Top 1200 Historical Perspective Quotes & Sayings - Page 5

Explore popular Historical Perspective quotes.
Last updated on September 20, 2024.
First of all, let me just say what's interesting about American politics is that if things really get bad here, people say nasty things about you. From a global perspective, if politics get bad, you die, so let's just keep some perspective here.
'Believing' cannot tip the scales in making a historical judgement about whether something really happened. I can choose to believe that George Washington threw a silver dollar across the Rappahannock, but my believing that he did it has nothing to do with whether or not he really did do it. So also with the story of Jesus walking on water: Believing that he did it has nothing to do with whether he really did do it. 'Belief' cannot be the basis for historical conclusions; it has no direct relevance.
What if you had the ability to make EVERYDAY the BEST day of your life? You do! You see, we have the opportunity to make everyday our best, through the power of our perspective. The quality of our lives has little to do with what happens to us, but is always determined by the perspective we choose to view our lives from.
The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.
When you venture at life with curiosity, you can learn from anything. You learn from things that you could never maybe thought you could learn from. And when you actually step into the room with a lot of people who have an education in a classroom, that is very similar to other people's educations, you'll actually come with a unique perspective that could be a valuable perspective that creates an innovation that could change the world.
There has certainly been a great deal of work addressing the relationship between naturalism and the first-person perspective. Quite a number of philosophers have suggested that there are features of the first-person perspective that naturalism just cannot accommodate, whether it be qualitative character, or consciousness, or simply the ability we have to think of ourselves in a distinctively first-person manner.
In building up a democratic model I think that Cuba's contribution, little by little, has contributed to getting closer to the ideals of those philosophers, of those Greeks who thought about how a society could be fairer, how a society could really represent the interests of the people. We have tried to get closer to that from a Latin-American perspective and from the Cuban perspective.
At the end of the day, it's all about how you were raised and your perspective. It's all about if you want to win. If you don't want to win anymore, then you can't win. If you're not in the game, you can't win the game. If you give up, let it be your perspective. I've been taught long ago that I'll never be nothing.
All typefaces are historical. — © Jonathan Hoefler
All typefaces are historical.
All societies are historical.
The study of the Life of Jesus has had a curious history. It set out in quest of the historical Jesus, believing that when it had found Him it could bring Him straight into our time as a Teacher and Saviour. ... But He does not stay; He passes by our time and returns to His own... He returned to His own time, not owing to the application of any historical ingenuity, but by the same inevitable necessity by which the liberated pendulum returns to its original position.
It is, let me say, at the very least by no means self-evident that there is more liberty, equality, and fraternity in the world today than there was one thousand years ago. One might arguably suggest that the opposite is true. I seek to paint no idyll of the worlds before historical capitalism. They were worlds of little liberty, little equality, and little fraternity. The only question is whether historical capitalism represented progress in these regards, or regression.
I never wanted to do anything else but fight, when I was a kid. I never had any broader perspective of my own perspective. I didn't know anything about anything else. I just wanted to fight until I could fight no more, and then I wanted to own a bar and drink and tell war stories.
Historical tends to be my bailiwick.
[talking about the Holocaust] 'But to put something in context is a step towards saying it can be understood and that it can be explained. And if it can be explained that it can be explained away.' 'But this is History. Distance yourselves. Our perspective on the past alters. Looking back, immediately in front of us is dead ground. We don't see it, and because we don't see it this means that there is no period so remote as the recent past. And one of the historian's jobs is to anticipate what our perspective of that period will be... even on the Holocaust.
If I brought you down to the size of an individual cell so that you could see your body from that perspective, it would offer a whole new view of the world. When you looked back at yourself from that perspective you would not see yourself as a single entity. You would see yourself as a bustling community of more than 50 trillion individual cells.
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
I'm not sure that all books aren't that way. I think that might apply to any book I was writing. The book was kind of the product of this enormous infatuation I had, not only with the office and office politics, but with perspective, and trying to tell a story from as wide a range of perspectives as you possibly can. I tried to capture it all with the first-person plural, but once I settled on that, I used it to tell the story from as many angles as I could. I guess, to put it romantically, it was about a love affair with the craft of perspective.
