Top 1200 Historical Quotes & Sayings - Page 16

Explore popular Historical quotes.
Last updated on November 8, 2024.
What exhibit buildings God will have! The historical exhibits, the scientific exhibits, the spiritual exhibits, to be able to see the marvelous wonders of the Spirit World!
The claim of the Zen followers that they are transmitting the essence of Buddhism is based on their belief that Zen takes hold of the enlivening spirit of the Buddha, stripped of all its historical and doctrinal garments.
My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures. — © Rashid Johnson
My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures.
First and foremost, telling historical stories is very tricky because it is something that is known. It is not like you can tell a lie or change something that is written in black and white.
I'm a bit of a geek when it comes to historical events, so to get the chance to research our family history using our DNA was too good an opportunity to pass up.
With honesty of purpose, balance, a respect for tradition, courage, and, above all, a philosophy of life, any young person who embraces the historical profession will find it rich in rewards and durable in satisfaction.
I want to see books taken out of historical time and placed into a different timeline, such as evolutionary or geological time, as a means of putting the human experience in context.
Whenever I went to an historical moment that was sad or where something terrible happened, it was, for me, a learning moment, a teaching moment for those who survived.
My particular historical vantage point is a product of my upbringing as that odd duck, a native Washingtonian whose parents were not in government. The first presidential transition of my sentient lifetime, Kennedy's, I remember vividly.
In the American Jewish community, there is little willingness to face the fact that the Palestinian Arabs have suffered a monstrous historical injustice . . . Until this is recognized, discussion of the Middle East crisis cannot even begin.
Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.
I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it.
A great conductor is an alchemical force: someone who can absorb the historical weight of a famous melody, the expectations of an audience, and the mercurial brilliance of a host of musicians, and shape them all to his or her interpretative ends.
My father thought of America as the last best hope for humanity. He believed we had a historical mission to be a paragon to the rest of the world, to be about what human beings can accomplish if they work together and maintain their focus.
I probably owe my political dismay to New Labour, but also my growing sense that the satirical shape of human affairs is international and historical, not glued to the tawdry ambitions of a team of politicians who represent nothing but themselves.
One of the joys of writing historical fiction is the chance to read as much as you like on a pet subject - so much that you could easily bore your friends senseless on the topic.
I remember when I was in school I had this teacher give me this E.L. Doctorow quote: They asked him how much historical research he does for his books and he said, 'As little as possible.' So I try and adhere to that.
Not infrequently, Southern food now unlocks the rusty gates of race and class, age and sex. On such occasions, a place at the table is like a ringside seat at the historical and ongoing drama of life in the region.
Many novelists take well-defined, precise characters, whose stories are sometimes of mediocre interest, and place them in an important historical context, which remains secondary in spite of everything.
If you write a book about a bygone period that lies east of the Mississippi River, then it's a historical novel. If it's west of the Mississippi, it's a western, a different category. There's no sense to it.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
As a matter of historical analysis, the relationship between secrecy and privacy can be stated in an axiom: the defense of privacy follows, and never precedes, the emergence of new technologies for the exposure of secrets.
My Rama, the Rama of our prayers, is not the historical Rama, the son of Dasharatha, the king of Ayodhya.
I drove from Addis Ababa to Aksum, where they have the Ark of the Covenant, to the Semien Mountains in the Highlands. I love how the country has a distinct identity and historical borders that werent randomly carved up by explorers.
Our historical experience teaches us that men imitate one another, that their attitudes are statistically calculable, their opinions manipulable, and that man is therefore less an individual (a subject) than an element in a mass.
Modern Armenia survived only because it was the single province controlled, and protected, by the Russian Empire. The rest of the territory within its historical borders is almost wholly devoid of ethnic Armenians.
The number of elements that have to go into a hit would break a computer down. the right season for that play, the right historical moment, the right tonality.
How does photography serve to legitimate and normalize existing power relationships? ... How is historical and social memory preserved, transformed, restricted and obliterated by photographs?
The supernatural birth of Christ, his miracles, his resurrection and ascension, remain eternal truths, whatever doubts may be cast on their reality as historical facts.
Something that came as a shock to me is that we do not have a constitutional right to vote. And that's not just a fun little historical factoid. It actually has huge ramifications. It's the reason our system is so decentralized - in other words, chaotic.
