Top 1200 Historical Political Quotes & Sayings

Explore popular Historical Political quotes.
Last updated on November 21, 2024.
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Obama's extraordinary political skills suggest he is more than capable of rising above any personal historical grudges he may have inherited.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
I'm a big fan of historical fiction stuff. Historical battles - 'Gladiators,' 'The Patriot.' — © Andrew Luck
I'm a big fan of historical fiction stuff. Historical battles - 'Gladiators,' 'The Patriot.'
The thing that has always interested me - amidst the scale, the historical spectacle, or the social significance or the political resonance - has been the relationships.
Economy and ideology. The claim (presented as an essential postulate of historical materialism) that every fluctuation of politics and ideology can be presented and expounded as an immediate expression of the structure, must be contested in theory as primitive infantilism, and combated in practice with the authentic testimony of Marx, the author of concrete political and historical works.
It is of course the nature of historical contraction that the shortest distance to a historical destination is never a straight line.
My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
In historical and constitutional terms, the recent political status vote in Puerto Rico was a necessary but obviously not decisive step on the road of self-determination leading to full self-government.
You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.
I write novels, mostly historical ones, and I try hard to keep them accurate as to historical facts, milieu and flavor.
Terrorism cannot be isolated from its political, historical, and even social context.
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
Though my books are written from a historical perspective, I have goon so far back that I am in the realm of prehistorical speculation rather than simple historical fact to weave my stories around.
Whether you want it or not, your genes have a political past, your skin a political tone. your eyes a political color. ... you walk with political steps on political ground.
You must address the historical and political differences in race and ethnicity in this country before you hold tenaciously to insubstantial, and unsubtantiated, beliefs.
The erasure itself became the action. It seemed to suggest a moment in terms of how sad or pessimistic you can feel in a political environment or a historical situation. But it felt like a really hopeful gesture in the painting.
Historical! Must it be historical to catch your attention? Even though historicity, like notoriety, denotes nothing more than thatsomething has occurred.
People often of masterful intelligence, trained usually in law or economics or perhaps in political science, who have led their governments into disastrous decisions and miscalculations because they have no awareness whatever of the historical background, the cultural universe, of the foreign societies with which they have to deal.
Jung Chang was the first person to tell a grand historical, political story through a personal narrative. — © Aminatta Forna
Jung Chang was the first person to tell a grand historical, political story through a personal narrative.
Now, whenever you read any historical document, you always evaluate it in light of the historical context.
Even if people tell me they have historical proof [that it is not historical], that doesn't really bother me.
Political history is not the only way to approach historical figures.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
In 1987, the United States celebrates the bicentennial anniversary of the constitutional convention that provided the basic rules for the American political order. This convention was one of the very few historical examples in which political rules were deliberately chosen.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
How does a country deal with the fact that some of its most revered historical figures had certain moral values and political views virtually identical to Nazis?
America has become amnesiac - a country in which forms of historical, political, and moral forgetting are not only willfully practiced but celebrated.
The four great motives for writing prose are sheer egoism, esthetic enthusiasm, historical impulse, and political purpose.
As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.
America has become amnesiac, a country in which forms of historical, political, and moral forgetting are not only willfully practiced but celebrated.
From a historical viewpoint, religion is just a kind of superstition, and from a political viewpoint it is a tool of social control.
Trump would have us revise and edit our historical memory of 9/11, turning it from a unifying narrative of heroism, tragedy, and war and recast it to serve the political ends of a man unworthy of the presidency.
It was clear to me that the forms of consciousness of our inherited and acquired historical education - aesthetic consciousness and historical consciousness - presented alienated forms of our true historical being.
It was the French Revolution that served as the catalyst of this renovation. Its impact was to make the concept of popular sovereignty the new moral justification for the political system of historical capitalism.
Events are the ephemera of history; they pass across its stage like fireflies, hardly glimpsed before they settle back into darkness and as often as not into oblivion. Every event, however brief, has to be sure a contribution to make, lights up some dark corner or even some wide vista of history. Nor is it only political history which benefits most, for every historical landscape - political, economic, social, even geographical - is illumined by the intermittent flare of the event.
As much as I care about historical context - I'm very eager to read a really great historical account.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
In my work, there's mechanism that is "real," which is formed from the historical concepts of the images that I'm working with. That doesn't fall completely into a cliché. There are elements about it that carry historical context and edges.
Due to the fact that I experienced personally the situation of a political prisoner, I have an historical commitment to all those that were or are prisoners just because they expressed their views, their public opinion, their own opinions.
What distinguishes the historical social system we are calling historical capitalism is that in this historical system capital came to be used (invested) in a very special way. It came to be used with the primary objective or intent of self-expansion. In this system, past accumulations were 'capital' only to the extend they were used to accumulate more of the same.
For me, what is political is very personal. Politics are not this abstract idea. Laws are the rules that dictate how we live our lives. What we eat is political. How we dress is political. Where we live is political. All of these things are influenced by political decision-making, and it's important to be part of the process.
I think that James Baldwin is, for sure, one of the most important American writer/thinkers of his time... not just African-American. He singled-handedly revolutionized the political, artistic, and historical discourses about America.
In the same way that I've no desire to live in earlier historical periods, I never touch historical recipes. Most historical cooking is detestable. — © David Starkey
In the same way that I've no desire to live in earlier historical periods, I never touch historical recipes. Most historical cooking is detestable.
For long, history was mainly political history, and historical narrative was confined to an account of the most important crises in political life, or to an account of wars and great generals.
Historical determinism is a recipe for political quietism.
It is easy to see, though it scarcely needs to be pointed out, since it is involved in the fact that Reason is set aside, that faith is not a form of knowledge; for all knowledge is either a knowledge of the eternal, excluding the temporal and historical as indifferent, or it is pure historical knowledge. No knowledge can have for its object the absurdity that the eternal is the historical.
I probably owe my political dismay to New Labour, but also my growing sense that the satirical shape of human affairs is international and historical, not glued to the tawdry ambitions of a team of politicians who represent nothing but themselves.
If you're playing a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
Sisterhood cannot be assumed on the basis of gender; it must be forged in concrete historical and political practice and analysis
If you're playing the a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
If you make a determination that [story of Abraham and the sacrifice of Isaac] is not historical, do you throw it away? I don't think we can say whether it's precisely, scientifically historical.
My books fall in the wobbly middle between historical fiction and historical romance.
The corniest movie ever made about the white man's need to lose his identity and assuage racial, political, sexual and historical guilt.
Anti-Semitism has no historical, political and certainly no philosophical origins. Anti-Semitism is a disease. — © Daniel Barenboim
Anti-Semitism has no historical, political and certainly no philosophical origins. Anti-Semitism is a disease.
When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
As far as reading is concerned, I like historical and political books and works of art.
I don’t want to disappoint too many people, but the number of interesting political, historical conversations we had, you could stick in your ear, it wasn't that many. We talked about friends, family and of course girls.
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.
Steve Bannon went to the Conservative Political Action Conference and he said that there was a very important historical turning point, getting rid of the Trans-Pacific Partnership. And the Republican Party has stood for that for as long as I have been alive.
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