It's really about taking something inherently negative, and starting with the word loser, starting with something that's negative, and changing it into something that's positive, redefining it, but doing it in a certain way, how - like I would say when I look out at the world and you see it's dark and it's just overbearing and every day is depressed, depressed, depressed. What it took was to change my perspective a little bit. Not to change the world, to change my perspective.
There is only a perspective seeing, only a perspective 'knowing'; and the more affects we allow to speak about one thing, the more eyes, different eyes, we can use to observe one thing, the more complete will our 'concept' of this thing, our 'objectivity,' be.
Like sex, poverty and power, suicide may always be with us. But like them again, the actual form is takes is essentially time-specific and culture-bound, not only in the past but in the present too. The people who took their lives, the paths which led them to that end, and the experience of dying in this way were deeply influenced by specific historical circumstances. Only by making a greater effort at historical understanding can this most secret house of death be made to yield up more of its confidences.
I'm obsessed with historical English royalty.
The first step of gratitude is to see the gift...if you are in the middle of difficulties and problems, how can you feel gratitude? You've got to fight to find the gift even in the difficulty...when you shift your perspective from the perspective of the mind because life will never make sense to your mind...mind is very logical and life is not. In order for life to make sense you've got to be out of your mind and you've got to be into your soul. When you begin to see life from the perspective of your soul then even in the midst of the worst of it you can see the gift.
I have a rule of thumb now and that's that somebody [she dates] has to have been married and they have to have had kids. Everything boils down to perspective. If your potential mate does not have the same perspective that you do then you're going to be lost.... If somebody has never been married, they don't know compromise ... [and] if they don't have children, they don't know the absolute self-sacrifice it takes and what it means to be a parent.
It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history
When people get to see me interact with the creative giants, they see the perspective and the respect. A lot of times, people don't have that respect, from a music perspective, with the music people.
Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.
If you're a song writer, it's a bit different because you are expressing your own words, feelings, perspective. As an actor, you are doing your best to interpret and express the root of the character's perspective which have been established by the writer. There are parallels of performing. Tapping into your own emotional piggy bank. The biggest commonality is if you are successful in either industry, you get free snacks all the time.
My picture of the world is drawn in perspective and not like a model to scale. The foreground is occupied by human beings and the stars are all as small as three-penny bits. I don't really believe in astronomy, except as a complicated description of part of the course of human and possibly animal sensation. I apply my perspective not merely to space but also to time. In time the world will cool and everything will die; but that is a long time off still and its present value at compound discount is almost nothing.
In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
I'm coming from a place where I have seen a different way to handle it, or a slightly different way to go through what is happening, that gives me some perspective. So I think it always helps. It always helps to have someone who has traveled the world or seen a different way to do something. That helps give you perspective.
No thought can encapsulate the vastness of the totality. Reality is a unified whole, but thought cuts it up into fragments. Every thought implies a perspective, and every perspective, by its very nature, implies limitation, which ultimately means that it is not true, at least not absolutely. Only the whole is true, but the whole cannot be spoken or thought.
Barack Obama didn't say "I only want to be the President of Black people," he said "I want to be the President of the United States and have something to say about the United States and my perspective and my lens is going to affect my judgment on everything" and that's the way a Christian should be. I'm going to invade culture and my lens and perspective is going to influence culture just as much as anyone else's.
I've spent a lot of time in my political life talking about why it matters to have women in the decision making, whether it's at the family table, whether it's in a board room, whether it's in the halls of Congress, whether it's in your community meeting. And it has to do with the fact that women's lives are different. You know? They're not better or worse than men's, but they are different and we bring that different perspective to whatever we do. And it's important to have that perspective at the table.
The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people.
Interesting thing, these fellows never seem to get the idea of perspective-' The Bursar thought, or received the thought: that's because perspective is a lie. If I know a pond is round then why should I draw it oval? I will draw it round because round is true. Why should my brush lie to you just because my eye lies to me?
I actually had someone say to me, 'Lynn, you're going to have very good days, and you're going to have very bad days. But It's rare that things are as good as they look, and it's rare that things are as bad as they seem.' So having perspective, and challenging perspective, is important to making good decisions.
Judaism is an historical religion.
No historical analogies are exactly precise.
I love historical references.