Even though the society that Marx foresaw is far from being an historical reality, Marxism has penetrated so deeply in history that we are all Marxists, one way or another, even unknowingly.
If psychedelics are, on any level, to be taken seriously as catalyzers or expanders of consciousness, then we need them, because it's an absence of consciousness that is making this historical transition so excruciating.
Natalie Bakopoulos has that rare gift, the ability to imagine a traumatic historical event in the form of individual lives and ordinary details. The Green Shore is compelling, personal, and full of quietly real moments.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
Obviously, I love to do both contemporary and historical fiction. When a hint of a story grabs me, I try to go with it to see where it will take me whatever the setting.
There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
I can read a newspaper article, and it might trigger something else in my mind. I often like to choose in historical fiction things or subject matter I don't feel have been given a fair shake in history.
Back in 2006-07 when we completed the first Ashes whitewash in 86 years, the historical significance didn't really filter in to our thinking. We didn't realise it at the time - we were just making amends for 2005.
Anne Barton is a delightful new voice in historical romance! Once She Was Tempted is a charming read, with characters who are easy to love--a wounded earl and a determined heroine whose heart won't be denied.
The greatest historical events in the twentieth century - in fact, in all of human history - have been the overthrow of capitalism and establishment of societies run by and for the working class in the two great communist revolutions in Russia and China.
Trump would have us revise and edit our historical memory of 9/11, turning it from a unifying narrative of heroism, tragedy, and war and recast it to serve the political ends of a man unworthy of the presidency.
Perhaps I was always intensely curious, but my Columbia education gave me a framework and a perspective to investigate new things - things that could be put into a historical and philosophical lineage.
The historical legacies of resistance to racism, militarism, privatization and panoptical surveillance have long been forgotten and made invisible in the current assumption that Americans now live in a democratic, post-racial society.
Today, we are fortunate that the historical novel has reached such extraordinary heights of technical mastery. The ability of society to connect with the past holds out the greatest hope for it being able to embrace the future.
Muse, time has taught me that all metaphysical systems, even historical facts given as truths, are hardly that, so I amuse myself with more agreeable lies; I no longer read anything but novels.
With their own record of killing 12 million American Indians and supporting slavery for four decades after the British abolished it, Americans wish to project their historical guilt on to someone else.
The linguistic and literary reality of the biblical tradition is folkloristic in essence. The concept of a benei Israel ... is a reflection of no sociopolitical entity of the historical state of Israel of the Assyrian period
There is a profound hypocrisy - and deep historical ignorance - when Europeans complain about the problems posed by the ethnic and religious minorities in their midst, for that is exactly what European colonial rule meant for peoples around the world.
That public men publish falsehoods Is nothing new. That America must accept Like the historical republics corruption and empire Has been known for years. Be angry at the sun for setting If these things anger you.
If anyone ever said biopic I would say, "It's not a biopic." We're fighting uphill against the weight of history. I was like, why don't we just call it historical fiction? — © Don Cheadle
If anyone ever said biopic I would say, "It's not a biopic." We're fighting uphill against the weight of history. I was like, why don't we just call it historical fiction?
There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
The erasure itself became the action. It seemed to suggest a moment in terms of how sad or pessimistic you can feel in a political environment or a historical situation. But it felt like a really hopeful gesture in the painting.
We have to put aside the customary historical reading of works of art in order to invite art to respond to certain quite specific pains and dilemmas of our psyches.
When you walk in the front of the White House, the pictures on the walls, they change out pretty frequently. They're all very cool and historical, with pictures from the current term and past terms.
The historical mission of our times is to re-invent the human—at the species level, with critical reflection, within the community of life-systems, in a time-developmental context, by means of story and shared dream experience.
It is, I believe, no exaggeration to say that all the historical information which has been collected in the Sanskrit language is less valuable than what may be found in the paltry abridgements used at preparatory schools in England.
In some places you can find an extreme blackness used as a descriptive. I also take into account historical realities that some of this range in color is the legacy of white supremacy.
The academic mind can eat away the very basis of its own assurance ... produce contortions when it tries to bend over backward ... allow itself to be dismayed by the picture it has created of relentless historical process.
If the September 11 terror attack is supposed to constitute a caesura in world history, it must be able to stand comparison to other events of world historical impact.
For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research.
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