entertaining. I also like figure skating. I think every girl grew up watching figure skating.

I'm always exploring other people: trying to figure out myself, trying to figure out everyone.

For those of us who aren't great with people, we figure that silence is always the safest bet. If you're an introvert, you spend so much of your time wishing that other people would just shut the hell up that you figure you're doing everyone a favor.

You can always figure out how to deliver things in somewhat controlled situations, but when you start to get into the reality of the market you start to figure out what isn't going to work.

The quickest way to defuse fear or insecurity or anger is usually humor. I think comics figure that out quickly, and, once you figure it out, you think, 'Hey, if I can do this and get paid, that would be kind of cool.'

It is, let me say, at the very least by no means self-evident that there is more liberty, equality, and fraternity in the world today than there was one thousand years ago. One might arguably suggest that the opposite is true. I seek to paint no idyll of the worlds before historical capitalism. They were worlds of little liberty, little equality, and little fraternity. The only question is whether historical capitalism represented progress in these regards, or regression.

I went to the four levers. None of them were marked. There was only one way to figure out which one was the right one. I had to call upon all my Traveler experience and special powers to figure it out. It's called...Eenie, meenie, miney...mo!" -Bobby Pendragon

Fighters used to be afraid of the Russians, Cubans but then I'd figure them out and figure out how to beat them.

I do like the idea of the novel of repressed college students being a contemporary novel of courtship! I guess what I would say to that is, we tend to think of historical periods and historical mores as ending a lot more concretely than they do. Like, in an Austen novel, there are lots of reasons - cultural, moral, religious - why the characters don't have sex during courtship. Maybe, even though those reasons have kind of expired, historically, they're still around in some sense.

What the world is like from a nine-year-old's point of view? My memory is that nothing is explained to you, you've got to try to figure it out, pick up clues from the people around you, try to figure it out from their reactions.

I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.

The point is... you'd better figure out what your Customers - the Customers you want - value. Because that's what they'll buy. Anything else is a waste of their money, and they'll figure that out in a hurry.

I think it's important to figure out you and to have fun and to be dating and to figure out what you like and what you don't like. It's what growing up is all about.

Let's make the haystack smaller. Let's say for a while, until we can figure out who's coming, who's going, and who's overstayed their visa, let's have extra scrutiny and figure out what's going on, because there's a whole segment of the world that is intent on sending people here to attack us.

I'm actually the chairman of the historical foundation [in Franklin] called the Heritage Foundation in Franklin. We've got a pretty good group of folks, very influential folks, who are really striving to protect those lands and so far we're not having a lot of problems. We're growing too fast. Everybody wants to put up some sort of neighborhood but that's our biggest battle. Nobody's really trying to go on any of the historical land.

Being the middle child, I couldn't figure out where I fit in the home. I couldn't figure out whether I was the youngest of the older three or the oldest of the younger three.

Cooking is one of my favourite things - from going to the market, bringing the stuff home and preparing it, to cleaning the kitchen afterwards. I've lost my figure a few times. There have been moments when I've overeaten, for comfort. But with discipline and hard work, you can get your figure back.

I actually prefer Twitter as a medium, and I also got into Periscope for a second, but I'm still trying to figure out what to do with it. I can't figure out if the only important thing about it is the live broadcast, or if it's an interesting kind of way to log what you do.

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

I'm ready to be an action figure. I'd love that very much. And all the redheaded kids will get to go out and feel loved and be able to buy a redheaded action figure.

As an actor, I've learned to become a detective. You have to figure out who that person is. If the character is a thief, you have to figure out what makes them a thief. Whatever the prevailing idiosyncrasy is, I have to find it in the script.

There will be a 'Guardians 3,' that's for sure. We're trying to figure it out. I'm trying to figure out what I want to do. Really, that's all it is.

It is not a question so much of a 'tree like a figure' or a 'root like a figure' - it is a question of bringing out the anonymous personality of these things.

I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.

When I got the job with 'Superman,' it felt like somebody threw me into the ocean. I was just trying to figure it out, to figure out how to tread water. Lucky for me, I'm part of a great team.