Our knowledge of the historical worth of certain religious doctrines increases our respect for them, but does not invalidate our proposal that they should cease to be put forward as the reasons for the precepts of civilization. On the contrary! Those historical residues have helped us to view religious teachings, as it were, as neurotic relics, and we may now argue that the time has probably come, as it does in an analytic treatment, for replacing the effects of repression by the results of the rational operation of the intellect.
I do like the idea of the novel of repressed college students being a contemporary novel of courtship! I guess what I would say to that is, we tend to think of historical periods and historical mores as ending a lot more concretely than they do. Like, in an Austen novel, there are lots of reasons - cultural, moral, religious - why the characters don't have sex during courtship. Maybe, even though those reasons have kind of expired, historically, they're still around in some sense.
With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.
I can honestly say that there are many forms of atheism that I find far more admirable than many forms of Christianity or of religion in general. But atheism that consists entirely in vacuous arguments afloat on oceans of historical ignorance, made turbulent by storms of strident self-righteousness, is as contemptible as any other form of dreary fundamentalism. And it is sometimes difficult, frankly, to be perfectly generous in one’s response to the sort of invective currently fashionable among the devoutly undevout, or to the sort of historical misrepresentations it typically involves.
In fact, our need to feel like big shots keeps us wedded to inadequate perspectives on the world, keeps us from exploring and dealing with what doesn't fit into those perspectives. We should be trying to formulate a bigger, richer perspective to accommodate what doesn't fit, but no matter how beautiful and true that new perspective looks to us, we should always be prepared to acknowledge that it doesn't accommodate something we haven't yet confronted.
This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.
We have to start looking at the world through women's eyes' how are human rights, peace and development defined from the perspective of the lives of women? It's also important to look at the world from the perspective of the lives of diverse women, because there is not single women's view, any more than there is a single men's view.
Men will not change as long as women 'marry up.' Men won't change until we have a perspective on how powerless power makes us. A woman cannot help a man change until she has a perspective on how powerless power makes men.
My mission is to change the way people see the world. Everybody has a perspective or a lens they see things through, and hopefully I can adjust that lens or change that lens so that they see things from a different perspective, a different lens.
To turn to the Lord and to trust him through revelation will help any individual, at any time, in any part of the world, understand and interpret correctly and righteously life's experiences from the only true perspective, which is the Lord's perspective revealed to man. To turn to the Lord and to trust his revelations is live in such a way as to resist the floods and the winds of doubt and uncertainty.
Considerable obstacles generally present themselves to the beginner, in studying the elements of Solid Geometry, from the practice which has hitherto uniformly prevailed in this country, of never submitting to the eye of the student, the figures on whose properties he is reasoning, but of drawing perspective representations of them upon a plane. ...I hope that I shall never be obliged to have recourse to a perspective drawing of any figure whose parts are not in the same plane.
The reason we've been growing at 1.8 percent for the last eight, ten years, which is way below the historical average, is in large part because of our tax code. It is important to us to get the biggest, broadest tax reduction, tax cuts, tax reform that we can possibly get because it's the only way we get back to 3 percent growth. That's what's driving all of this, how do you get the American economy back on that historical growth rate of 3 percent and out of these doldrums of 1.8, 1.9 that we had of the previous Barack Obama administration?
It is clear, from these considerations, that the three methods of classifying mankind-that according to physical characters, according to language, and according to culture-all reflect the historical development of races from different standpoints; and that the results of the three classifications are not comparable, because the historical facts do not affect the three classes of phenomena equally. A consideration of all these classes of facts is needed when we endeavour to reconstruct the early history of the races of mankind.
Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way.
You accept the historical Jesus? — © Albert Einstein
You accept the historical Jesus?
It's very difficult to evaluate a leader in a very short-term perspective because to be a leader you must be able to have a long-term perspective. You must be able to carry changes which take many years. And this is why you can really only see whether it has been a good leadership after some years have passed.
[...] He didn't want his wife to read historical romances because it might give her unrealistic expectations. [...] If I had been him, I would have been reading your books every time you laid them down to see how I could improve my skills and please you. Second warning of the night. I bought a couple." You bought a couple of what?" Historical romances. I'm three-quarters through the first one." He flashed her a slow grin. "All I can say is, I like the way your mind works." ~Jake Coulter and Molly Wells
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