Dialectical logic undoes the abstractions of formal logic and of transcendental philosophy, but it also denies the concreteness of immediate experience. To the extent to which this experience comes to rest with the things as they appear and happen to be, it is a limited and even false experience. It attains its truth if it has freed itself from the deceptive objectivity which conceals the factors behind the facts - that is, if it understands its world as a historical universe, in which the established facts are the work of the historical practice of man.

There are three fundamental poses of the human figure. One is standing. The other is seated, and the third is lying down... Of the three poses, the reclining figure gives the most freedom, compositionally and spatially.

Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.

I kind of had to figure stuff out on my own and get myself snowboarding competitively again. I went through all types of different legs to try to learn which were going to work for me. Luckily, I was able to figure it out.

Our knowledge of the historical worth of certain religious doctrines increases our respect for them, but does not invalidate our proposal that they should cease to be put forward as the reasons for the precepts of civilization. On the contrary! Those historical residues have helped us to view religious teachings, as it were, as neurotic relics, and we may now argue that the time has probably come, as it does in an analytic treatment, for replacing the effects of repression by the results of the rational operation of the intellect.

With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.

I had to figure out myself to figure out my game.

To view any individual as being independent of relationality is like viewing a point outside of a line, a line outside of a figure, a figure outside of a body.

I figure I'm just one of many people. I'm not that different from anybody else, and I don't have great language, highfalutin' language - I'm very ordinary. So I figure if I write about myself, other people with similar feelings and experiences would go, 'Oh, that's me.'

I'm not trying to erase my culture or my faith, I'm trying to be the best version of myself, and it's really hard. I don't think I'm right, I don't claim to be correct, I'm just trying to figure it out and figure out a balance.

I'm not saying I know everything about love. I'm still trying to figure out girls... I don't think we'll ever totally figure out girls.

Trying to talk through and figure out new answers really helps me figure out more about what I'm doing - and what we're all doing.

At 22, there’s a lot of trying to figure out love, which at the end of the day, I’ve realized I’ll never figure out, though the process of trying is fun.

It is clear, from these considerations, that the three methods of classifying mankind-that according to physical characters, according to language, and according to culture-all reflect the historical development of races from different standpoints; and that the results of the three classifications are not comparable, because the historical facts do not affect the three classes of phenomena equally. A consideration of all these classes of facts is needed when we endeavour to reconstruct the early history of the races of mankind.

I figure if someone calls something a 'Draugr,' people can figure out that it's a monster or some sort of mythic creature, and if they want to know more, there's plenty of information out there about those mythic creatures.

It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history

The key is not to figure out what the best people are doing and try to emulate it - rather, figure out what causes people and companies to be successful.

I have a lot of books optioned. This one sat around for a while - part of that was just because I was trying to figure it out, and I didn't realize I needed Pam to figure it out - but I'm not somebody that likes to option books and then sit on them.

The quickest way to defuse fear or insecurity or anger is usually humor. I think comics figure that out quickly, and, once you figure it out, you think, 'Hey, if I can do this and get paid, that would be kind of cool.

I think love is something you figure out later on in life, and you have to make a lot of mistakes to figure out what love is, which is why we all have shitty, tumultuous relationships when we're younger, and it's harder to let go.

It's always hard for a writer to make herself into a character; I had to figure out what my defining characteristics were, and that's something I had to work through multiple drafts to figure out.

Trying to make certain things on the Internet totally private unless you subscribe. It's not going to work. If you can figure out how to close something down, somebody can figure out how to open it up. That's art.

When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.

The key thing is, don't worry about if anyone is reading you or not. Figure out your voice and figure out what you want to write about, what you're good at, what you like doing.

I don't think you can figure this stuff out. If you could figure all this stuff out, then all the great filmmakers would come out of Yale and Harvard. It's not an intellectual process.

The heart of Christianity is a myth which is also a fact. The old myth of the Dying God, without ceasing to be myth, comes down from the heaven of legend and imagination to the earth of history. It happens - at a particular date, in a particular place, followed by definable historical consequences. We pass from a Balder or an Osiris, dying nobody knows when or where, to a historical Person crucified (it is all in order) under Pontius Pilate. By becoming fact it does not cease to be myth: that is the miracle.

I paint like an abstract painter everything is inside nothing is meant to be, I take tattoos off a people I take anything that's not necessarily going to be timeless. I want to get across what I feel and I just use the figure because I enjoy the figure.